Hopi and Pueblo pottery in visible storage
- 132-1-C-D-a041841
- Item
- [between January and May 1976]
Parte deMOA General Media collection
Hopi and Pueblo pottery on display in visible storage in the Museum of Anthropology.
402 resultados con objetos digitales Muestra los resultados con objetos digitales
Hopi and Pueblo pottery in visible storage
Parte deMOA General Media collection
Hopi and Pueblo pottery on display in visible storage in the Museum of Anthropology.
Hopi and Pueblo pottery in visible storage
Parte deMOA General Media collection
Hopi and Pueblo pottery on display in visible storage in the Museum of Anthropology.
Parte deMOA General Media collection
Museum catalogue with display of Northwest Coast masks in visible storage at the Museum of Anthropology. This photograph illustrates how the catalogues available to museum visitors could be used to learn about the items on display.
Whistles on display in visible storage
Parte deMOA General Media collection
Whistles on display in visible storage at the Museum of Anthropology.
Workers prepare to move a totem pole
Parte deMOA General Media collection
Workers prepare to move a totem pole from Totem Park to the new Museum of Anthropology building. This pole was carved by George Hunt Sr. The pole is now part of the museum's collection.
This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters." The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.
Workers cutting a totem pole's support
Parte deMOA General Media collection
Workers on a scaffolding appear to be using a welder to cut one of the supports from a totem pole standing in Totem Park. This is in preparation to move the totem pole to the new Museum of Anthropology building. This pole was carved by George Hunt Sr. The pole is now part of the museum's collection.
This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters." The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.
Workers prepare to move a totem pole
Parte deMOA General Media collection
Workers standing on a scaffold wrap a totem pole in padding in preparation for moving it from Totem Park to the new Museum of Anthropology building. This pole was carved by George Hunt Sr. The pole is now part of the museum's collection.
This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters." The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.
A totem pole hanging horizontal from a crane
Parte deMOA General Media collection
Workers oversee moving a totem pole as it hangs horizontally from a crane. The pole is in the process of being moved from Totem Park to the new Museum of Anthropology building. This pole was carved by George Hunt Sr. The pole is now part of the museum's collection. This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters." The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.
Workers unloading totem poles from a trailer
Parte deMOA General Media collection
Workers unloading totem poles from a trailer outside the Museum of Anthropology as they are being moved from Totem Park to the new Museum of Anthropology building. The pole on the viewer's left was carved by George Hunt Sr. The pole is now part of the museum's collection. This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters." The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.
The pole on the viewer's right was carved by Mungo Martin and was later restored by him in 1950-51.
A totem pole lying on the floor of the Museum of Anthropology
Parte deMOA General Media collection
A totem pole lying on the floor of the Museum of Anthropology as it is being moved from Totem Park to the new Museum of Anthropology building.
This pole was carved by George Hunt Sr. The pole is now part of the museum's collection. This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters." The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.
Workers prepare to raise a totem pole in the Museum of Anthropology
Parte deMOA General Media collection
Workers prepare to raise a totem pole in the new Museum of Anthropology as it was being moved from Totem Park to the new Museum of Anthropology building.
This pole was carved by George Hunt Sr. The pole is now part of the museum's collection. This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters." The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.
Workers securing a totem pole in the Museum of Anthropology
Parte deMOA General Media collection
Workers securing a totem pole in the new Museum of Anthropology as it was being moved from Totem Park to the new Museum of Anthropology building.
This pole was carved by George Hunt Sr. The pole is now part of the museum's collection. This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters." The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.
A totem pole standing in Totem Park
Parte deMOA General Media collection
A totem pole standing in Totem Park. This pole was carved by Mungo Martin and later restored by him at the University of British Columbia in 1950-51. It stood in Totem Park until it was moved to the new Museum of Anthropology building in 1975.
A totem pole standing in Totem Park
Parte deMOA General Media collection
A totem pole standing in Totem Park. This pole was carved by Mungo Martin and later restored by him at the University of British Columbia in 1950-51. It stood in Totem Park until it was moved to the new Museum of Anthropology building in 1975.
Scaffolding surrounds two totem poles
Parte deMOA General Media collection
Scaffolding surrounds two totem poles in totem park in preparation for moving them from Totem Park to the new Museum of Anthropology building. The pole on the viewer's right was originally carved by Charlie James and later restored by Mungo Martin. The pole on the viewer's left was carved by Mungo Martin and later restored by him in 1950-51. Both poles stood in Totem Park from 1951 until they were moved to the new Museum of Anthropology building in 1975.
A totem pole lying on the ground
Parte deMOA General Media collection
A totem pole lying on the ground outside the Museum of Anthropology as it is in the process of being moved from Totem Park to the new Museum of Anthropology building. This pole was carved by Mungo Martin and later restored by him at the University of British Columbia in 1950-51. It stood in Totem Park until it was moved to the new Museum of Anthropology building in 1975.
Mungo Martin working on a totem pole
Parte deMOA General Media collection
Mungo Martin working on a totem pole.
Lecture by Dr. Marjorie Halpin Part 1
Parte deMOA General Media collection
Item is an audio recording of the first of a two-part lecture by anthropologist Dr. Marjorie Halpin on the subject of Tsimshian artwork. The recording is Lecture #4 in the University of British Columbia's Center for Continuing Education Lecture Series on Traditions of North West Coast Indian Culture.
Lecture by Dr. Marjorie Halpin Part 2
Parte deMOA General Media collection
Item is an audio recording of the second of a two-part lecture by anthropologist Dr. Marjorie Halpin on the subject of Tsimshian artwork. The recording is Lecture #7 in the University of British Columbia's Center for Continuing Education Lecture Series on Traditions of North West Coast Indian Culture.
Lecture by Haida artist Bill Reid
Parte deMOA General Media collection
Item is an audio recording of a lecture by Haida artist Bill Reid, who discusses the transition in Northwest West Coast art from its primarily ceremonial function within First Nations society to the present day when, in his words, art is made almost exclusively for sale to the non-Indian community. The recording is Lecture #8 in the University of British Columbia's Center for Continuing Education Lecture Series on Traditions of North West Coast Indian Culture.