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House of Chief Albert Edward Edenshaw

Item is an image of two totem poles by two buildings. According to annotations, photograph is of the house of Chief Albert Edward Edenshaw, G?aw (also known as Old Massett) in the Haida Gwaii archipielago.

Woman by a Building in G?aw

Item is an image of a woman by a building. There are some buildings, poles, and canoes in the background. According to annotations, photograph was taken in G?aw (also known as Old Massett) in the Haida Gwaii archipielago

People in G?aw

Item is an image of a group of people by a building and a totem pole, other buildings and poles visible in the background. According to annotations, photograph was taken in G?aw (also known as Old Massett) in the Haida Gwaii archipielago

People in G?aw

Item is an image of a group of people sitting for the photograph. Other people, buildings, and totem poles are visible in the background. According to annotations, photograph was taken in G?aw (also known as Old Massett) in the Haida Gwaii archipielago

Woman in G?aw

Item is an image of a woman by a building. According to annotations, photograph was taken in G?aw (also known as Old Massett) in the Haida Gwaii archipielago

Woman in G?aw

Item is an image of a woman walking away from the camera with three buildings and a totem pole in the background. According to annotations, photograph was taken in G?aw (also known as Old Massett) in the Haida Gwaii archipielago

G?aw

Item is an image of several buildings and totem posts. According to annotations, photograph was taken in G?aw (also known as Old Massett) in the Haida Gwaii archipielago.

G?aw

Item is an image of a coastal village, taken from the sea. According to annotations, photograph is of G?aw (also known as Old Massett) in the Haida Gwaii archipielago taken from the Ship Islander.

MOA Magazine, Issue 08, Fall 2019

This issue contains articles on current and upcoming exhibitions, the Great Hall seismic upgrades, the UBC President's Staff Award for Community Engagement recipient Salma Mawani, the beginning of a project to decolonize MOA's Africa collections, funding from Canadian Heritage's Museum Assistance Program, Playing with Fire: Ceramics of the Extraordinary, the history of the museum and the Hawthorns, fast fashion and sustainable textiles, highlights from the Multiversity Galleries, the return of a Haida mortuary pole, the Native Youth Program, the MOA shop, artist-in-residence Sharon Reay, and the MOA Director's Advisory Council.

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