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archivistische beschrijving
Deelreeks Engels
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c̓ əsnaʔəm: the city before the city

Subseries consists of records related to the graphic design for the c̓ əsnaʔəm exhibit, on display at the Museum of Anthropology January 25, 2015 - December 2015. The exhbit was curated by Susan Rowley and Jordan Wilson.

YVR projects

Subseries consists of several files documenting a number of projects McLennan was part of at the Vancouver International Airport (YVR) over several years. Files include publicity, correspondence, artists’ statements, photographs, artists’ renderings, the YVR Art Foundation and designs for YVR regarding the creation and installation of Northwest Coast art at the International Airport. Art pieces specifically mentioned include Bill Reid’s The Spirit of Haida Gwaii, the Jade Canoe, Susan Point’s Flight Spindle Whorl and Richard Hunt, Dempsey Bob and Robert Davidson’s pieces for the Supernatural World.

Wong Toa Anniversary exhibit

Subseries consists of records relating to the Wong Toa Anniversary exhibit hosted by the Jin Wah Sing Musical Association. The records in this file consist of two photographs, and notes.

Elizabeth Lominska Johnson

Without Masks: Contemporary Afro-Cuban Art

Subseries consists of records related to the graphic design for the Without Masks exhibit, on display at the Museum of Anthropology May 2 - November 2, 2014. The exhibit was curated by Cuban poet, art critic and curator Orlando Hernández.

Wisdom of the Elders (by Ruth Kirk)

Subseries consists of material realted to illustrations done by Stewart for the book Wisdom of the elders: Native traditions on the Northwest Coast by Ruth Kirk.

Willy White: “My Ancestors Are Still Dancing”

The records in this sub-series relate to Willy White’s 2002 exhibition on Chilkat and Raven’s Tail weaving, My Ancestors Are Still Laughing. During his exhibition at the Museum of Anthropology, Willy White began weaving a gwishalaayt, or Chilkat robe. The weaving was later finished at his home in Prince Rupert, British Columbia. In 2004, a “taking off of the loom” ceremony and feast was held to celebrate the completion of the gwishalaayt. Though Elizabeth Johnson was the curator for this exhibition, Duffek worked closely with her, and the files relate to Duffek’s involvement with in the process. File contents relate to exhibition research and planning, draft exhibit texts, correspondences, transcripts of interview with the weavers, and recordings of the final ceremony.

Where are the children?

Subseries contains records related to the <i>Where are the Children?</i> exhibit held by MOA. Curated by Jeff Thomas, and circulated by the Aboriginal Healing Foundation in Ottawa, this exhibition presented a series of historical photographs documenting the history of residential schools in Canada. The records include correspondence related to exhibit loans, temporary exhibit preliminary and finalized designs and a reference manual for setting up the exhibition.

West Coast Photographs project

Sub-series consists of textual records and graphic images related to a project by Halpin and Ron Hamilton that attempted to document the lineage of a native community through photographs. Included are correspondence requesting the use of photographs, grant application forms, and photocopies of potential photographs for the project.

Wearing Politics

Subseries consists of notes pertaining to the exhibit “Wearing Politics, Fashioning Commemoration: Factory Printed Cloths of Ghana”. This was a student exhibit by Michelle Willard. The exhibit was coordinated by Elizabeth Johnson. This exhibit was installed at MOA in February 2004.

Elizabeth Lominska Johnson

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