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File contains photo-copies of images of First Nation community members in Alert Bay and at St. Mike's Residential School. The photographs were taken to community elders who had been at the residential school so that they could annotate the photographs. Not all of the images in the file were used in the exhibit.

File contains images of the exhibit My Ancestors are Still Dancing. In addition are textual records relating to the exhibit such as budget and outlines.

File contains images of the exhibit display.

Subseries consists of photographic slides of the Where are the Children? Healing the Legacy exhibition held from June to December of 2002.

Subseries contains records related to the <i>Where are the Children?</i> exhibit held by MOA. Curated by Jeff Thomas, and circulated by the Aboriginal Healing Foundation in Ottawa, this exhibition presented a series of historical photographs documenting the history of residential schools in Canada. The records include correspondence related to exhibit loans, temporary exhibit preliminary and finalized designs and a reference manual for setting up the exhibition.

File contains information pertaining to the <i>Where are the Children? Healing the Legacy of the Residential Schools</i> exhibit. This information includes background information about residential schools in Canada, a copy of the exhibit's preliminary design report, photocopies of images, and a copy of the exhibit's "Reference Manual: For Setting up Exhibition (floor plans, wall elevations, text, captions, etc."

Subseries consists of images from the exhibition When World Collide.

Subseries consists of images of the artist who created Ukrainian Easter eggs for the exhibit <i>Symbol of New Hope: The Ukrainian Easter Egg</i>

File contains images of Mary-Ann Novokoneski in front of the exhibit. In addition the contact sheet shows images not available in negative format.

Subseries contains images of objects shown in the exhibition titled Tupilaq: Greenland Spirit Carvings held at the Museum of Anthropology March 4th 1984. The carvings are by Anton Utuak.

This subseries consists of records related to the traveling exhibit that came to MOA called <i>Treasures of the Tsimshian from the Dundas Collection.</i> Records include draft correspondence, and draft exhibit photos and text (including case labels).

File contains print outs of catalogue records of Tsimshian artifacts featured in the Dundas Collection Exhibit hosted at MOA from February to June 2008.

File contains images of the <i>Transforming Images</i> exhibit held at MOA in 1993. The images show pieces featured in the exhibit, as well as people visiting the exhibit.

File contains images of some of the painted boards and screens featured in the <i>Transforming Images</i> Exhibit held at MOA and at the Canadian Museum of Civilization. There are also images of some of the artists featured in the exhibit working on their pieces.

Subseries contains records directly related to the planning, development and execution of the Transforming Image exhibit at MOA. Planning for the exhibit began in 1983 when grants were obtained to begin research on Northwest Coast paintings. The exhibit itself occurred in 1993. The exhibit was the end result of research and development of a technique to view severely faded Northwest Coast First Nations paintings and painted objects through the use of infrared technology. Records include correspondence and information requests, public relations files, grant application information, budgeting information, papers, conferences and publications about the Transforming Image, files related to the publishing of the Transforming Image book and school interest in the exhibit.

Due to its large volume, The Transforming Image subseries has been broken down further into sub- subseries: Administration records; Research files; Book related; and Institutional photographs.

ref # 1-1-MMM-1

Subseries contains records related to the <i>Tlingit Long-tail Canoe</i> exhibit held in Gallery 3 at MOA. The exhibit features a newly carved 38 foot Tlingit long-tail canoe created by Mr. Calvin Hunt to honour his great, great Tlingit grandmother, Anisalaga (nee Mary Ebbets). The exhibit ran from October 15 – December 13, 2009. Records include correspondence and proposals regarding the creation of the exhibit, photographs and photocopies of canoes and public relations materials promoting the exhibit.

File mainly contains textual records related to the Tlingit Long-tail Canoe Exhibit. Textual records mainly consist of photocopies of historical photographs of Tlingit canoes. Other textual records include copies of correspondence between McLennan and the Royal British Columbia Museum, where many of the images were obtained from, and information about the exhibit, including a promotional handout, and a project report.

The images contained in this file are historic photographs of Tlingit canoes.

Subseries contains images of robes and saddle.

Subseries consists of records relating to the <i>Through My Eyes</i> exhibit held at the Museum of Vancouver. The exhibit is a collaborative effort curated by 27 First Nations people of different Northwest Coast communities allowing them to “present their personal perspective” of their culture and its objects. McLennan was involved through managing the development, production and implementation of this collaborative effort. Records include photographs and slides of potential exhibit artifacts, media reviews, student paper reviews, exhibit project statements, transcripts of interviews done with First Nations artists, correspondence, consent forms for interviews and audio cassettes of the taped interviews which detail McLennan discussing various pieces of First Nations art with several artists.

Subseries contains images of objects and the exhibit.