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File mainly contains images of an elaborately decorated truck used in the Pakistan Pavilion at Expo 86. Other images include photos depicting a ship and the outside exterior of the Pavilion. The textual records include photocopies of newspaper articles written on the Pakistan Pavilion.

Subseries contains records related to the Expo ’98 virtual exhibit which was created and designed through the collaboration of the Haida community, Canadians museums (including MOA) and the Canadian Heritage Information Network. The exhibition featured the Haida community of the Queen Charlotte Islands (Haida Gwaii) and their relationship to the sea, from the past to the present and reflected the Expo ’98 theme of “Oceans: A Heritage for the Future.” Records include initial correspondence regarding the establishment of the collaborations involved with the exhibit, information regarding the exhibit itself and screen captures of the virtual interface.

Subseries contains records related to the <i>Attributed to Edenshaw Exhibit</i> held at MOA from April 28, 1998 through May 30, 2003. This exhibit featured basketry as well as gold, silver, argillite and wood carvings by Haida artists Charles and Isabella Edenshaw. Records include photographs of artifacts identified as potentially on exhibit during the time frame as well as some correspondence and public relations regarding the exhibit.

File contains images of some of the artifacts in the Edenshaw exhibit, including argilite, carvings, hats, and metal works. The textual records in this record include photocopies of other artifacts in the exhibit, as well as photocopies of Northwest Coast artifacts housed in other museums.

File contains images and textual records related to the <i>Attributed to Edenshaw</i> exhibit. The images include pictures of some of the exhibit panels and artifacts. The textual records include media releases, business cards, photocopies of news articles related to the exhibit, and exhibit brochures.

File contains images of Northwest Coast artifacts, such as argilites, silver jewelry, hats, and carvings. Textual records include photocopies or inkjet print outs of photos of artifacts.

File contains information pertaining to the <i>Where are the Children? Healing the Legacy of the Residential Schools</i> exhibit. This information includes background information about residential schools in Canada, a copy of the exhibit's preliminary design report, photocopies of images, and a copy of the exhibit's "Reference Manual: For Setting up Exhibition (floor plans, wall elevations, text, captions, etc."

Subseries contains records related to the <i>Tlingit Long-tail Canoe</i> exhibit held in Gallery 3 at MOA. The exhibit features a newly carved 38 foot Tlingit long-tail canoe created by Mr. Calvin Hunt to honour his great, great Tlingit grandmother, Anisalaga (nee Mary Ebbets). The exhibit ran from October 15 – December 13, 2009. Records include correspondence and proposals regarding the creation of the exhibit, photographs and photocopies of canoes and public relations materials promoting the exhibit.

File mainly contains textual records related to the Tlingit Long-tail Canoe Exhibit. Textual records mainly consist of photocopies of historical photographs of Tlingit canoes. Other textual records include copies of correspondence between McLennan and the Royal British Columbia Museum, where many of the images were obtained from, and information about the exhibit, including a promotional handout, and a project report.

The images contained in this file are historic photographs of Tlingit canoes.

File contains digital images of the Calvin Hunt canoe.

Subseries contains three slides documenting the installation of the Musqueam weavers portion of the <i>Gathering Strength: New Generations in Northwest Coast Art</i> exhibit at MOA.

File contains copies of newspaper clippings and full editions of magazines that feature and/or reviews the <i>Through My Eyes</i> exhibit at MOA.

File contains copies of reviews of the <i>Through My Eyes</i> exhibit, written by students in McLennan's FINA 369 class.

File contains transcripts of the conversations had with First Nation's artists working on the exhibit <i>Through My Eyes</i> as they looked at objects held at the Vancouver Museum. In addition are approval forms for excerpted text to be used in the exhibit.

File contains images of the First Nation artists involved with the Through My Eyes exhibit. The images show them looking at objects in the Vancouver Museum's collection. The artists shown in the photographs are Cyril Carpenter, Ben Davidson, Robert Davidson, Norman Tait, Isabel Rorick, Doreen Jensen, Judge Alfred Scow, Lyle Wilson, Dolly Watts, Bill Reid, Glen Tallio, Richard Hunt, Terry Starr, Tim Paul, Richard Summer, Dempsey Bob, Jim Hart, and William White.

File contains research on Charles Edenshaw done by Irene Mills. Research is divided into Correspondence, Chronology of Life Events, Excerpts, Photographs, Newspaper British Colonist, Newcome Family Papers 1970-1955, sound recordings, MOA collection, BC Archives Ida Halpern, and BC Archives Imbert Orchard.

File contains information related to the opening of the <i>Signed Without Signature</i> exhibit. Records include a postcard of the exhibit, press releases, and email correspondence addressed to and sent from McLennan related to the exhibit.

File contains a photocopy of an image of a cedar woven hat.

File contains a print out of an email to McLennan from the Haida Gwaii Museum regarding an information request McLennan made of the Museum.

File contains copies of correspondence between McLennan and McMichael Canadian Art Collection regarding a loan of a silver bracelet in McMichael's collection. There is also a copy of a loan agreement, and an inkjet copy of the bracelet in question.