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Vancouver Totem poles
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Totem pole, U.B.C.

Image of an unidentified totem pole at the University of British Columbia.

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Stanley Park totem poles

Image of totem poles at Stanley Park from the side. From foreground to background: Sisa Kaulas Pole, Wakas (Wakius) Pole, and Thunderbird house post.

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Totem Park, UBC, Vancouver, Kwakiutl (#2 + 5 carved by Mungo Martin), Alert Bay sea lion pole #2, new Mungo Martin pole #5, frontal pole #6, eagle crest pole #7

This pole was on display at UBC in Totem Park in the 1960’s and 1970’s and moved to the Museum in the late 1970’s. It was carved in 1914 in Tsaxis (Fort Rupert) by George Hunt Sr. for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters". The pole was collected by Marius Barbeau and Arthur Price in 1947. The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.

Iconography: Kolus is a young thunderbird. Thunderbird is a supernatural bird identifiable by the presence of ear-like projections or horns on the head, and a re-curved beak. The pole alludes to the story of Tongas people in south Alaska, who migrated south.

Audrey and Harry Hawthorn

Audrey and Harry Hawthorn in the new Museum of Anthropology. This photograph was likely taken around the time the Museum Opened in May, 1976.

Tait

Series documents Nisga’a artist Norman Tait and his crew of carvers during a period in which they were prolific in their creation of totem poles.

Jensen first met Tait in the early 1970s when she would photographic artists’ works for Bud Mintz, Vancouver gallery owner. In 1985 she had the idea to produce a book documenting the carving of a totem pole from start to finish. She approached Tait, who initially refused but called Jensen back just a few days later to take her up on the offer, after being commissioned to create a pole for the Native Education Centre in Vancouver.

Jensen photographed Tait and his crew, which consisted of his brother Robert (Chip), his cousin Harry Martin (Hammy), his nephew Wayne Young and his eldest son Isaac (Ikey). She also made notes and audio recordings of Tait’s lessons to his crew, most of whom had never worked on such a large project. The photographs and tapes were used in the creation of the book Where the People Gather: Carving a Totem Pole. The project also led to the publication of a children’s version, Carving a Totem Pole and a paperback version titled Totem Pole Carving. The books were published in the early 1990s.

Jensen documented Tait’s next two major commissions: two poles for Capilano Mall in 1986, and a pole for Stanley Park in 1987.

In 1987 Tait adopted Jensen into the Nisga’a Eagle Clan and began to teach her about the responsibilities that came with the honour. The lessons were put into practice in 2001 when Tait asked Vickie to guard the body of a family member that had died.

The series includes photographic records of the creation of the four poles; audio recordings of lessons and interviews with Tait; transcripts of the audio tapes; and notes. The series consists of five sub-series:

A. Native Education Centre (NEC) pole photographs
B. Capilano Mall and Stanley Park poles photographs
C. Misc. photographs
D. Tait family and crew artists’ photographs
E. Audio tapes and transcripts.

Totem pole, UBC

Image of the bottom of a totem pole located at the University of British Columbia.

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Totem poles, UBC

Image of totem poles located at the University of British Columbia.

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Totem pole, UBC

Image of close-up of a totem pole at the Museum of Anthropology at the University of British Columbia.

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Michael Ames with guests in Great Hall

Image in the Museum of Anthropology's Great Hall. Michael Ames (MOA Director) is on the left. Prime Minister Pierre Elliot Trudeau in on the right. The third individual is unidentified.

Totems, U.B.C.

Image of totem poles on display at the Museum of Anthropology at UBC.

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Totems, U.B.C.

Image of totem poles on display at the Museum of Anthropology at UBC.

Sem título

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