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Archival description
British Columbia File
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Nisga'a

File mainly contains historical images of the Nisga'a villages, peoples, and of Nisga'a totem poles. Other images are of modern day Nisga'a totem poles housed in museums in Canada and the United States. The textual records contained in this file are catalogue cards which provide some of the photograph's context, providing information such as the location of the photograph, the people in the photographs, which museum and/or archive collection the image belongs to, and/or the image's catalogue number.

Tlingit/Tahltan/North

The majority of this file contains historical images of the Tlingit and Tahltan First Nations and their respective villages. The other images are of Tlingit or Tahltan artifacts housed in various museums in Canada and the United States. The historic images are of Tlingit or Tahltan villages which include images of Northwest Coast architecture, houses posts and totem poles, canoes, and other household items such as bowls, weavings, and bentwood boxes. There are also some images of the Tlingit people in regalia. The textual records contained in this file is a paper titled "The History of the Babine Carriers," written by Wilfred Adam for the class Education 479, Cross Cultural Education.

Canoes

File contains a combination of historical and modern day images of canoes used by First Nation groups living on the Northwest Coast. The historical images contain images of village life and uses of the canoe in a historical context. The modern day images show canoes housed in various museums in Canada and the United States. The textual records contained in this file are photocopies of images of canoes, both from historical photographs and of modern day photographs.

Gitxsan

File contains historical photographs of Gitxsan villages, with a specific focus on totem poles and various buildings in the villages. There are also some images of the Gitxsan people in regalia. The textual records contain information to some of the photographs, listing the photograph's title and the museum and/or archive it originated from.

Salish

File contains a combination of historical photographs depicting village life of the Coast Salish people, and modern day photographs of Salish artifacts housed in various museums around the world. The historical photographs contain images of Coast Salish peoples, totem poles, house posts, canoes, and petroglyphs. The modern day photographs contain images of Coast Salish artifacts such as blankets, spindle whorls, masks, carvings, house posts and totem poles, and household items such as combs and bowls. The textual records contained in this file are photocopies of images of Coast Salish artifacts housed in various museums around the world.

Missionary photographs – totem poles and artifacts

File contains cabinet cards depicting villages, people, totem poles and house posts from in and around Haida Gwaii (Queen Charlotte Islands), as well as Northwest Coast indigenous cultural and ceremonial objects (artifacts and curios). File includes depictions of mission buildings of Reverend Thomas Crosby.

History of Copper (20 coppers from Alert Bay), GW(?) Hunt, 1924

Photocopy of a manuscript about coppers from Alert Bay, BC. Front page notes that it was "sent by GW(?) Hunt, Port Hardy, BC." It also has a stamp from the "Department of Mines geological Survey, received Mar 26, 1924. Division of Anthropology."

Original manuscript might be at UBC's Rare Books and Special Collections library.

Alert Bay Photographs and Postcards

File consists of 7 photographs and 7 postcards purchased by Barwick in Summer 1958. Photographs document a centennial celebration held in Alert Bay in 1958 by a local photographer. Postcard images depict buildings in Alert Bay (St. Michael's Indian Residential School, a community hall, hospital), a cemetery, and totem poles, carvings, and masks and were taken between 1949-1950.

Slide group 8

File contains graphic materials depicting petroglyphs and pictographs in the coast of British Columbia. According to annotations, some of the photographs were taken by Morley Raven.

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