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Archival description
First Nations
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A.A. Kingscote Collection

  • 37
  • Collection
  • [ca. 1921]

The collection consists of postcards depicting First Nations from Western Canada.

Anthony A. Kingscote

Douglas & McIntyre fonds

  • 42
  • Fonds
  • 1954 - 1985

The fonds consists of 83 images associated with two books published by Douglas & McIntyre: Bill Reid by Doris Shadbolt and The Raven Steals the Light by Bill Reid. The photographers responsible for these images are R. Dereth, R. Keziere, R. Lum and B. McLemore.

Douglas & McIntyre

Diane Elizabeth Barwick fonds

  • 41
  • Fonds
  • 1950 - 1958

The fonds consists of 7 photographs from a June 1958 centennial celebration in Alert Bay that Barwick described as having been ordered from a local cameraman. There are also 7 postcards that contain images of Alert Bay ca. 1949 or 1950 that were purchased by Barwick in the summer of 1958. Sixteen negatives were taken by Barwick at an excavation at Beach Grove in the Fraser River delta in June of 1957, likely done under the guidance of Charles Borden, a Lecturer and later Professor of Archaeology at UBC who studied the Beach Grove site from ca. 1955 to 1958. Notes on the envelope indicate these include images of D. N. Abbott, Colin McCafferty, and Nansi Swayze.

Diane Elizabeth Barwick

Edward F. Meade fonds

  • 44
  • Fonds
  • 1955 - 1994

The fonds consists predominantly of slides of various petroglyphs and pictographs, primarily from locations on the Northwest Coast of British Columbia. The fonds also contains location charts of petroglyphs and the creator’s typed notes about various sites.

Edward F. Meade

Gillian Darling Kovanic fonds

  • 49
  • Fonds
  • 1973 - 2010

This fonds consists of textual records, photographs, negatives, slides, audio recordings, compact discs and video on DVD that relate to Kovanic’s academic and film career. The fonds relates especially to her work in Pakistan, India and Afghanistan, but also captures her work with First Nations on the Northwest coast of British Columbia.

Gillian Darling Kovanic

Helen Frances Codere fonds

  • 52
  • Fonds
  • 1955

The fonds consists of 28 black and white photographs taken by Codere in 1955 during her second field work expedition to B.C. 19 of the photos were taken in and around Alert Bay, while the remaining 9 were taken on Hope Island.

Helen Frances Codere

Helen Moore fonds

  • 53
  • Fonds
  • 1964 - 1974

The fonds consists of printed ephemera relating to First Nations art, correspondence, and photographs of Gitksan totem poles.

Helen Moore

Henry Delmonese collection

  • 54
  • Collection
  • ca. 1920

Collection consists of textual records that tell of a Kispiox legend and its manifestation on a traditional pole; an accompanying photograph of the pole complements the narrative.

Joan Goodall collection

  • 57
  • Collection
  • 1926 - 1978

This collection consists of postcards and photographs collected by Joan Goodall. Areas depicted include Old Massett, Hazelton, Kitwangar, Port Simpson and other areas. Most images have totem poles or other massive carvings depicted.

ITEMS IN COLLECTION:
“The Museum of Northern British Columbia with the wolf totem and two Haida poles”
– 1960 – 1 postcard : colour ; 8.5 x 14 cm.

“From Joan Goodall Aug/78 – Fertility symbol used on island of [Tan] during yearly festival on island of [Tanna]” – 1978 - 1 photograph : colour ; 12 x 9 cm.

“623” [people in front of cemetery] – [19-] –1 photograph : b&w ; 14 x 9 cm.

“623” [totem pole and dead tree] – [19-] – 1 photograph : b&w ; 14 x 9 cm.

“713” [wooden sidewalk with totem poles] – [19-] - 1 photograph : b&w ; 9 x 14 cm.

“713” [view of a wooden fence with a tree flanked by matching totem poles] – [19-] – 1 photograph : b&w ; 9 x 14 cm.

“The Lion Totem of Kitwangar, BC” – [19-] – 1 postcard : b&w ; 14 x 9 cm.

“Port Simpson, Totems” – [19-] – 1 postcard : b&w ; 14 x 9 cm.

“Alaska Indian Carvings” – [19-] – 1 postcard: b&w ; 9 x 14 cm.

“Indian Totem, Hazleton, BC” – [19-] – 1 postcard : b&w ; 9 x 14 cm.

“Indian Totems, Old Massett, BC” – [19-] – 1 postcard : b&w ; 9 x 14 cm.

“1926” [two totem poles in front of a wooden house] - 1926- 1 photograph : b&w ; 11 x 7 cm.

Joan Goodall

John Webber fonds

  • 58
  • Fonds
  • [17-]

Fonds consists of matted prints of engravings made from sketches created by John Webber as official artist on Captain James Cook’s third voyage. Prints depict landscapes, animals, people, clothing styles, architecture, and events that were encountered on the voyage in places such as New Zealand, the Friendly Islands (Tonga), the Sandwich Islands (the Hawaiian Islands), Nootka Sound (Vancouver Island, BC), and Van Dieman’s Land (Tasmania).

John Webber

Lyle Wilson fonds

  • 63
  • Fonds
  • 1991

Fonds consists of a copy of Wilson’s “Kitlope Report: Various Haisla Artifacts.”

Lyle Wilson

R.A. Brooks collection

  • 72
  • Collection
  • [ca. 1940 - 1950]

Collection consists of 81 b&w photographic prints of the Brooks heads and one of the Vancouver airport.

Richard Cotton fonds

  • 75
  • Fonds
  • [ca. 1960 - 1969]

The fonds consists of four photographs taken by Richard Cotton of mortuary poles on an island in the Skeena River near Kitsilas, BC.

Richard Cotton

Robert Keziere fonds

  • 76
  • Fonds
  • 1982

The fonds consists of 7 photographs taken by Robert Keziere on October 20, 1982 of artist Bill Reid working in his Kerrisdale (Vancouver) studio. The film remained unprocessed until 2009, when it was developed and the prints, contact sheet, and DVD were created. The DVD contains image files in multiple resolutions.

Robert Keziere

Selig and Gloria Kaplan fonds

  • 77
  • Fonds
  • Digitized 1998 - 2011 (originally created 1977 - 2011)

The fonds consists of photographs of Gloria Kaplan with various indigenous artists, whose names have been recorded in the image titles and IPTC metadata. The photographs were taken by Selig Kaplan with the intention of documenting the artists from whom the Kaplans acquired artwork or anticipated acquiring artwork from.

Kaplan family

Gordon Miller collection

  • 36
  • Collection
  • [1979?]-1993

The collection consists of nine large watercolour illustrative panels commissioned by the UBC Museum of Anthropology, eight of which were commissioned for the exhibit "The Four Seasons: Food Getting in British Columbia Prehistory," which ran from April to November 1979. The other watercolour is from an unidentified exhibit or sourcebook.

The collection also contains one painting that was commissioned by the museum for a publication (Museum Note, no.12, "Ninstints: World Heritage Site"), as well as a blueprint reproduction of a related drawing. These are renderings of how the houses and poles on a beach at the Ninstints village site might have looked when they were in use. The rendering is based on George MacDonald's map.

Collection consists of the following items:

001: The Four Seasons – Spring – Interior [1979?]
002: The Four Seasons – Spring – Coast [1979?]
003: The Four Seasons – Summer – Interior [1979?]
004: The Four Seasons – Summer – Coast [1979?]
005: The Four Seasons – Autumn – Interior [1979?]
006: The Four Seasons – Autumn – Coast [1979?]
007: The Four Seasons – Winter – Interior [1979?]
008: The Four Seasons – Winter – Coast [1979?]
009: Haida six beam house 1993
010: [Ninstints village painting] 1983
011: [Ninstints village, drawing for Museum Note] 1983

Gordon Miller

Celebration of the Raven film soundtrack, ambient noise

Item is an audio recording of ambient noise which was recorded for the soundtrack for the film Celebration of the Raven, directed by Ken Kuramoto, which documented the work process and installation of Bill Reid’s carving titled The Raven and the First Men and its unveiling by the Prince of Wales in 1980. This is Reel #4 of the soundtrack.

Celebration of the Raven film soundtrack, Haida singing Part 1

Item is the second of two audio recording of performers singing Haida songs at the opening reception of Celebration of the Raven. The recording is Reel #5 of the soundtrack for the film Celebration of the Raven, directed by Ken Kuramoto, which documented the work process and installation of Bill Reid’s carving titled The Raven and the First Men and its unveiling by the Prince of Wales in 1980.

Tape for Mask Group, Anthropology 431

Item is a sound recording of material used in the UBC course, Anthropology 431. The recording features a speaker discussing Coast Saalish and Kwakwaka'wakw masks in terms of similarities and differences in form and meaning, particularly in reference to writing on the subject by Claude Levi-Strauss. The recording is related to the MOA exhibition Kwakiutl Masks: An Expression of Transformation, which took place from April 15 to December 31, 1979. The content of the recording is repeated three times.

Lecture by Dr. Peter Macnair Part 1

Item is an audio recording of the first of a two-part lecture by Canadian anthropologist Dr. Peter Macnair about Haida and Kwakiutl art. The recording is Lecture #3 in the University of British Columbia's Center for Continuing Education Lecture Series on Traditions of North West Coast Indian Culture.

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