[Ron Telek carves in an outdoor shed]
- 12-12-01-12-01-01-a036003
- Item
- December 17, 1986
Parte deRonnie Tessler fonds
Image is of Ron Telek carving while seated inside a small shed with its door open to outside.
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[Ron Telek carves in an outdoor shed]
Parte deRonnie Tessler fonds
Image is of Ron Telek carving while seated inside a small shed with its door open to outside.
[Ron Telek carves in an outdoor shed]
Parte deRonnie Tessler fonds
Image is of Ron Telek seated while carving inside a small outdoor shed with its door open
Parte deRonnie Tessler fonds
Image is of Ron Telek and Wayne Young and unidentified person seated while carving on top of two tree stumps
[Ron Telek and Wayne Young - Mid-carving]
Parte deRonnie Tessler fonds
Image is of Ron Telek (left) and Wayne Young (right) seated while carving on top of two tree stumps
Parte deRonnie Tessler fonds
Parte deRonnie Tessler fonds
File consists of images of Les Baker, seen from a number of different angles, taken in preparation for Tait mask.
Parte deRonnie Tessler fonds
Parte deRonnie Tessler fonds
Tait project: Canoe measuring and marking
Parte deRonnie Tessler fonds
Parte deRonnie Tessler fonds
Tait project: U.B.C. Open House
Parte deRonnie Tessler fonds
Parte deRonnie Tessler fonds
Tait project: 1st cut ceremony
Parte deRonnie Tessler fonds
Parte deRonnie Tessler fonds
Tait project: N. Van. Reva's yard
Parte deRonnie Tessler fonds
Norman Tait canoe project and related materials
Parte deRonnie Tessler fonds
The fonds consists of photographs created by Ronnie Tessler between 1986 and 1987 documenting a canoe project by Nisga’a carver Norman Tait. The project was abandoned in the summer of 1987, and the canoe was left uncompleted. The photographs depict models for the canoe, transportation of the log for the canoe to the Museum of Anthropology, ceremonies performed throughout the project, and various stages of work on the canoe and model. Additional photographs from this period depict a totem pole-raising ceremony at Capilano Mall in North Vancouver, as well as portraits of Les Baker, a model Tait wanted to use for a “white man” mask. The fonds is arranged into a single series: Norman Tait canoe project and related materials.
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