- c. 1948
Fonds consists of 14 negatives from a trip to Tibet that Pilon took circa 1948.
10 résultats avec objets numériques Afficher les résultats avec des objets numériques
Fonds consists of 14 negatives from a trip to Tibet that Pilon took circa 1948.
The fonds consists mainly of slides, negatives, and other material relating to Sinhalese (Sri Lankan) and other South Asian masks held at numerous repositories worldwide, studied by Ames in the late 1950s and early 1980s. Subjects also include people, places, temples, ceremonies, and daily life in Sri Lanka, Bangkok, Cambodia, and Singapore. Numerous research articles reproduced by Ames, as well as travel brochures, are included. Material from student exhibits related to South Asian masks is also included.
The records have not been arranged into series since the entire fonds consists of closely related material.
Michael M. Ames
Fonds consists of records generated by Watson while working as an exhibit designer at the Museum of Anthropology. Material includes records gernated during the preparation and documentation of exhibitions at the Museum, as well as records generated for two additional design projects undertaken by Watson during his tenure at MOA: the design of textile storage and display unit, 1980-1984; and the design of an extension to the west wing of MOA, 1988-1990.
Fonds is organized into two series:
1 - Museum design
2 - Exhibition design
See attached pdf document for series descriptions and file list.
James Herbert Watson
The fonds consists of records created by Marjorie Halpin as Curator of Ethnology at the Museum of Anthropology with some records relating to her activities as professor of Anthropology at the University of British Columbia. The records include correspondence, reports, memos, handwritten notes, newspaper clippings, published and unpublished papers, grant application forms, loan permission forms, financial statements, course outlines and bibliographies, curator’s meeting papers, photographs, negatives and slides.
The fonds has been organized into the following series:
Marjorie M. Halpin
Fonds consists of theatre programs from Victoria, opera clippings, photographs of the Chinese Carnival in 1936, a copy of the Chinese Times, and Yip’s reminiscences of the establishment of The Chinese Canadian Times in Vancouver and the Chinese Opera in Victoria.
MAN 1997-007-001 : Chinese Times, 1936, article on Chinese Times, Willie Le[-]o n.d.
MAN 1997-007-002 : Cantonese Opera clippings, n.d.
MAN 1997-007-003 : Six photographs of Chinese Carnival, Vancouver, 1936
MAN 1997-007-004 : Theatre program from Victoria, B.C., 1923
MAN 1997-007-005 : Theatre program from Victoria, B.C., with poetry on back written by Yip’s father, 1930
Fonds consists of papers that appear to be the beginning of a catalogue of Chinese charms and coins that were hand drawn. It is not clear whether they are specific to the Campbell-Brown collection of Chinese coins that were acquired by the Museum of Anthropology. However, they were acquired in the same trunk as the Campbell-Brown collection of Chinese coins.
The fonds consists of two albums containing images accumulated by James and Mary Fyfe Smith during visits to Japan between 1911 and 1914.
James Fyfe Smith
This collection consists of postcards and photographs collected by Joan Goodall. Areas depicted include Old Massett, Hazelton, Kitwangar, Port Simpson and other areas. Most images have totem poles or other massive carvings depicted.
ITEMS IN COLLECTION:
“The Museum of Northern British Columbia with the wolf totem and two Haida poles”
– 1960 – 1 postcard : colour ; 8.5 x 14 cm.
“From Joan Goodall Aug/78 – Fertility symbol used on island of [Tan] during yearly festival on island of [Tanna]” – 1978 - 1 photograph : colour ; 12 x 9 cm.
“623” [people in front of cemetery] – [19-] –1 photograph : b&w ; 14 x 9 cm.
“623” [totem pole and dead tree] – [19-] – 1 photograph : b&w ; 14 x 9 cm.
“713” [wooden sidewalk with totem poles] – [19-] - 1 photograph : b&w ; 9 x 14 cm.
“713” [view of a wooden fence with a tree flanked by matching totem poles] – [19-] – 1 photograph : b&w ; 9 x 14 cm.
“The Lion Totem of Kitwangar, BC” – [19-] – 1 postcard : b&w ; 14 x 9 cm.
“Port Simpson, Totems” – [19-] – 1 postcard : b&w ; 14 x 9 cm.
“Alaska Indian Carvings” – [19-] – 1 postcard: b&w ; 9 x 14 cm.
“Indian Totem, Hazleton, BC” – [19-] – 1 postcard : b&w ; 9 x 14 cm.
“Indian Totems, Old Massett, BC” – [19-] – 1 postcard : b&w ; 9 x 14 cm.
“1926” [two totem poles in front of a wooden house] - 1926- 1 photograph : b&w ; 11 x 7 cm.
The fonds consists of articles, brochures, classification scheme, correspondence, evaluations, fables, financial records, guidelines, lecture notes, memorandums, minutes of meetings, nitrate negatives, photographs, plans, policies, proposals, published and unpublished articles, receipts, reports, research notes, schedules, scripts, shipping lists, sketches, slides, statistics, surveys, workshop notes relating to Madeline Bronsdon Rowan's curatorial function at the Museum of Anthropology.
The records are arranged into the following 13 series:
Madeline Bronsdon Rowan
The fonds consists of records generated by the Museum of Anthropology Public Relations and Communications Office in the course of carrying out its mandated functions and activities. In addition to textual records, the fond also includes graphic material. The records are composed of correspondence, publications, reports, press releases, photocopied newspaper clippings, minutes of staff, committee, and association meetings, and other materials relating to the activities and functions of the Public Relations and Communications Office and its staff.
The fonds has been organized into the following series:
1. Administrative files (1981-2006)
2. Financial files (1980-1989)
3. Media activities files (1975-2015)
4. Museum programs and projects files (1977-2008)
5. Museum events and performances files (1960-2008)
6. Museum exhibition files (1978-2008)
7. Volunteer and student position files ([ca. 1981]-2009)
8. Resource files (1976-2007)
University of British Columbia. Museum of Anthropology. Public Relations and Communications Office
Collection consists of 81 b&w photographic prints of the Brooks heads and one of the Vancouver airport.
Includes material related to the Pigapicha! exhibition at the Museum of Anthropology. Nuno Porto curated this exhibition. Records include correspondence, research, and meeting notes.
Fonds consists of material related to the art, research, and writing of Hilary Stewart. The bulk of the material is related to the production of her books on the culture and art of the First Nations peoples of the Pacific Northwest. The remaining material relates to illustrations that she did for publications by other authors, a small amount of material done for personal use, and collected research and ephemera that does not appear to be related to one specific publication. Material includes original illustrations, collected research and notes, book drafts and pre-press materials, photographs, correspondence, and collected memorabilia.
The material has been arranged into three series:
1 - Books
2 - Illustrations and other artwork
3 - Collected research and ephemera
Hilary M. Stewart
The fonds consists of photographs likely taken by A.F.R. Wollaston in Uganda, the Congo, New Guinea, and Fiji. Also included are the envelope in which the photos were posted, and a note from M (Marjorie Halpin) to Audrey (Shane? Hawthorn?) regarding the donation of the photos to MoA.
The records in this fonds were created and received in the course of Elizabeth Johnson’s tenure at the Museum of Anthropology. The records relate to activities Johnson was involved through her various positions at the Museum in involvement with exhibitions, collections, the museums relations with the community and various community events sponsored by the museum, teaching and various administrative activities. The fonds consists of agendas, agreements, articles, artifact lists, attendance figures, books, business cards, budgets, catalogue drafts, comment book, contract lists, correspondence, curators statement, diagram, drawings, evaluations, exhibit labels, expenses, internal forms (exhibit proposal forms), financial records, flyer, final report, guidelines, grant applications, invitations, memorandums, minutes of meetings, museum exhibit diagrams, permission forms, photographs, notes, plans, policies, press releases, proposals, publications (books), publicity records, receipts, reports, reproductions of newspaper ads and articles, research notes, revisions, schedules, slide list, slides, speaking notes, student papers, surveys, teaching notes, transcripts of research interviews, audio cassettes of interviews, translations, visitor surveys and videos.
The fonds is arranged in the following 8 series:
See attached pdf document for description of series and file lists.
Elizabeth Lominska Johnson
The fonds consists of records Telfer created or received during the time that she spent as a teacher at residential schools. The materials donated by Telfer include correspondence, essays, schedules, programmes, ephemera notes and a significant number of photographs. These records are primarily related to the the Morley Residential School, the Coqualeetza Residential School and the Port Alberni Residential School, as well as the Nakoda (Stoney) Nation.
The fonds consists of records generated and used by several creators that all support the functions of the MOA Shop at the University of British Columbia’s Museum of Anthropology. The fonds reflects the creators’ filing system and illustrates the MOA Shop’s activities of administration, purchasing, sales and retailing, product development and merchandising, wholesaling and distribution, vendor and artist relations, marketing, and event planning from its founding in 1977. These functions produce textual records including correspondence, committee meeting agendas and minutes, memoranda, statements and reports, business plans and budgets, inventories, policies and procedure documents, agreements and contracts, and sample publications; graphic materials such as photographs, slides, and negatives that document the Shop’s activities, retail space and display, special events, products, and other MOA exhibitions and events; and product samples including postcards and slides, apparel, fabric samples, accessories, and home goods.
The fonds is organized into the following series:
The records in this fonds are not the records of one creator, but all records that support the function of Public Programming and Education at the Museum of Anthropology (MOA). The function of Public Programming and Education at MOA produces a number of different kinds of records including: textual records, correspondence, memoranda, handwritten notes, meeting minutes, reports, brochures, press releases, newspaper clippings, financial statements, grant applications, publication drafts, policy information, mission statements and other administrative materials. Graphic material include: photographs, negatives and slides.
This fond is organized into the following series:
See attached pdf document for descriptions of these series and file lists.
Public Programming and Education. University of British Columbia. Museum of Anthropology.
Fonds consists of records relating to the numerous culture and language projects that Powell and Jensen worked on since 1976. The communities with which they worked include:
• The Quileute of La Push
• The Kwakwaka’wakw of Alert Bay
• The Gitksan of Kispiox, Gitanyow, and surrounding villages
• The Nuu-chah-nulth of Vancouver Island
• The Musqueam of Vancouver
• The Seton Lake St'at'imc (Lillooet) of Shalalth
• The Shuswap of Alkali Lake, Soda Creek, Dog Creek, Canim Lake, and Sugar Cane
• The Haisla of Kitamaat
• The Nisga’a of Gingolx (Kincolith) and New Aiyansh
Most of the projects had an end goal to produce a book, language education materials, or teacher training materials. Often the education materials incorporated cultural lessons throughout. The records created in the production of the books are varied and reflect the intrinsic connection between language, culture, and daily activities in the communities. Powell and Jensen were co-editors for nearly all of the language books and materials produced. Although some of the projects reflected in the records were done primarily by Powell or primarily by Jensen, the vast majority of the work involves collaboration between the two in some aspect. As Jensen and Powell immersed themselves in the communities they worked for, often their personal photographs and records are interspersed with those relating to their work. This community involvement enhanced their relationships with the people with whom they were working and allowed them to experience and participate in cultural activities as part of those communities. This close relationship is reflected in and is integral to their work. Jensen and Powell have two sons: Nels, born in 1978, and Luke, born in 1981. Their sons travelled with them to the communities in which they worked and lived, and on their work trips and sabbaticals. Nels and Luke are also present in many of the photographic records.
The records contain a mixture of research, field notes, administrative records, and publications at various stages, in addition to audio and visual records. Field notes, for the most part handwritten, and archival research into language and culture groups was undertaken by Powell, whilst the majority of the photography, found in a variety of formats, was done by Jensen. Manuscripts and final publications were a combined effort and are included at various stages. Administrative records, including grant proposals, are found throughout.
Fonds consists of 13 series of records. Series are arranged according to community and/or project, and include:
Vickie Jensen and Jay Powell
This fonds consists of 201 photographs taken by Virginia Kehoe of various art created by Douglas Cranmer. The photographs include large scale totem pole and canoe carving projects, and smaller scale masks, carvings and artwork projects. There are also several photographs of events attended and photographed by Virginia Kehoe.