<?xml version="1.0" encoding="utf-8"?>
<!DOCTYPE ead PUBLIC "+//ISBN 1-931666-00-8//DTD ead.dtd (Encoded Archival Description (EAD) Version 2002)//EN" "http://lcweb2.loc.gov/xmlcommon/dtds/ead2002/ead.dtd">
<ead>
  <eadheader langencoding="iso639-2b" countryencoding="iso3166-1" dateencoding="iso8601" repositoryencoding="iso15511" scriptencoding="iso15924" relatedencoding="DC">
    <eadid identifier="michael-kew-fonds" url="https://atom.moa.ubc.ca/index.php/michael-kew-fonds" encodinganalog="identifier">69</eadid>
    <filedesc>
      <titlestmt>
        <titleproper encodinganalog="title">Michael Kew fonds (private records)</titleproper>
      </titlestmt>
    </filedesc>
    <profiledesc>
      <creation>
      Generated by Access to Memory (AtoM) 2.10.1      <date normal="2026-09-14">2026-09-14 20:24 UTC</date>
    </creation>
      <langusage>
        <language langcode="eng">English</language>
      </langusage>
    </profiledesc>
  </eadheader>
  <archdesc level="fonds" relatedencoding="rad">
    <did>
      <unittitle encodinganalog="1.1B">Michael Kew fonds (private records)</unittitle>
      <unitid encodinganalog="1.8B11">69</unitid>
      <unitdate id="atom_102338_event" normal="1950/1997" encodinganalog="1.4B2">[195-] - 1997</unitdate>
      <physdesc encodinganalog="1.5B1">
        2468 slides : col.<lb/>0.03 m of textual records<lb/>1 audio cassette<lb/>1 floppy diskette.    </physdesc>
      <note type="generalNote" encodinganalog="1.8B21">
        <p>There are several duplicates of various slides located in the Archives case  files. </p>
      </note>
      <origination encodinganalog="1.4D">
        <persname id="atom_102338_actor">Michael Kew</persname>
      </origination>
    </did>
    <bioghist id="md5-dfc2d42766e9b4bf2f453d78ba6bfc48" encodinganalog="1.7B">
      <note>
        <p>Dr. J.E. Michael Kew was born in Quesnel, British Columbia in 1932.  Kew received his B.A. at the University of British Columbia in 1955 and was appointed the Assistant Curator of Anthropology at the Provincial Museum in Victoria from 1956-1959.  Following a four-year period in Saskatchewan, where he was employed as a Community Development Officer at the Department of Natural Resources and a Research Assistant in Anthropology at the University of Saskatchewan, Kew returned to the University of British Columbia in 1965 as Instructor of Anthropology.  During his appointment as Visiting Assistant Professor of Anthropology, Kew obtained his Ph.D. at the University of Washington, Seattle in 1970.<lb/><lb/>As part of his curatorial responsibilities at the Museum of Anthropology (MOA), Dr. Kew curated a special exhibition of Central Coast Salish art objects in 1980 entitled Visions of Power, Symbols of Wealth: Central Coast Salish Sculpture and Engraving.  In preparation for the exhibition, Dr. Kew was funded by a grant from SSHRC in 1979 to visit North American museums housing Central Coast Salish sculptural objects.  The objective of his travels was to create a collection of images and documentation of the sculptures found in the various museums.  The majority of the objects exhibited in Visions of Power, Symbols of Wealth came from the collections of the former National Museum of Canada and the Museum of the American Indian.  The collections of the British Columbia Provincial Museum, Royal Ontario Museum, American Museum of Natural History, Field Museum of Natural History, Brooklyn Art Museum, Thomas Burke Memorial Washing State Museum and the British Museum are also represented.<lb/><lb/>At the Museum of Anthropology, Michael Kew worked as Curator of Ethnology from 1977 to 1979.  He curated a MOA exhibit on central Coast Salish three-dimensional art ca. 1993-1997.   He also served as chair of the Ways and Means Committee beginning in 1993 when the committee was established.</p>
      </note>
    </bioghist>
    <odd type="publicationStatus">
      <p>published</p>
    </odd>
    <odd type="titleSource" encodinganalog="1.8B2">
      <p>Title based on provenance of fonds</p>
    </odd>
    <scopecontent encodinganalog="1.7D">
      <p>The fonds consists primarily of  slides as well as other materials generated in the course of Dr. Kew’s teaching and studies of the Northwest Coast from 1971-1996 as well as from the exhibit he curated on central Coast Salish three-dimensional art.<lb/><lb/>There is one series in the fonds:<lb/><lb/>1.	Teaching and Research</p>
    </scopecontent>
    <arrangement encodinganalog="1.8B13">
      <p>The slides are arranged in the order established by the creator.  They are numbered consecutively 1-2111, however, some slides are missing from the sequence.</p>
    </arrangement>
    <controlaccess>
      <persname role="Creation" encodinganalog="1.4D" id="atom_102338_actor">Michael Kew</persname>
    </controlaccess>
    <acqinfo encodinganalog="1.8B12">
      <p>The material was donated to the archives by Dr. Kew.</p>
    </acqinfo>
    <accruals encodinganalog="1.8B19">
      <p>There may be further accruals.</p>
    </accruals>
    <processinfo>
      <p>
        <date>Created December 8, 2015</date>
      </p>
    </processinfo>
    <altformavail encodinganalog="1.8B15b">
      <p>Some of the slides have been scanned. Consult archivist for access.</p>
    </altformavail>
    <relatedmaterial encodinganalog="1.8B18">
      <p>See the Michael Kew fonds (curator records) for material related to Central Coast Salish art exhibition.</p>
    </relatedmaterial>
    <userestrict encodinganalog="1.8B16c">
      <p>Restrictions on copyright, use and reproduction apply as follows:<lb/><lb/>Slide No.<lb/>273, 274, 275: spirit dance, Kuper Island; not to be reproduced or exhibited<lb/>409, 410: rattles; not to be reproduced or exhibited without consent of owners Nathan Kew and James Kew, Musqueam<lb/>453, 454: new dancer; not to be reproduced or exhibited<lb/>455, 456, 457: ritual bathing of new dancer; not to be reproduced or exhibited<lb/>777-788, 1289: various views of rattles; not to be reproduced or exhibited without consent of owners Nathan Kew and James Kew, Musqueam</p>
    </userestrict>
    <otherfindaid encodinganalog="1.8B17">
      <p>A computerized inventory of the teaching slides is available.</p>
    </otherfindaid>
    <dsc type="combined">
      <c level="series">
        <did>
          <unittitle encodinganalog="1.1B">Teaching and Research</unittitle>
          <unitid encodinganalog="1.8B11">1</unitid>
          <unitdate normal="1950/1997" encodinganalog="1.4B2">[195-] - 1997</unitdate>
          <physdesc encodinganalog="1.5B1">
        2468 slides : col., 5 x 5 cm<lb/>1 audio cassette<lb/>1 floppy diskette    </physdesc>
        </did>
        <odd type="publicationStatus">
          <p>published</p>
        </odd>
        <scopecontent encodinganalog="1.7D">
          <p>Series consists of slides representing the inventory of Central Coast Salish art photographed by Dr. Kew during his visits to various North American museums and the British Museum in preparation for the exhibition Visions of Power Symbols of Wealth: Central Coast Salish Sculpture and Engraving.  The images illustrate a wide variety of traditional art objects including masks, adzes, spindle whorls, mat creasers, and totems poles, as well as various jewelry, instruments, and utensils.  The series also includes two volumes of the Central Coast Salish Computerized Art Inventory, which provides a detailed physical description of each art object.</p>
        </scopecontent>
        <arrangement encodinganalog="1.8B13">
          <p>The majority of the slides are arranged according to their original order. The absence of a slide in sequence indicates that the image was not attained by the creator.  There were several slides that were not assigned a number at the Museum of Anthropology, and that were found in no particular order. These slides are designated as uncatalogued slides and were arranged by the archivist according to institution and object type.<lb/><lb/>BOX LIST<lb/>Teaching Slides:<lb/><lb/>Album 1, Slides 1 - 600<lb/>Album 2, Slides 601 - 1200<lb/>Album 3, Slides 1201 - 1800<lb/>Album 4,  Slides 1801-2111</p>
        </arrangement>
      </c>
    </dsc>
  </archdesc>
</ead>
