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Archival description
Cultural groups With digital objects
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Zuni Six-Storied Houses

Photograph of six-storied houses in Zuni Pueblo in New Mexico. Some round house structures and some hildren are also visible in the foreground.

Zuni Nick

Photograph of a Zuni (A:shiwi) man that Maude has identified as Zuni Nick, an assistant to Mr. Graham, a Scotch trader with whom Maude stayed.

Zuni men making shell necklaces

Photograph depicts two Zuni (A:shiwi) men identified as Dick and his brother-in-law making shell necklaces. A note on the back of the photograph describes how Dick is using a Zuni drill and his brother-in-law is rubbing down the rough edges of the shell beads on a flat stone.

Zuni General View from S.W.

Photograph of what is likely the Zuni Pueblo taken from the S.W. The photograph shows low buildings on a hill, what appears to be a garden, and figures in the foreground.

Zuni Children

Photograph depicts three Zuni (A:shiwi) children, sitting on a wooden ladder, likely in the Zuni Pueblo in New Mexico.

Zuni

Photograph of what is likely Zuni Pueblo in New Mexico, showing what appear to be adobe structures.

Workers unloading totem poles from a trailer

Workers unloading totem poles from a trailer outside the Museum of Anthropology as they are being moved from Totem Park to the new Museum of Anthropology building. The pole on the viewer's left was carved by George Hunt Sr. The pole is now part of the museum's collection. This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters." The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.

The pole on the viewer's right was carved by Mungo Martin and was later restored by him in 1950-51.

Workers unloading totem poles from a trailer

Workers unloading totem poles from a trailer outside the Museum of Anthropology as they are being moved from Totem Park to the new Museum of Anthropology building. The pole on the viewer's left was carved by George Hunt Sr. The pole is now part of the museum's collection. This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters." The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.

The pole on the viewer's right was carved by Mungo Martin and was later restored by him in 1950-51.

Workers unloading totem poles from a trailer

Workers unloading totem poles from a trailer outside the Museum of Anthropology as they are being moved from Totem Park to the new Museum of Anthropology building. The pole on the viewer's left was carved by George Hunt Sr. The pole is now part of the museum's collection. This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters." The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.

The pole on the viewer's right was carved by Mungo Martin and was later restored by him in 1950-51.

Workers tie a totem pole to a trailer

Workers tie a totem pole to a trailer as it is in the process of being moved from Totem Park to the new Museum of Anthropology building. This pole was carved by Mungo Martin and later restored by him at the University of British Columbia in 1950-51. It stood in Totem Park until it was moved to the new Museum of Anthropology building in 1975.

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