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This subseries contains records relating to an exhibit built at the Canadian Museum of Civilization. McLennan was the project manager and design developer for this project. He oversaw the completion and installation of six west coast First Nation house designs: Coast Salish, Haida, Tsimshian, Bella Coola, Oweekeno, and Kwakwaka'wakw. The records include newspaper clippings, correspondence, photographs, and notes.

Subseries consists of correspondence and accompanying documentation regarding the creation and installation of northwest coast art at the British Columbia pavilion as part of the Canada pavilion in Seville, Spain in 1992 as part of the Universal Expo of Seville (Expo ’92).

Subseries consists of correspondence and accompanying photographs collected in anticipation of a potential metals project that never occurred at the Museum.

Subseries consists of copies of prints and negatives from museums around the world depicting indigenous peoples in Victorian portraiture style photographs during the turn of the 20th century. McLennan acquired these copies with the intention of proposing an exhibit which never materialized. There is also a file of accompanying documentation including correspondence regarding the loans of photographs and other research materials.

Subseries contains records related to the Expo ’98 virtual exhibit which was created and designed through the collaboration of the Haida community, Canadians museums (including MOA) and the Canadian Heritage Information Network. The exhibition featured the Haida community of the Queen Charlotte Islands (Haida Gwaii) and their relationship to the sea, from the past to the present and reflected the Expo ’98 theme of “Oceans: A Heritage for the Future.” Records include initial correspondence regarding the establishment of the collaborations involved with the exhibit, information regarding the exhibit itself and screen captures of the virtual interface.

Subseries contains records related to the <i>Attributed to Edenshaw Exhibit</i> held at MOA from April 28, 1998 through May 30, 2003. This exhibit featured basketry as well as gold, silver, argillite and wood carvings by Haida artists Charles and Isabella Edenshaw. Records include photographs of artifacts identified as potentially on exhibit during the time frame as well as some correspondence and public relations regarding the exhibit.

Subseries contains records related to the <i>Tlingit Long-tail Canoe</i> exhibit held in Gallery 3 at MOA. The exhibit features a newly carved 38 foot Tlingit long-tail canoe created by Mr. Calvin Hunt to honour his great, great Tlingit grandmother, Anisalaga (nee Mary Ebbets). The exhibit ran from October 15 – December 13, 2009. Records include correspondence and proposals regarding the creation of the exhibit, photographs and photocopies of canoes and public relations materials promoting the exhibit.

Subseries contains three slides documenting the installation of the Musqueam weavers portion of the <i>Gathering Strength: New Generations in Northwest Coast Art</i> exhibit at MOA.

This subseries contains one file that consists of images of a private pole raising. The mask in the photographs was carved by Jim Hart and is being danced by him. The mask is part of the MOA, UBC collection.

ref # 1-2-B

Subseries contains one file that consists of images of the MOA depicting the reflecting pond that was filled for one of Arthur Erickson’s birthdays.

Subseries contains one file that consists of photographs of six totem poles being raised in Haida Gwaii for the Qay’llnagaay Heritage Centre. The photographs comprise eight different incomplete rolls of film. The images depict First Nations people in regalia, other community members, and visitors all participating in the raising of the totem poles.

This suberies contains correspondence between McLennan and organizers of the Boundaries in the Art of the Northwest Coast of America conference. In addition are draft copies of McLennan's presentation.

Subseries consists of images showing a statue and a ceremony table.

Subseries contains images of objects in the exhibit Sensibilities: Unsuspected Multicultural Harmonies which ran at the Museum of Anthropology from October 26 1982 – April 17, 1983.

Subseries contains images of carvings and a contact sheet showing an event in the great hall at the Museum of Anthropology.

Subseries consists of images of artifacts and of the exhibit. Artifacts in this exhibit are part of the Laboratory of Archaeology (LOA) collection at UBC. For more information on the objects contact the LOA.

Subseries contains images showing textile art.

Subseries contains images of masks and of the opening ceremony.

Subseries contains an image showing prints of Bill Reid's work hanging in a theater.

Subseries contains images of textiles.