Affichage de 126 résultats

Subseries consists of the image used on the cover of the cookbook created by the Volunteer Assistants.

Subseries contains one file consisting of correspondence, draft manuscript pages, and photographs relating to the ‘Marie Mauze Project’. This project involved the Kwakiutl Museum (now named the Nuymbalees Cultural Centre) and pieces from their collection that had been returned to them after the ban on potlatches had been lifted. The project was designed in order to create a book, however, the book was never published.

Photographs show Jill Baird standing with two youth from the Musqueam First Nation standing next to a weaving exhibit.

This subseries consists of images showing objects from the MOA on display at the president of the University of British Columbia’s house, and one textual record listing the labels for these objects.

Subseries consists of records related to the 1987 Commonwealth Conference which brought together heads of government, delegates and media from every commonwealth country in the world. The MOA contributed examples of Northwest Coast art to the conference.

Subseries consists of images used in the Museum Note No. 23 <i>Bob Boyer: A Blanket Statement</i>

Subseries contains one file containing a photograph showing First Nations community members walking down the ramp in the great hall at the Museum of Anthropology.

Subseries contains three files consisting of records related to the Bill Reid symposium which was titled “The Legacy of Bill Reid: A Critical Enquiry”. The records comprise planning of the symposium, research done after the symposium on related topics, and McLennan’s presentation.

Subseries contains images mostly taken by McLennan that show the Bill Reid pole which sat outside the Museum of Anthropology at UBC being taken down and moved inside the museum because it was no longer stable due to weathering. This spurred a project funded with a Canada Council grant to then create a new pole to put up in its place. This pole was carved by Jim Hart and called the Respect to Bill Reid pole.

Subseries contain the images used in the Museum Notes booklet titled Totem Poles: An illustrated Guide by Marjorie M. Halpin, as well as a copy of the booklet.

ref # 1-1-A

Subseries contain the images used in the booklet Robes of Power: Totem Poles on Cloth written by Doreen Jensen and Polly Sargent, as well as a copy of the booklet. In addition, there are images of a children's workshop that took place during the exhibit at the Museum of Anthropology.

Subseries consists of images published in The Leary Collection of Cypriot Antiquities written by Caroline Williams as well as a copy of the booklet.

Subseries consists of images used in the book Cowichan Indian Knitting and textual records relating to the production of the book. In addition are the images used in the exhibit which was shown in the Museum of Anthropology September 23 – November 9, 1986.

File 1: Images used in booklet
File 2: Images used in exhibit
File 3: Images of the exhibit

Subseries contains images used in a a publication titled Hands of Our Ancestors: The Revival of Salish Weaving at Musqueam written by Elizabeth Johnson and Kathryn Bernick as well as the publication itself. This publication is part of the Museum Notes program at the Museum of Anthropology.

File 1 - 3: [Photographs ]
File 4: [Transparencies, negatives]
File 5:[Book]
File 6: [Draft of book]
File 7: [Photographs]

Subseries consist of images showing a beaded object, possibly associated with the 1982 exhibition Beads: Selections from the Textile Collection of the Museum of Anthropology.

Subseries contains images of a serigraph print created in 1971 by Joe David. The print is titled Ka-Ka-Win-Chealth (Transformation of white wolf into killer whale).

Subseries consists of images of artworks from Southern India.

Subseries contains images of objects shown in the exhibition titled Tupilaq: Greenland Spirit Carvings held at the Museum of Anthropology March 4th 1984. The carvings are by Anton Utuak.

Subseries consists of images showing objects exhibited during the exhibit titled Museum Quality. This exhibit was purchased for the Museum’s permanent collection by the Anthropology Shop Volunteers. Photographs were taken by Moya Waters.