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Portrait of Able Derek, Nisga'a. A similar portrait of him is printed on page 136 of Carter's book Abundant Rivers, with the caption: Abel Derek at Gitlakdamix, now called Old Aiyanch 'I am just a common man.'"

Abaya Martin weaving a Kwakwaka'wakw version of a Chilkat blanket. The loom was made by Mungo Martin.

Abaya Martin weaving a Kwakwaka'wakw version of a Chilkat blanket. The loom was made by Mungo Martin.

Abaya Martin weaving a Kwakwaka'wakw version of a Chilkat blanket. The loom was made by Mungo Martin.

Abaya Martin weaving a Kwakwaka'wakw version of a Chilkat blanket. The loom was made by Mungo Martin.

Abaya Martin weaving a Kwakwaka'wakw version of a Chilkat blanket. The loom was made by Mungo Martin. A picturre of two people appears superimposed over the image, possibly from two separate slides being stored next to each other.

Abaya Martin weaving a Kwakwaka'wakw version of a Chilkat blanket. The loom was made by Mungo Martin.

Abaya Martin weaving a Kwakwaka'wakw version of a Chilkat blanket. The loom was made by Mungo Martin.

Abaya Martin weaving a Kwakwaka'wakw version of a Chilkat blanket. The loom was made by Mungo Martin.

Abaya Martin slicing fish to be sun-dried.

Photograph of a Zuni (A:shiwi) man wearing a blanket in front of a wall, likely taken in Zuni Pueblo, New Mexico

Image depicts a felled tree which will possibly become a totem pole.

A totem pole standing in Totem Park. This pole was carved by Mungo Martin and later restored by him at the University of British Columbia in 1950-51. It stood in Totem Park until it was moved to the new Museum of Anthropology building in 1975.

A totem pole standing in Totem Park. This pole was carved by Mungo Martin and later restored by him at the University of British Columbia in 1950-51. It stood in Totem Park until it was moved to the new Museum of Anthropology building in 1975.

This pole was carved by George Hunt Sr. The pole is now part of the museum's collection.
This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters." The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.

A totem pole standing in Totem Park before being moved to the new Museum of Anthropology building. This pole was carved by Mungo Martin and later restored by him at the University of British Columbia in 1950-51. It stood in Totem Park until it was moved to the new Museum of Anthropology building in 1975.

A totem pole standing in Totem Park. This pole was carved by Mungo Martin and later restored by him at the University of British Columbia in 1950-51. It stood in Totem Park until it was moved to the new Museum of Anthropology building in 1975.

A totem pole lying on the ground outside the Museum of Anthropology as it is in the process of being moved from Totem Park to the new Museum of Anthropology building. This pole was carved by Mungo Martin and later restored by him at the University of British Columbia in 1950-51. It stood in Totem Park until it was moved to the new Museum of Anthropology building in 1975.

A totem pole lying on the floor of the Museum of Anthropology as it is being moved from Totem Park to the new Museum of Anthropology building.
This pole was carved by George Hunt Sr. The pole is now part of the museum's collection. This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters." The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.

A totem pole lies on the floor of the Museum of Anthropology while it is in the process of being moved from Totem Park to the new Museum of Anthropology building. This pole was carved by Mungo Martin and later restored by him at the University of British Columbia in 1950-51. It stood in Totem Park until it was moved to the new Museum of Anthropology building in 1975.