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Mr. Bob Wilson at his home in Fort Rupert
Mr. Bob Wilson at his home in Fort Rupert. Talking in English and Kwakwala about Tlisaligilakw (Mink) and other myths involving sea creatures. Recorded by Martine de Widerspach-Thor (Reid) in 1977 and 1978.
Martine J. Reid
Part of Stanley E. Read fonds
Image depicts a range of mountains with a valley and river running through it. Based on Read's itinerary for this trip, this may be the Skeena River and valley.
Part of Fred Ryckman fonds
View from an elevated site showing mountain tops. Snow-covered evergreens appear in the foreground.
Fred Ryckman
Mountain House, Moresby Island
Part of Reverend Thomas Crosby fonds
Image depicts exterior view of the Mountain House, frontal pole, house post, and mortuary pole located on Moresby Island in Haida Gwaii, B. C. In the foreground is a canoe. Printed around the border of the image is the photographer information "PHOTOGRAPHED BY R. MAYNARD, VICTORIA, . . . B. C." Handwritten inscription on the border reads "Gold Harbour Q. Ch. Is.". Printed on the verso is the photographer information with the inscription "R. Maynard, Photographic Artist, AND DEALER IN ALL KINDS OF PHOTOGRAPHIC MATERIALS, COR. OF DOUGLAS AND JOHNSON STS., VICTORIA, B. C. -- Views of British Columbia and Vancouver Island for Sale." A handwritten inscription reads "Indian Village".
Mosquito Totem Pole, top side view
Part of Virginia Kehoe fonds
Image depicts a side view of the top of a totem pole carved by Doug Cranmer. This view shows details of the mosquito's head, eye, and mouth. This pole stood in Deep Cove, BC before being moved to the Glenbow Museum in Calgary, Alberta. Views of this pole can be seen in items a034459 - a034467.
Mosquito Totem Pole, top rear view
Part of Virginia Kehoe fonds
Image depicts a rear view of the top of a totem pole carved by Doug Cranmer. This portion depicts a side view of the mosquito's head and wings and reveals that the pole is open at the back. From this perspective a church can be seen in the background. This pole stood in Deep Cove, BC before being moved to the Glenbow Museum in Calgary, Alberta. Views of this pole can be seen in items a034459 - a034467.
Mosquito Totem Pole, top close up
Part of Virginia Kehoe fonds
Image depicts a close up view of the top of a totem pole carved by Doug Cranmer featuring a mosquito. This pole stood in Deep Cove, BC before being moved to the Glenbow Museum in Calgary, Alberta. Views of this pole can be seen in items a034459 - a034467.
Mosquito Totem Pole, side view of midsection
Part of Virginia Kehoe fonds
Image depicts a side view of the midsection of a totem pole carved by Doug Cranmer. This portion depicts the mosquito's wings, legs, and proboscis. This pole stood in Deep Cove, BC before being moved to the Glenbow Museum in Calgary, Alberta. Views of this pole can be seen in items a034459 - a034467.
Mosquito Totem Pole, frontal view
Part of Virginia Kehoe fonds
Image depicts a frontal view of a totem pole carved by Doug Cranmer. The mosquito perched on three human figures stands in front of a carving shed. This pole stood in Deep Cove, BC before being moved to the Glenbow Museum in Calgary, Alberta. Views of this pole can be seen in items a034459 - a034467.
Mosquito Totem Pole, front view
Part of Virginia Kehoe fonds
Image depicts a frontal view of a totem pole carved by Doug Cranmer. The base features figures that resemble humans. A mosquito with a long proboscis and six legs perches on the human's head. This pole stood in Deep Cove, BC before being moved to the Glenbow Museum in Calgary, Alberta. Views of this pole can be seen in items a034459 - a034467.
Mosquito Totem Pole, closeup of base
Part of Virginia Kehoe fonds
Image depicts a close up view of the base of a totem pole carved by Doug Cranmer. The base features figures that resemble humans. Above the man's head the end of the mosquito proboscis is visible. This pole stood in Deep Cove, BC before being moved to the Glenbow Museum in Calgary, Alberta. Views of this pole can be seen in items a034459 - a034467.
Mosquito Totem Pole, base frontal view
Part of Virginia Kehoe fonds
Image depicts a frontal view of the base of a totem pole carved by Doug Cranmer. This portion depicts a human figure sitting with arms wrapped around bent legs. Two other human figures are positioned on each side and behind. The mosquito's feet are perched on the human figure's head. This pole stood in Deep Cove, BC before being moved to the Glenbow Museum in Calgary, Alberta. Views of this pole can be seen in items a034459 - a034467.
Part of Virginia Kehoe fonds
Image depicts a totem pole carved by Doug Cranmer featuring a mosquito at the top. The pole stands in front of a small building, possibly a carving shed. This pole stood in Deep Cove, BC before being moved to the Glenbow Museum in Calgary, Alberta. Views of this pole can be seen in items a034459 - a034467.
Moses Alfred and Harry Mountain
Image of two young men. One sitting down and one standing. Photograph taken in a professional studio.
Handwritten annotation on back "Moses Alfred (L) Harry Mountain (R)"
Item was originally numbered by creator with number 116.
Part of MOA General Media collection
Image of Moon Mask Dancers painting by Chief Henry Speck.
Model totem pole on display in Montréal
Part of MOA General Media collection
Model totem pole on display in Montréal for the Museum of Anthropology's Northwest Coast exhibit for "Man and His World".
MOA News: The Newsletter of the UBC Museum of Anthropology, Vol II No 3, May 1997
The newsletter contains 6 articles about the museum as well as photographs, facsimiles of artworks, and general visitor information. Subjects include the erection of new house posts and an ancestral figure by Susan Point, a new school programme co-developed with the Musqueam Nation, the retirement of MOA director Dr. Michael Ames, the launch of MOA's first website, the continuation of Dr. Marjoire Halpin's multimedia project, and the donation and display of Ainu objects. Also included are a Calendar of Events and list of donors.
MOA News: The Newsletter of the UBC Museum of Anthropology, January-April, 1998
The newsletter contains 7 articles about the museum as well as photographs, facsimiles of artworks, and general visitor information. Subjects include the exhibition Recalling the Past: A Selection of Early Chinese Art from the Victor Shaw Collection and MOA's Asian collections, Stó:lō Chief Frank Malloway, events related to the Asia Pacific Economic Cooperation (APEC), MOA's new collections management system, an award of merit granted to the production team of From Under the Delta, the publication of The Potter's Art edited by Carol Mayer, and the launch of a multi-museum admission program called The Great Escapes. Also included is a Calendar of Events.
MOA Magazine, Issue 08, Fall 2019
This issue contains articles on current and upcoming exhibitions, the Great Hall seismic upgrades, the UBC President's Staff Award for Community Engagement recipient Salma Mawani, the beginning of a project to decolonize MOA's Africa collections, funding from Canadian Heritage's Museum Assistance Program, Playing with Fire: Ceramics of the Extraordinary, the history of the museum and the Hawthorns, fast fashion and sustainable textiles, highlights from the Multiversity Galleries, the return of a Haida mortuary pole, the Native Youth Program, the MOA shop, artist-in-residence Sharon Reay, and the MOA Director's Advisory Council.
MOA Magazine, Issue 07, Spring 2019
This issue contains articles on current and upcoming exhibitions, the new Collections Access Grant program, the release of the book People Among the People: The Public Art of Susan Point, Shadows, Strings and Other Things: The Enchanting Theatre of Puppets and related programs, Javanese puppeteer Sutrisno Hartana, the Ninini (Earthquake) dance at the Frank Nelson Memorial Potlatch, MOA's conservators Miriam Clavir and Heidi Swierenga, highlights from the MOA archives, the book Divine Threads: The Visual and Material Culture of Cantonese Opera by April Liu, and how to leave a gift to MOA in your will.