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Archival description
Museum exhibitions
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Ancient Cloth … Ancient Code?

Subseries consists of records relating to the exhibit Ancient Cloth …Ancient Code? It was coordinated by Elizabeth Johnson and curated by Mary Frame. It was installed at MOA from March 4 to May 24 of 1992. The exhibit focused on textiles from various ancient societies from present day Peru. Records include grant applications, budgets, memos, correspondence and photographs.

Sin título

Proud to be Musqueam: Dedicated to Our Children

Subseries consists of records relating to the exhibit "Proud to be Musqueam: Dedicated to Our Children." The exhibit was coordinated by Lizanne Fisher and Elizabeth Johnson. It was installed at MOA in 1989; a travelling version was later created. Subseries includes agreements, Anthropology 341 course outline, brochures, correspondence, exhibit labels, funding proposal, memos, notes, permission forms, phone message, articles from conferences, newspapers and professional journals, and a student paper.

Sin título

A Rare Flower: A Century of Cantonese Opera in Canada

Subseries consists of records relating to the 1993 exhibit, "A Rare Flower: A Century of Cantonese Opera in Canada." The exhibit began with an acquisition of historic Chinese Opera costumes from the Jin Wah Sin Music Society. The exhibit was first installed at MOA from May 16 to Nov. 7 1992, in Gallery 5. Elizabeth Johnson was both curator and coordinator. It was also a travelling exhibit with five other venues in Canada. It reopened in MOA in 1995, and later travelled to the McCord Museum. Aspects of the exhibit have been on display at numerous venues, including Hong Kong and Ghuangzhou in a panel exhibit. Subseries contains agendas, articles, artifact lists, books, business cards, agreements, correspondence, drawings, evaluations, exhibit labels, expenses, internal forms (exhibit proposal forms), financial records, guidelines, grant applications, memoranda, minutes of meetings, museum exhibit diagrams, permission forms, photographs, notes, plans, policies, press releases, proposals, publications (books and magazines), publicity records, receipts, reports, reproductions of newspaper ads and articles, research notes, schedules, slides, speaking notes, surveys, transcripts of research interviews, handbills, drafts, visitor surveys and videos.

Sin título

Nunavutmiutanik Elisasiniq

Subseries consists of a newsletter pertaining to the exhibit “Nunavutmiutanik Elisasiniq.” This exhibit was installed at the MOA from April - September 1999. This exhibition honours the people of Nunavut, and features more than one hundred examples of contemporary and historic sculptures, prints, and drawings.

Sin título

Wearing Politics

Subseries consists of notes pertaining to the exhibit “Wearing Politics, Fashioning Commemoration: Factory Printed Cloths of Ghana”. This was a student exhibit by Michelle Willard. The exhibit was coordinated by Elizabeth Johnson. This exhibit was installed at MOA in February 2004.

Sin título

Photographs

File contains images of a painting created by Patricia Richardson Logie. The painting depicts a portrait of Blanche MacDonald. In addition, are images of the opening of the exhibit <i>Chronicles of Pride</i> in the great hall of the Museum of Anthropology.

Photographs

Subseries contains images of objects in the exhibit <i>Sensibilities: Unsuspected Multicultural Harmonies</i>. Images show the exhibit displays and objects in the exhibit.

Exhibit photographs

File consists of images from the exhibition <i>When World Collide.</i>. Including those of Lyle Wilson holding a flag on which his designs are printed.

Photographs

File contains images and close up images of woven textiles used in the exhibit <i>Ancient Cloth...Ancient Code?</i> at the Museum of Anthropology, UBC.

The legacy show

Subseries contains images of objects in the exhibit <i>The Legacy: Continuing Traditions of Northwest Coast Indian Art.</i> This exhibit was held November 25, 1981 - August 31, 1982. In addition are photographs of the exhibit opening.

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