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File contains colour photographs of Northwest Coast bentwood boxes, masks, and other artifacts housed at the Royal Ontario Museum.

File contains images of Northwest Coast, possibly Heiltsuk, artifacts including a mask, sculpture, and weapons housed at the British Museum.

File contains images of Northwest Coast artifacts including bowls, baskets and nets, weavings, ropes, embroderies, hats, clothing, masks, and weapons housed in an unspecified museum(s). The textual records include a catalogue list of "materials sent to: the National Museum of Denmark, April 1928".

File contains images of Tsimshian artifacts housed in museums in British Columbia and in what is now known as the Canadian Museum of History. The file also contains images of Tsimshian villages along the Nass River, and historical photos of Tsimshian peoples.

The file contains images of Northwest Coast artifacts located in unidentified First Nation villages, and in various museums in North America. The artifacts include masks, paddles, carvings, rattles, fishing equipment, and household items such as bowls and spoons. The majority of images from various museums include information about the artifact such as what it is, the museum it's housed in, and the artifact's catalogue number.

File contains historical images of Nuu-chah-nulth villages and peoples. There is a focus on totem poles and canoes. There are also photographs of a pole raising ceremony to commemorate the visit of Governor General Willingdon who came to Tofino/Ucluelet in the 1920s. There are images of James Rush, Chief Miste Laabats Hamtsiid, and Chief Joseph John, dressed in Nuu-chah-nulth regalia.

File contains images of masks in the exhibit <i>Hidden Dimensions: Face Masking in East Asia</i>. The masks are described on the photographs to be "Chinese opera masks from Guizhou Province.

File contains images of artifacts in the <i> The World of Spirits: Igbo Masks Exhibit</i>. These artifacts include masks, clothing, and shields.

File contains two negatives of a Northwest Coast mask housed at the Welcome Institute in London England.

File contains photocopied images of Haida and Nuxalk masks housed at the Pitt Rivers Museum. Other textual records include information on featured Northwest Coast masks and correspondence between McLennan and the museum. The photographs contain images of masks and other Northwest Coast artifacts such as hats, combs, and carvings housed at Pitt Rivers Museum.

File consists of records about Dempsey Bob such as a student paper and exhibit proposal. In addition are images of Dempsey Bob and his artworks.

File contains image of mask created by Richard Hunt.

File contains images of masks created by Glen Tallio.

This file contains images of Coast Salish and Kwakwaka'wakw artifacts. Many of the photos are official photographs taken by various museums in Canada and the United States, but others are historical photos. These artifacts include masks, rattles, carvings, fishing equipment and fish processing, canoes, and North Coast architecture, such as long houses and house posts.

File mainly contains historical images of the Heiltsuk, Nuxalk, and Wuikinuxv First Nations. These images depict village life, architecture and house posts, and regalia. The file contains images of a group of Nuxalk who traveled to Berlin to perform there. Images that are not historical depict a ceremony happening in the Great Hall at UBC MOA, unidentified artists working on a set of drawings, and what appears to be the Acwsalcta High School in Bella Coola. Non textual records include photocopies of photographs, and photocopies of museum catalogue cards.

File contains copies of correspondence between David Cunningham and the K'omoks First Nation regarding a mask that was lent to a travelling exhibit titled "Written in the Earth".

File contains images of people, events, and/or artwork associated with and/or produced at the Freda Diesing School. There are also images of longhouses and totem poles.

File contains images of masks housed at the Smithsonian Museum of Natural History.

File contains images of Stan Green carving outside his workshop as well as close up images of his masks. In addition is coresspondence between Stan Green and Darrin Morrison inviting Green to speak at an event.