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Facial closeup of freestanding carving
Part of Virginia Kehoe fonds
Image depicts a closeup of the head of a freestanding carving. Painted in black, white, and red, it depicts a face with prominent ears, eyes, and mouth. An unpainted section can be seen on the top of the head. See also items a34570 and a34572 for other views of this carving.
Freestanding carving, side view
Part of Virginia Kehoe fonds
Image depicts a side view of a freestanding carving. Painted in black, white, and red, it depicts a face with prominent ears, eyes, and mouth. In this view the white vest and hands are also visible. An unpainted section can be seen on the top of the head. See also items a34570 and a34571 for other views of this carving.
Part of Virginia Kehoe fonds
Image depicts a small scale totem pole which seems to be situated in a cemetery. The bottom figure seems to be human and the top an eagle.
Part of Virginia Kehoe fonds
Image depicts a large carving, possibly of a Thunderbird. Painted in black, white, green, and tan, the wings are spread out wide.
Part of Virginia Kehoe fonds
Image depicts an unidentified carver working on a totem pole.
Carving the Saint Catherine totem pole
Part of Virginia Kehoe fonds
Image depicts a man, probably Douglas Cranmer, in the early stages of carving the St. Catherines, Ontario totem pole. The pole is outside. He is preparing to use a chain saw to make the early cuts to a pole. Markings are visible, showing where he will cut.
Freestanding figure with white feet
Part of Virginia Kehoe fonds
Image depicts a frontal view of a freestanding figure with white feet. The figure also has hands raised to chest height and wears a white vest decorated with crests. See also items a34571 and a34572 for other views of this carving.
Part of Virginia Kehoe fonds
Image depicts Doug Cranmer in the early stages of carving a totem pole. Cranmer squats on one side of the pole while another man stands on the opposite side.
Part of Virginia Kehoe fonds
Image depicts a carver, possibly Godfrey Hunt, working on a partially carved totem pole. Depicted images include a Thunderbird and a figure holding a copper. This may be the St. Catherines. Ontario Centennial Confederation pole, carved in 1967.
Part of Virginia Kehoe fonds
Image depicts a carver, possibly Godfrey Hunt, carving on a totem pole. He is possibly using a file.
Part of Virginia Kehoe fonds
Image depicts Doug Cranmer in the early stages of carving a totem pole.
Finished pole ready for transport
Part of Virginia Kehoe fonds
Image depicts a completed pole, wrapped and enclosed in a wooden frame, ready for transport. Image appears to have been taken at a loading dock.
Part of Virginia Kehoe fonds
Image depicts three carvers working on a totem pole. The centre carver is Doug Cranmer; the man on Cramner's right may be Godfrey Hunt. A woman works, possibly sanding, image right.
Completed pole inside packing crate
Part of Virginia Kehoe fonds
Image depicts a close up of a totem pole, wrapped in plastic and encased in a packing crate.
Inspecting a partially carved pole
Part of Virginia Kehoe fonds
Image depicts Doug Cranmer and another carver, possibly Godfrey Hunt, with a partially carved pole. A man and a woman observe the work.
Part of Virginia Kehoe fonds
Image depicts a carver working on a partially carved pole. The pole is lying on the ground outside.
Part of Virginia Kehoe fonds
Image depicts a carver, possibly Godfrey Hunt, painting a totem pole. 1960s vintage cars are visible in the background.
Part of Virginia Kehoe fonds
Image depicts a partially carved totem pole resting on the ground. Doug Cranmer is visible in the lower left corner of the image; another carver works on the pole. A can of paint is visible, but not in use.
Part of Virginia Kehoe fonds
Image depicts painting a totem pole. A woman paints in the foreground; Doug Cranmer stands at the other end of the pole.
Part of Virginia Kehoe fonds
Image depicts Doug Cranmer taking a break from carving. He sits on a wooden stool with his chain saw at his feet.