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Image of a bear shaped interior house post. This appears to be a house post that was transferred from Hope Island to the Museum of Anthropology in 1956.

Image of two old house posts on Hope Island, BC. The post on the right appears to be the same as a post now housed at the Museum of Anthropology, that was collected from Hope Island in 1956. Both posts feature a human figure with large eyes. On one post, the figure is holding a small face near its waist. On the other post, the figure is holding what appears to be an animal of some kind. The Museum of Anthropology's website provides the following description of the posts: "The posts of the unfinished house of Ha'm'cit were carved by a man from Smith Inlet called Si.wit who moved to Xu'mtaspi and married Tom Omhyid's mother. Ha'm'cit died before the house was finished. (Information provided to Prof. Wilson Duff by Mungo Martin). The artist's potlatch name was P'aczsmaxw. Wayne Suttles places the Xu'mtaspi village as Nahwitti, in historic times, however it was occupied jointly by the Nahwitti, the Yalhinuxw, and the Noqemqilisala (of Hanson Lagoon)."

Fonds consists of records relating to the numerous culture and language projects that Powell and Jensen worked on since 1976. The communities with which they worked include:
• The Quileute of La Push
• The Kwakwaka’wakw of Alert Bay
• The Gitxsan of Kispiox, Gitanyow, and surrounding villages
• The Nuu-chah-nulth of Vancouver Island
• The Musqueam of Vancouver
• The Seton Lake St'at'imc (Lillooet) of Shalalth
• The Shuswap of Alkali Lake, Soda Creek, Dog Creek, Canim Lake, and Sugar Cane
• The Haisla of Kitamaat
• The Nisga’a of Gingolx (Kincolith) and New Aiyansh

Most of the projects had an end goal to produce a book, language education materials, or teacher training materials. Often the education materials incorporated cultural lessons throughout. The records created in the production of the books are varied and reflect the intrinsic connection between language, culture, and daily activities in the communities. Powell and Jensen were co-editors for nearly all of the language books and materials produced. Although some of the projects reflected in the records were done primarily by Powell or primarily by Jensen, the vast majority of the work involves collaboration between the two in some aspect. As Jensen and Powell immersed themselves in the communities they worked for, often their personal photographs and records are interspersed with those relating to their work. This community involvement enhanced their relationships with the people with whom they were working and allowed them to experience and participate in cultural activities as part of those communities. This close relationship is reflected in and is integral to their work. Jensen and Powell have two sons: Nels, born in 1978, and Luke, born in 1981. Their sons travelled with them to the communities in which they worked and lived, and on their work trips and sabbaticals. Nels and Luke are also present in many of the photographic records.

The records contain a mixture of research, field notes, administrative records, and publications at various stages, in addition to audio and visual records. Field notes, for the most part handwritten, and archival research into language and culture groups was undertaken by Powell, whilst the majority of the photography, found in a variety of formats, was done by Jensen. Manuscripts and final publications were a combined effort and are included at various stages. Administrative records, including grant proposals, are found throughout.

Fonds consists of 13 series of records. Series are arranged according to community and/or project, and include:

1. Quileute
2. Chinook Jargon
3. Kwak’wala (U’Mista)
4. Gitxsan
5. Nuu-chah-nulth
6. Salishan
7. Shuswap
8. Haisla
9. Tait
10. Northwest Coast artists
11. Northwest Coast groups
12. UBC totems/events
13. Publications

Image depicts the exhibition The Pacific Passage installed at the Vancouver International Airport. The focal point of the photograph is Hetux, a large Thunderbird sculpture created by artist Connie Watts (Nuu-chah-nulth, Gitxsan and Kwakwaka'wakw).

Image of the interior carved columns of a Kwakiutl longhouse at Kingcome Inlet, BC. A long canoe runs the length of the centre of the longhouse.

Image of the interior carved columns of a Kwakiutl longhouse at Kingcome Inlet, BC. A long canoe runs the length of the centre of the longhouse.

Image of the interior carved columns of a Kwakiutl longhouse at Kingcome Inlet, BC. A long canoe runs the length of the centre of the longhouse.

Image of an old, but still standing, house, and two old carved house posts, now lying in the grass, at the Mamalilikulla, Village Island

Image of parts of an old building, possibly a longhouse, at the Mamalilikulla village on Village Island, off of northern Vancouver Island.

Image of two carved house posts at the Mamalilikulla village, Village Island. The posts are now lying in the grass.

Image of an old carved house post or totem pole at the Mamalilikulla village, Village Island. The post is still standing, but leaning sharply to the side.

Image of totem pole carved by George Hunt Sr. The pole is now part of the museum's collection.
This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters". The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.

Image of a feast dish. This dish is now part of MOA's object collection.

Image of the memorial held for the Kwakiutl Chief Mungo Martin. A similar image of the same scene is printed on page 29 of Carter's book "From History's Locker," with the caption: "Under the direction of Chief William Scow the assembled chiefs of the Kwakiutl Nation come forward to make speeches in honor of the late Chief Mungo Martin."

Image of the raising of a totem pole made in memory of the Kwakiutl Chief Mungo Martin. The pole was placed at his grave.

Portrait of Chief James King, Hakwamees band, Kingcome Inlet. A similar portrait is printed on page 47 of Carter's book "From History's Locker," with the caption: "Holding the speaker's staff is our equivalent of a master of ceremonies." Staff is now in MOA’s collection - object ID: A9181.

Image from the memorial held for the Kwakiutl Chief Mungo Martin. A similar image of the same scene is printed on page 29 of Carter's book "From History's Locker," with the caption: "Under the direction of Chief William Scow the assembled chiefs of the Kwakiutl Nation come forward to make speeches in honor of the late Chief Mungo Martin." The man featured in this image is not identified.

Image of the memorial held for the Kwakiutl Chief Mungo Martin. A similar image of the same scene is printed on page 29 of Carter's book "From History's Locker," with the caption: "Under the direction of Chief William Scow the assembled chiefs of the Kwakiutl Nation come forward to make speeches in honor of the late Chief Mungo Martin."

Image of the memorial held for the Kwakiutl Chief Mungo Martin. A similar image of the same scene is printed on page 29 of Carter's book "From History's Locker," with the caption: "Under the direction of Chief William Scow the assembled chiefs of the Kwakiutl Nation come forward to make speeches in honor of the late Chief Mungo Martin."

Image of the raising of a totem pole made in memory of the Kwakiutl Chief Mungo Martin. The pole was placed at his grave.