31 resultados com objetos digitais Mostrar resultados com objetos digitais
This fonds consists of 39 16mm film reels of Celebration of the Raven. There are also five audio reels which are soundtracks for the film. Film reels include stills and test stills and camera originals. Most reels are labeled according to the scene.
Ken Kuramoto
The fonds consists of 83 images associated with two books published by Douglas & McIntyre: Bill Reid by Doris Shadbolt and The Raven Steals the Light by Bill Reid. The photographers responsible for these images are R. Dereth, R. Keziere, R. Lum and B. McLemore.
Douglas & McIntyre
This fonds consists of textual records, photographs, negatives, slides, audio recordings, compact discs and video on DVD that relate to Kovanic’s academic and film career. The fonds relates especially to her work in Pakistan, India and Afghanistan, but also captures her work with First Nations on the Northwest coast of British Columbia.
Gillian Darling Kovanic
The fonds consists of photographs created by Ronnie Tessler between 1986 and 1987 documenting a canoe project by Nisga’a carver Norman Tait. The project was abandoned in the summer of 1987, and the canoe was left uncompleted. The photographs depict models for the canoe, transportation of the log for the canoe to the Museum of Anthropology, ceremonies performed throughout the project, and various stages of work on the canoe and model. Additional photographs from this period depict a totem pole-raising ceremony at Capilano Mall in North Vancouver, as well as portraits of Les Baker, a model Tait wanted to use for a “white man” mask. The fonds is arranged into a single series: Norman Tait canoe project and related materials.
Ronnie Tessler
Parte de E. Polly Hammer fonds
This pole was on display at UBC in Totem Park in the 1960’s and 1970’s and moved to the Museum in the late 1970’s. It was carved in 1914 in Tsaxis (Fort Rupert) by George Hunt Sr. for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters". The pole was collected by Marius Barbeau and Arthur Price in 1947. The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.
Iconography: Kolus is a young thunderbird. Thunderbird is a supernatural bird identifiable by the presence of ear-like projections or horns on the head, and a re-curved beak. The pole alludes to the story of Tongas people in south Alaska, who migrated south.
Kwakiutl, new Mungo Martin pole #1, Totem Park, UBC, Vancouver
Parte de E. Polly Hammer fonds
Carved by Mungo Martin 1951. Erected in UBC Totem Park. Moved to MOA in 1970’s but not erected in Great Hall until 2012 after repairs.
Kwakiutl house frame #4, Totem Park, UBC, Vancouver
Parte de E. Polly Hammer fonds
UBC Totem Park – (Sea-Lion and Thunderbird House) c. 1900 Knight Inlet. No longer on display. Now in storage at MOA.
The fonds consists of black and white photographs and negatives. Subjects depicted include villages, boats and ferries, landscapes, bridges, logging clearcuts, and totem poles. Some of the photos appear to be of the Lions Gate Bridge, Stanley Park, and the Capilano Suspension Bridge.
William Carr
Kwakiutl mask display at U.B.C. Museum of Anthropology
Parte de Anthony Carter fonds
Image of a portion of a Kwakiutl mask display at the Museum of Anthropology at the University of British Columbia.
Anthony Carter
Kwakiutl mask display at U.B.C. Museum of Anthropology
Parte de Anthony Carter fonds
Image of a portion of a Kwakiutl mask display at the Museum of Anthropology at the University of British Columbia.
Anthony Carter
Haida section Totem Park slides
Parte de Harry B. Hawthorn fonds
File consists of slides showing the building of the Haida House and Haida totem poles at the Museum of Anthropology.
Harry Bertram Hawthorn
Kitty (Cathy) Ferry: Fish Taxonomy
Parte de Paddling to Where I Stand collection
Kitty (Cathy) Ferry talks about fish taxonomy with Martine de Widerspach-Thor (Reid) in English and Kwakwala. Recorded at Mrs. Kitty Ferry's house in Vancouver. Item was labelled as tape number III.
Martine J. Reid
(Replica)?, Haida sea wolf #2, Totem Park - UBC, Vancouver
Parte de E. Polly Hammer fonds
The Wasgo is a monster of Haida legend that had the ability to transform between wolf and sea creature. Carved and painted by Bill Reid and Doug Cranmer in 1962.
(Replicas)?, mortuary poles (Haida), dwelling house and sea wolf, Totem Park, UBC, Vancouver
Parte de E. Polly Hammer fonds
MOA Object ID numbers correspond to poles in the image from left to right.
A50030 carved by Bill Reid and Doug Cranmer (1961-62) as the frontal pole for the front of the Haida house, at the University of British Columbia, for display in Totem Park. Moved to the new Museum of Anthropology grounds in 1978. Pole was removed from the Haida House in 2000-09 and placed in a greenhouse tent for conservation treatment and drying. Pole was then re-raised in the Great Hall of the Museum on Oct. 31, 2002.
(Replica)? Haida dwelling house, Totem Park, UBC, Vancouver
Parte de E. Polly Hammer fonds
Mortuary House frontal pole by Bill Reid and Doug Cranmer (1960-61) moved from Totem Park to MOA in 1978.
Fonds consists of a copy of Wilson’s “Kitlope Report: Various Haisla Artifacts.”
Lyle Wilson
Parte de Anthony Carter fonds
Image of Chief Dan George speaking at the opening of Centennial display at Vancouver Public Library.
Anthony Carter
Argilite carvings, Claud Davidson
Parte de Anthony Carter fonds
Image of two argillite carvings by Claude Davidson, located at the Museum of Anthropology at the University of British Columbia.
Anthony Carter
Argilite carvings, Sharon Hitchcock
Parte de Anthony Carter fonds
Image of argillite carvings by Haida artist Sharon Hitchcock, located at the Museum of Anthropology at the University of British Columbia.
Anthony Carter
Kwakiutl mask display at U.B.C. Museum of Anthropology
Parte de Anthony Carter fonds
Image of a portion of a Kwakiutl mask display at the Museum of Anthropology at the University of British Columbia.
Anthony Carter