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Kwakwaka'wakw
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Tape for Mask Group, Anthropology 431

Item is a sound recording of material used in the UBC course, Anthropology 431. The recording features a speaker discussing Coast Saalish and Kwakwaka'wakw masks in terms of similarities and differences in form and meaning, particularly in reference to writing on the subject by Claude Levi-Strauss. The recording is related to the MOA exhibition Kwakiutl Masks: An Expression of Transformation, which took place from April 15 to December 31, 1979. The content of the recording is repeated three times.

Lecture by Dr. Peter Macnair Part 1

Item is an audio recording of the first of a two-part lecture by Canadian anthropologist Dr. Peter Macnair about Haida and Kwakiutl art. The recording is Lecture #3 in the University of British Columbia's Center for Continuing Education Lecture Series on Traditions of North West Coast Indian Culture.

Lecture by Dr. Peter Macnair Part 2

Item is an audio recording of the second of a two-part lecture by Canadian anthropologist Dr. Peter Macnair about Haida and Kwakiutl art. The recording is Lecture #6 in the University of British Columbia's Center for Continuing Education Lecture Series on Traditions of North West Coast Indian Culture.

Carving demonstration by Mungo Martin

Item is a sound recording of an unidentified narrator providing the voice-over for an unidentified documentary. The narrator describes the techniques used by Mungo Martin as he provides a carving demonstration and also the acquisition by UBC of totem poles for Totem Park. The narrator also discusses the tools used by Mungo Martin, his methodology and symbolism used in his carvings. Mungo Martin does not speak during the recording.

Recordings related to Robert Davidson

[rr_0004t1a] Item is a recording of the opening of the exhibition Cycles: The Graphic Art of Robert Davidson, presented by Dr. Michael Ames. Speakers include exhibition curator Marjorie Halpin, Hilary Stewart, Nuu-chah-nulth artist Joe David, Cline Davidson (father of Robert Davidson) and Robert Davidson. Item dated dated October 30, 1979.

[rr_0004t3a] Item is a recording of a CBC Radio review of Hilary Stewart's book Robert Davidson, Haida printmaker and Audrey Hawthorne’s book Kwakiutl Art. Item dated November 12, 1979.

[rr_0004t4a] Item is a recording of Marjorie Halpin in discussion with Robert Davidson in the UBC MOA Theatre Gallery. The event was the first in a four part MOA Public Series event titled Art As Language, which was held in conjunction with the exhibition and publication of Cycles: Graphic Art of Robert Davidson, curated by Marjorie Helpin. Item dated November 11, 1979.

[rr_0004t2a] Item is a recording of Marjorie Halpin in discussion with Robert Davidson in the UBC MOA Theatre Gallery. The event was the second in a four part MOA Public Series event titled Art As Language, which was held in conjunction with the exhibition and publication of Cycles: Graphic Art of Robert Davidson, curated by Marjorie Helpin. Item dated November 11, 1979.

Mosquito Totem Pole, front view

Image depicts a frontal view of a totem pole carved by Doug Cranmer. The base features figures that resemble humans. A mosquito with a long proboscis and six legs perches on the human's head. This pole stood in Deep Cove, BC before being moved to the Glenbow Museum in Calgary, Alberta. Views of this pole can be seen in items a034459 - a034467.

Mosquito Totem Pole, top side view

Image depicts a side view of the top of a totem pole carved by Doug Cranmer. This view shows details of the mosquito's head, eye, and mouth. This pole stood in Deep Cove, BC before being moved to the Glenbow Museum in Calgary, Alberta. Views of this pole can be seen in items a034459 - a034467.

Mosquito Totem Pole, closeup of base

Image depicts a close up view of the base of a totem pole carved by Doug Cranmer. The base features figures that resemble humans. Above the man's head the end of the mosquito proboscis is visible. This pole stood in Deep Cove, BC before being moved to the Glenbow Museum in Calgary, Alberta. Views of this pole can be seen in items a034459 - a034467.

Mosquito Totem Pole, top rear view

Image depicts a rear view of the top of a totem pole carved by Doug Cranmer. This portion depicts a side view of the mosquito's head and wings and reveals that the pole is open at the back. From this perspective a church can be seen in the background. This pole stood in Deep Cove, BC before being moved to the Glenbow Museum in Calgary, Alberta. Views of this pole can be seen in items a034459 - a034467.

Mosquito Totem Pole, top close up

Image depicts a close up view of the top of a totem pole carved by Doug Cranmer featuring a mosquito. This pole stood in Deep Cove, BC before being moved to the Glenbow Museum in Calgary, Alberta. Views of this pole can be seen in items a034459 - a034467.

Mosquito Totem Pole

Image depicts a totem pole carved by Doug Cranmer featuring a mosquito at the top. The pole stands in front of a small building, possibly a carving shed. This pole stood in Deep Cove, BC before being moved to the Glenbow Museum in Calgary, Alberta. Views of this pole can be seen in items a034459 - a034467.

Mosquito Totem Pole, side view of midsection

Image depicts a side view of the midsection of a totem pole carved by Doug Cranmer. This portion depicts the mosquito's wings, legs, and proboscis. This pole stood in Deep Cove, BC before being moved to the Glenbow Museum in Calgary, Alberta. Views of this pole can be seen in items a034459 - a034467.

Mosquito Totem Pole, base frontal view

Image depicts a frontal view of the base of a totem pole carved by Doug Cranmer. This portion depicts a human figure sitting with arms wrapped around bent legs. Two other human figures are positioned on each side and behind. The mosquito's feet are perched on the human figure's head. This pole stood in Deep Cove, BC before being moved to the Glenbow Museum in Calgary, Alberta. Views of this pole can be seen in items a034459 - a034467.

Mosquito Totem Pole, frontal view

Image depicts a frontal view of a totem pole carved by Doug Cranmer. The mosquito perched on three human figures stands in front of a carving shed. This pole stood in Deep Cove, BC before being moved to the Glenbow Museum in Calgary, Alberta. Views of this pole can be seen in items a034459 - a034467.

Carving a totem pole

Image depicts Douglas Cranmer in the early stages of carving a totem pole. The pole is outside.

Carving a totem pole

Image depicts Douglas Cranmer in the early stages of carving a totem pole. The pole is outside. A chain saw is visible on the ground.

Carving a pole with a chain saw

Image depicts Douglas Cranmer in the early stages of carving a totem pole. The pole is outside. He is preparing to use a chain saw to make the early cuts to a pole. Markings are visible, showing where he will cut.

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