Group portrait of men posed along a split rail fence
- 22-2-a032869
- Stuk
- c.1920
Part of Fred Ryckman fonds
Thirteen men, wearing a mixture of western and native clothing, stand along a fence. Trees are visible in the distance.
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Group portrait of men posed along a split rail fence
Part of Fred Ryckman fonds
Thirteen men, wearing a mixture of western and native clothing, stand along a fence. Trees are visible in the distance.
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View of lake and mountains, version three
Part of Fred Ryckman fonds
View from the shore of lake with mountains in the distance. Several canoes are visible on the lake; many people can be seen walking toward the lake.
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View of lake and mountains, version four
Part of Fred Ryckman fonds
View from the shore of lake with mountains in the distance. Many people and horses are visible near the lake shore.
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Part of Fred Ryckman fonds
A man and woman in western-style dress, pose for the camera. The woman holds onto her hat. Several individuals on horseback are visible behind them.
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Portrait of men and horses in a field
Part of Fred Ryckman fonds
Several men, some on horseback, stand in an open field. One man, possibly a priest, holds a cross. Some men wear western-style clothing and others wear native-style dress.
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Group portrait of people near a lake
Part of Fred Ryckman fonds
Several individuals seem to be walking down to the lake. Some young men are dressed as altar boys. Another group carries a canopy of sorts.
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Group portrait of two women and a child
Part of Fred Ryckman fonds
Two women and a female child stand at the bottom of some steps that lead to a church.
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Part of Fred Ryckman fonds
Three men stand posed for the camera. The man copy left is the same individual from the previous print wearing western-style clothing. The men standing in the centre and copy right wear traditional attire. Additional individuals stand on either side of this group, not fully visible here.
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Part of Fred Ryckman fonds
Seven men stand posed in front of a wooden structure. Four wear native clothing; three wear western-style dress.
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View of a bridge spanning water
Part of Fred Ryckman fonds
This view depicts a bridge across a body of water with mountains in the distance. The bridge appears to be only partially completed.
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View of river and horse with riders
Part of Fred Ryckman fonds
This view depicts a horse standing in a river carrying two riders. The riverbank in foreground and mountains in the distance are snow covered.
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Part of Fred Ryckman fonds
This view depicts a woman standing next to a tipi-like tent structure in the mountains. A table stands in front of the tent. A clothesline can be seen on the left side of the copy print. Trees and mountains surround this open area.
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Men on horseback crossing a river
Part of Fred Ryckman fonds
Four men on horseback cross a river with four other horses carrying packs. At the river's distant shore trees and a tent-like structure are visible.
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Group portrait of men in native clothing
Part of Fred Ryckman fonds
Five men dressed in native clothing stand facing the camera. One man carries a long, rectangular object. Trees or bushes visible in background.
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Part of Ed Eckley collection
Item is a photograph of the mid-section of a Nuu-chah-nulth totem pole at Queens Cove on Esperanza Inlet (Vancouver Island)
Part of Ed Eckley collection
Item is a photograph of the bottom section of a Nuu-chah-nulth totem pole at Queens Cove on Esperanza Inlet (Vancouver Island)
Part of Ed Eckley collection
Item is a photograph of a section of a Nuu-chah-nulth totem pole and canoe remnants from the Ehattesaht nation on Esperanza Inlet (Vancouver Island)
Part of Ed Eckley collection
Item is a photograph of a section of a Nuu-chah-nulth totem pole from the Ehattesaht nation on Esperanza Inlet (Vancouver Island)
The fonds consists of 28 black and white photographs taken by Codere in 1955 during her second field work expedition to B.C. 19 of the photos were taken in and around Alert Bay, while the remaining 9 were taken on Hope Island.
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Collection consists of textual records that tell of a Kispiox legend and its manifestation on a traditional pole; an accompanying photograph of the pole complements the narrative.