Affichage de 3060 résultats

description archivistique
Vickie Jensen and Jay Powell fonds Avec objets numériques
Aperçu avant impression Hierarchy Affichage :

Crew and log at the old UBC carving shed

Item is a b&w negative of a photograph of Wayne and Isaac working to finish up rounding the log so Norman can begin drawing. Small child watching is my son Luke Powell. The textual info is in WHERE THE PEOPLE GATHER or paperback TOTEM POLE CARVING pp. 42-45.

Geographic Location: all photos at area around the old UBC Carving Shed.

Crew and log at the old UBC carving shed

Item is a b&w negative of a photograph of Wayne and Isaac inserting the plug so Norman can begin drawing. The textual info is in WHERE THE PEOPLE GATHER or paperback TOTEM POLE CARVING pp. 42-45.

Geographic Location: all photos at area around the old UBC Carving Shed

Crew and log at the old UBC carving shed

Item is a b&w negative of a photograph of Wayne and Isaac inserting the plug so Norman can begin drawing. The textual info is in WHERE THE PEOPLE GATHER or paperback TOTEM POLE CARVING pp. 42-45.

Geographic Location: all photos at area around the old UBC Carving Shed

Crew and log at the old UBC carving shed

Item is a b&w negative of a photograph of the continuation of the work on the pole. Norman starts to sketch on the log. The textual info is in WHERE THE PEOPLE GATHER or paperback TOTEM POLE CARVING p. 45-47).

Notes:
Once the log is suitably rounded, Norman is eager to get the drawings on the pole. He brings in the tissue sketches he did for the bid submission, roughly sketching them onto the log. (Note the 5th image [a020808] shows my darkroom printing notations--often my photo choices are indicated with a wax pencil on the contact sheet—sometimes with an X, sometimes a triangle, sometimes a dot—depending on the job.)

Geographic Location: UBC Carving Shed

Crew and log at the old UBC carving shed

Item is a b&w negative of a photograph of the continuation of the work on the pole. Norman starts to sketch on the log. The textual info is in WHERE THE PEOPLE GATHER or paperback TOTEM POLE CARVING p. 45-47).

Notes:
Once the log is suitably rounded, Norman is eager to get the drawings on the pole. He brings in the tissue sketches he did for the bid submission, roughly sketching them onto the log. (Note the 5th image [a020808] shows my darkroom printing notations--often my photo choices are indicated with a wax pencil on the contact sheet—sometimes with an X, sometimes a triangle, sometimes a dot—depending on the job.)

Geographic Location: UBC Carving Shed

Crew and log at the old UBC carving shed

Item is a b&w negative of a photograph of the continuation of the work on the pole. Norman starts to sketch on the log. The textual info is in WHERE THE PEOPLE GATHER or paperback TOTEM POLE CARVING p. 45-47).

Notes:
Once the log is suitably rounded, Norman is eager to get the drawings on the pole. He brings in the tissue sketches he did for the bid submission, roughly sketching them onto the log. (Note the 5th image [a020808] shows my darkroom printing notations--often my photo choices are indicated with a wax pencil on the contact sheet—sometimes with an X, sometimes a triangle, sometimes a dot—depending on the job.)

Geographic Location: UBC Carving Shed

Crew and log at the old UBC carving shed

Item is a b&w negative of a photograph of the continuation of the work on the pole. Norman starts to sketch on the log. The textual info is in WHERE THE PEOPLE GATHER or paperback TOTEM POLE CARVING p. 45-47).

Notes:
Once the log is suitably rounded, Norman is eager to get the drawings on the pole. He brings in the tissue sketches he did for the bid submission, roughly sketching them onto the log. (Note the 5th image [a020808] shows my darkroom printing notations--often my photo choices are indicated with a wax pencil on the contact sheet—sometimes with an X, sometimes a triangle, sometimes a dot—depending on the job.)

Geographic Location: UBC Carving Shed

Crew and log at the old UBC carving shed

Item is a b&w negative of a photograph of the continuation of the work on the pole. Norman starts to sketch on the log. The textual info is in WHERE THE PEOPLE GATHER or paperback TOTEM POLE CARVING p. 45-47).

Notes:
Once the log is suitably rounded, Norman is eager to get the drawings on the pole. He brings in the tissue sketches he did for the bid submission, roughly sketching them onto the log. (Note the 5th image [a020808] shows my darkroom printing notations--often my photo choices are indicated with a wax pencil on the contact sheet—sometimes with an X, sometimes a triangle, sometimes a dot—depending on the job.)

Geographic Location: UBC Carving Shed

Crew and log at the old UBC carving shed

Item is a b&w negative of a photograph of the continuation of the work on the pole. Norman starts to sketch on the log. The textual info is in WHERE THE PEOPLE GATHER or paperback TOTEM POLE CARVING p. 45-47).

Notes:
Once the log is suitably rounded, Norman is eager to get the drawings on the pole. He brings in the tissue sketches he did for the bid submission, roughly sketching them onto the log. (Note the 5th image [a020808] shows my darkroom printing notations--often my photo choices are indicated with a wax pencil on the contact sheet—sometimes with an X, sometimes a triangle, sometimes a dot—depending on the job.)

Geographic Location: UBC Carving Shed

Crew and log at the old UBC carving shed

Item is a b&w negative of a photograph of the continuation of the work on the pole. Norman starts to sketch on the log. The textual info is in WHERE THE PEOPLE GATHER or paperback TOTEM POLE CARVING p. 45-47).

Notes:
Once the log is suitably rounded, Norman is eager to get the drawings on the pole. He brings in the tissue sketches he did for the bid submission, roughly sketching them onto the log. (Note the 5th image [a020808] shows my darkroom printing notations--often my photo choices are indicated with a wax pencil on the contact sheet—sometimes with an X, sometimes a triangle, sometimes a dot—depending on the job.)

Geographic Location: UBC Carving Shed

Crew and log at the old UBC carving shed

Item is a b&w negative of a photograph of the continuation of the work on the pole. Norman starts to sketch on the log. The textual info is in WHERE THE PEOPLE GATHER or paperback TOTEM POLE CARVING p. 45-47).

Notes:
Once the log is suitably rounded, Norman is eager to get the drawings on the pole. He brings in the tissue sketches he did for the bid submission, roughly sketching them onto the log. (Note the 5th image [a020808] shows my darkroom printing notations--often my photo choices are indicated with a wax pencil on the contact sheet—sometimes with an X, sometimes a triangle, sometimes a dot—depending on the job.)

Geographic Location: UBC Carving Shed

Crew and log at the old UBC carving shed

Item is a b&w negative of a photograph of the continuation of the work on the pole. Norman starts to sketch on the log. The textual info is in WHERE THE PEOPLE GATHER or paperback TOTEM POLE CARVING p. 45-47).

Notes:
Once the log is suitably rounded, Norman is eager to get the drawings on the pole. He brings in the tissue sketches he did for the bid submission, roughly sketching them onto the log. (Note the 5th image [a020808] shows my darkroom printing notations--often my photo choices are indicated with a wax pencil on the contact sheet—sometimes with an X, sometimes a triangle, sometimes a dot—depending on the job.)

Geographic Location: UBC Carving Shed

Crew and log at the old UBC carving shed

Item is a b&w negative of a photograph of the continuation of the work on the pole. Norman starts to sketch on the log. The textual info is in WHERE THE PEOPLE GATHER or paperback TOTEM POLE CARVING p. 45-47).

Notes:
Once the log is suitably rounded, Norman is eager to get the drawings on the pole. He brings in the tissue sketches he did for the bid submission, roughly sketching them onto the log. (Note the 5th image [a020808] shows my darkroom printing notations--often my photo choices are indicated with a wax pencil on the contact sheet—sometimes with an X, sometimes a triangle, sometimes a dot—depending on the job.)

Geographic Location: UBC Carving Shed

Crew and log at the old UBC carving shed

Item is a b&w negative of a photograph of the continuation of the work on the pole. Norman starts to sketch on the log. The textual info is in WHERE THE PEOPLE GATHER or paperback TOTEM POLE CARVING p. 45-47).

Notes:
Once the log is suitably rounded, Norman is eager to get the drawings on the pole. He brings in the tissue sketches he did for the bid submission, roughly sketching them onto the log. (Note the 5th image [a020808] shows my darkroom printing notations--often my photo choices are indicated with a wax pencil on the contact sheet—sometimes with an X, sometimes a triangle, sometimes a dot—depending on the job.)

Geographic Location: UBC Carving Shed

Crew and log at the old UBC carving shed

Item is a b&w negative of a photograph of the continuation of the work on the pole. Norman starts to sketch on the log. The textual info is in WHERE THE PEOPLE GATHER or paperback TOTEM POLE CARVING p. 45-47).

Notes:
Once the log is suitably rounded, Norman is eager to get the drawings on the pole. He brings in the tissue sketches he did for the bid submission, roughly sketching them onto the log. (Note the 5th image [a020808] shows my darkroom printing notations--often my photo choices are indicated with a wax pencil on the contact sheet—sometimes with an X, sometimes a triangle, sometimes a dot—depending on the job.)

Geographic Location: UBC Carving Shed

Crew and log at the old UBC carving shed

Item is a b&w negative of a photograph of the continuation of the work on the pole. Norman starts to sketch on the log. The textual info is in WHERE THE PEOPLE GATHER or paperback TOTEM POLE CARVING p. 45-47).

Notes:
Once the log is suitably rounded, Norman is eager to get the drawings on the pole. He brings in the tissue sketches he did for the bid submission, roughly sketching them onto the log. (Note the 5th image [a020808] shows my darkroom printing notations--often my photo choices are indicated with a wax pencil on the contact sheet—sometimes with an X, sometimes a triangle, sometimes a dot—depending on the job.)

Geographic Location: UBC Carving Shed

Crew and log at the old UBC carving shed

Item is a b&w negative of a photograph of the continuation of the work on the pole. Norman starts to sketch on the log. The textual info is in WHERE THE PEOPLE GATHER or paperback TOTEM POLE CARVING p. 45-47).

Notes:
Once the log is suitably rounded, Norman is eager to get the drawings on the pole. He brings in the tissue sketches he did for the bid submission, roughly sketching them onto the log. (Note the 5th image [a020808] shows my darkroom printing notations--often my photo choices are indicated with a wax pencil on the contact sheet—sometimes with an X, sometimes a triangle, sometimes a dot—depending on the job.)

Geographic Location: UBC Carving Shed

Crew and log at the old UBC carving shed

Item is a b&w negative of a photograph of the continuation of the work on the pole. Norman starts to sketch on the log. The textual info is in WHERE THE PEOPLE GATHER or paperback TOTEM POLE CARVING p. 45-47).

Notes:
Once the log is suitably rounded, Norman is eager to get the drawings on the pole. He brings in the tissue sketches he did for the bid submission, roughly sketching them onto the log. (Note the 5th image [a020808] shows my darkroom printing notations--often my photo choices are indicated with a wax pencil on the contact sheet—sometimes with an X, sometimes a triangle, sometimes a dot—depending on the job.)

Geographic Location: UBC Carving Shed

Crew and log at the old UBC carving shed

Item is a b&w negative of a photograph of the continuation of the work on the pole. Norman starts to sketch on the log. The textual info is in WHERE THE PEOPLE GATHER or paperback TOTEM POLE CARVING p. 45-47).

Notes:
Once the log is suitably rounded, Norman is eager to get the drawings on the pole. He brings in the tissue sketches he did for the bid submission, roughly sketching them onto the log. (Note the 5th image [a020808] shows my darkroom printing notations--often my photo choices are indicated with a wax pencil on the contact sheet—sometimes with an X, sometimes a triangle, sometimes a dot—depending on the job.)

Geographic Location: UBC Carving Shed

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