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archivistische beschrijving
British Columbia Cultural groups
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Tsilhqot'in/Secwepemc/Stl'al'lmx/Nlaka'pamux

The majority of the file contains historical images of the Tsilhqot'in, Secwepemc, Stl'al'lmx, and the Nlaka'pamux peoples. The photographs depict village life, including images of building structures in the BC interior, fish processing techniques such as fish drying, and carvings such as mortuary poles. Some of the images also depict First Nations people, some in regalia. The other images are official photographs taken by various museums in Canadian and American museums of Tsilhqot'in, Secwepemc, Stl'al'lmx, or Nlaka'pamux artifacts. The textual records contained in this file consist of a photocopy of a magazine article titled "Upstairs, downstairs: the early years," written by Heather Pringle, and published in the June 1996 (Volume 111, number 5) edition of the magazine Saturday Night.

General Salish

This file contains images of Coast Salish and Kwakwaka'wakw artifacts. Many of the photos are official photographs taken by various museums in Canada and the United States, but others are historical photos. These artifacts include masks, rattles, carvings, fishing equipment and fish processing, canoes, and North Coast architecture, such as long houses and house posts.

Broken totem pole

Image depicts a part of a fallen totem pole, surrounded by foliage. The animal may be a wolf; it depicts teeth in an open mouth.

Robert Keziere fonds

  • 76
  • Archief
  • 1982

The fonds consists of 17 photographic prints taken by Robert Keziere on October 20, 1982 of artist Bill Reid working in his Kerrisdale (Vancouver) studio. The film remained unprocessed until 2009, when it was developed and the prints, contact sheet, and DVD were created. The DVD contains image files in multiple resolutions. In 2021 an additional roll of film was discovered by Keziere and prints, negatives, contact sheet, and USB flash drive were added to the fonds.

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Ketchikan and Kitwancool Totems and Views

File consists of slides depicting totems and views labeled as in Kispiox, Kitwancool, Ketchikan, Haida, Kitseguckla, Skedans, and Kingcome. File also consists of slides documenting two of Minn Sjolseth's paintings entitled "En av de Siste" (sp?) and "Peace."

Photos of Elders

File consists of slides labeled "Andy," "Mr and Mrs Williams, Friendly Cove, Nootka," "Anthony Island Queen Charlotte Island 1967," "Minn Sketching at Yan QCI, Haida," "Kitwancool 1969," "Kasper," "Mary Ann 1967 Squamish," and "Kingcome."

Town at the head of the inlet

Item is a series of two photographs showing the rooftops of houses and a totem pole in the foreground. The pole is known as the Nispiq Pole. It belonged to Chief Simon Walkus, Sr. and tells of the origins of the Wuikinuxv people.

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Salish

File consists of photographic prints depicting Salish cultural objects from other institutions. Many of the prints are annotated with handwritten, stamped, or typed information about the contents of the images or their original repositories. The contents of this file were used to create object labels for Canada Museum of History Object ID VII-G-359 and MOA Object ID A1780; A1781; A50003; A50004; and A50005 a, b, & c in MOA's Great Hall.

Wilson Duff interview with Jonathan Johnson at Kispiox

Item is an audio recording of an interview by Wilson Duff with Jonathan Johnson about the geography of the Gitxsan village of Kispiox and surrounding region. According to Tribal Boundaries in the Nass Watershed by Neil J. Stewart (MOA Reading Room, call number 12.7c GIT STE), Jonathan Johnson (1902-1968) of Kispiox was from the House of Xhliimlaxha and had knowledge of territories in the Nass watershed, including his father’s territory at Gwinhagiistxw. In interviews that took place on July 6 and 7, 1965, Duff gathered information about house territories in the Nass and Skeena watersheds to produce a map showing territories and numbered sites at Kispiox, see the Wilson Duff fonds at MOA, Box/File# Mc15, File# 10-B-21.

Narrative and Songs from Fort Fraser, Hagwilget, Kispiox, Shuswap

Item is an audio recording made by Wilson Duff that features narrative and songs spoken and sung in several First Nations languages.

The first segment of the recording took place on August 1, 1962 in Fort Fraser at the home of Maxime George and the language used is Dakelh; accompanying documentation states that Mr. George was away but his sister Bernadette Grey was present along with Mrs. George and her sister.

The second segment of the recording took place on August 3, 1962 in Hagwilget at the house of Pete and Bernadette Grey and the language used is Dakelh; accompanying documentation states that the main singer is Donald Gray and his wife.

The third segment of the recording took place on August 16, 1962 featuring Johnson Williams, who has a Kitwancool name of Guano and the language used is Gitxsan.

The fourth segment of the recording took place on August 16, 1962 featuring Maxime George. The fifth portion of the recording is a Kitwancool recording. The final segment of the recording features Shuswap songs.

A two page document accompanied the recording. Document text:
Carrier

  1. Fort Fraser, Aug 1, 1962. W. Duff at home of Maxine George. He was away, but his daughter Bernadette Gray, her sister, and Mrs M George were present.
    (1) Song. Same repeated
    (2) Song (very short)
    (3) Song
  2. Hagwilget, Aug 3 1962. At house of Pete and Bernadette Gray. Main singer old Donald Gray (94). His aged wife (104) also present.
    (4) Song (Sun Song)
    Not transcribed Song
    Talk about names
    (5) Song, then talk about languages
    not transcribed Song
    (6) Song, then talk of moon, explaining song
    Song, then explained Sun is traveling in the sky. Talk about peacemaking forgets next song, talk about languages
    (7) Song. Sung song, for making peace
    Song. Long song, then explained. END
  3. Kispiox August 16, 1962. John Williams, who has Kitwancool name Guno. Gitksan.
    (8) Tells Neegamks story in English, includes singing of Neegamks song
    (9) Love song
    (10) Song for welcoming guests
  4. Kispiox, same time as above. Jonathan Johnson sings his direge song
  5. Fort Fraser, August 16 1962. Maxine George, others as above, 1.
    Lahal Song
  6. Song, break, then same song to end of tape
    (reverse tape)
  7. Automobile song interpreted by Bernadette
    Hudson Bay Rum song
    Maxine George tells story of origin of mosquitoes in English
    Then same in Carrier
    Same, origin of fire, water, daylight in English
    Hymn in Carrier, repeated
    Another hymn
  8. Kitwancool recording, self explanatory
  9. Shuswap songs, self explanatory

Vickie Jensen and Jay Powell fonds

  • 3
  • Archief
  • 1969-2008

Fonds consists of records relating to the numerous culture and language projects that Powell and Jensen worked on since 1976. The communities with which they worked include:
• The Quileute of La Push
• The Kwakwaka’wakw of Alert Bay
• The Gitxsan of Kispiox, Gitanyow, and surrounding villages
• The Nuu-chah-nulth of Vancouver Island
• The Musqueam of Vancouver
• The Seton Lake St'at'imc (Lillooet) of Shalalth
• The Shuswap of Alkali Lake, Soda Creek, Dog Creek, Canim Lake, and Sugar Cane
• The Haisla of Kitamaat
• The Nisga’a of Gingolx (Kincolith) and New Aiyansh

Most of the projects had an end goal to produce a book, language education materials, or teacher training materials. Often the education materials incorporated cultural lessons throughout. The records created in the production of the books are varied and reflect the intrinsic connection between language, culture, and daily activities in the communities. Powell and Jensen were co-editors for nearly all of the language books and materials produced. Although some of the projects reflected in the records were done primarily by Powell or primarily by Jensen, the vast majority of the work involves collaboration between the two in some aspect. As Jensen and Powell immersed themselves in the communities they worked for, often their personal photographs and records are interspersed with those relating to their work. This community involvement enhanced their relationships with the people with whom they were working and allowed them to experience and participate in cultural activities as part of those communities. This close relationship is reflected in and is integral to their work. Jensen and Powell have two sons: Nels, born in 1978, and Luke, born in 1981. Their sons travelled with them to the communities in which they worked and lived, and on their work trips and sabbaticals. Nels and Luke are also present in many of the photographic records.

The records contain a mixture of research, field notes, administrative records, and publications at various stages, in addition to audio and visual records. Field notes, for the most part handwritten, and archival research into language and culture groups was undertaken by Powell, whilst the majority of the photography, found in a variety of formats, was done by Jensen. Manuscripts and final publications were a combined effort and are included at various stages. Administrative records, including grant proposals, are found throughout.

Fonds consists of 13 series of records. Series are arranged according to community and/or project, and include:

  1. Quileute
  2. Chinook Jargon
  3. Kwak’wala (U’Mista)
  4. Gitxsan
  5. Nuu-chah-nulth
  6. Salishan
  7. Shuswap
  8. Haisla
  9. Tait
  10. Northwest Coast artists
  11. Northwest Coast groups
  12. UBC totems/events
  13. Publications

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Paddling to Where I Stand collection

  • 138
  • Collectie
  • 1979 - 2003

Collection illustrates the gathering of information and writing of the book “Paddling to Where I Stand : Agnes Alfred, Qwiqwasutinuxw Noblewoman.” Includes interviews to Agnes Alfred conducted by Martine J. Reid and Daisy Sewid-Smith between 1979 and 1985. Interviews are documented as audio and video recordings and their written transcriptions, and other materials gathered by Martine J. Reid and Daisy Sewid-Smith for the edition and publication of the book. Collection also contains the manuscripts and draft for the book; correspondence between Martine J. Reid, Daisy Sewid-Smith and other people; eulogies and funeral pamphlets; Agnes Alfred’s family information; historical notes; and miscellanea. Collection includes photographic materials with photographs included in the book and additional photographs gathered by Martine J. Reid and Daisy Sewid-Smith during their research, and portraits of Agnes Alfred’s parents.

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History of Copper (20 coppers from Alert Bay), GW(?) Hunt, 1924

Photocopy of a manuscript about coppers from Alert Bay, BC. Front page notes that it was "sent by GW(?) Hunt, Port Hardy, BC." It also has a stamp from the "Department of Mines geological Survey, received Mar 26, 1924. Division of Anthropology."

Original manuscript might be at UBC's Rare Books and Special Collections library.

Research

The series consists primarily of material accumulated and/or created by Gillian Darling Kovanic during her travels abroad, both as a student of anthropology and a filmmaker. This series includes field research conducted by Kovanic with the Kalash in Pakistan, the Kom/Kati tribes in Pakistan and Afghanistan, the Orissa in India, the Haida on the Queen Charlotte Islands [Haida Gwaii], British Columbia and the Kwakwaka’wakw in Alert Bay, British Columbia. Much of her fieldwork is made up of a study of the languages and cultural practices of the people being studied.

Included in the series are eleven field notebooks, a handwritten Kalash’a dictionary, a notebook containing information on the ethnographic materials collected by Darling, which now reside with the Royal Ontario Museum, and approximately 4502 photographs, including slides, negatives, prints and digital photos. Also included are a number of academic and popular articles collected by Kovanic, which compliment her field research, including a unique, handwritten article by Wazir Ali Shah, secretary to the last ruler of Chital, Mehtar, in 1977, which was written after the original manuscript was lost. The series also contains published material, comprised of a teaching kit titled “Kalash Bread-making: From Field to Feast” and the Wakhi Language Book by Haqiqat Ali.

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Gillian Darling Kovanic fonds

  • 49
  • Archief
  • 1973 - 2010

This fonds consists of textual records, photographs, negatives, slides, audio recordings, compact discs and video on DVD that relate to Kovanic’s academic and film career. The fonds relates especially to her work in Pakistan, India and Afghanistan, but also captures her work with First Nations on the Northwest coast of British Columbia.

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Chief Thomas Hunt at Chief Mungo Martin memorial

Chief Thomas Hunt at memorial held for Chief Mungo Martin. Hunt is wearing a frontlet that is now in MOA’s collection - object ID: 3260/68. Image from the A similar image of the same scene is printed on page 29 of Carter's book "From History's Locker," with the caption: "Under the direction of Chief William Scow the assembled chiefs of the Kwakiutl Nation come forward to make speeches in honor of the late Chief Mungo Martin."

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Chief Mungo Martin memorial

Portrait of Chief James King, Hakwamees band, Kingcome Inlet. A similar portrait is printed on page 47 of Carter's book "From History's Locker," with the caption: "Holding the speaker's staff is our equivalent of a master of ceremonies." Staff is now in MOA’s collection - object ID: A9181.

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