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Series consists of material related to books written and illustrated by Stewart. Material includes collected research, notes, sketches and illustrations, photographs, correspondence, book drafts, and pre-press materials. Material is grouped into subseries based by book. The series does not contain material related to all of Stewart's publication. The first subseries contains the first book that Hilary wrote, but did not publish.

Series consists of correspondence between Audrey Hawthorn and Bill and Martine Reid, various invitations and programs to Bill Reid exhibits and a Haida House event, the funeral program for Bill Reid’s funeral, his obituary, various articles and newspaper clippings about Bill Reid and Haida art. Also in this series are photographs of Bill Reid and various participants with the Haida boat that was commissioned by Expo ’86. Other cards and notes in this series are addressed to Audrey Hawthorn by Michael Ames and Ruth Phillips. There are also several blank cards featuring Bill Reid’s art.

Series consists of records created and collected by McLennan relating to Bill Reid and his art held both in private collections and at the MOA. Projects included in these records are the installation of Raven and the First Men in the MOA and The Spirit of Haida Gwaii at the Vancouver International Airport. Photographs also document jewelry designed by Bill Reid, along with small sculptures, large scale sculptures, ivory and argillite works and drums.

Series consists of records pertaining to negotiations and discussions between the Museum of Anthropology and British Columbia First Nations’ peoples. Records include correspondence, photographs, transcriptions, notes, proposals, a permit, minutes, articles, reports, memorial service cards on Edward Sparrow Sr. and on Edna Suzanne Grant, education and curriculum development reports, reports on the Musqueam territory and its people, a copy of the Nisga'a Treaty and repatriation information, a transcription of a First Nations’ story of The One Horned Goat at TDA’IM’LAX’AMID/The Dolly Watts Story, a drawing and photograph of the Osaka sculpture, a contract outlining artwork negotiations between the Museum of Anthropology and British Columbia First Nations artists, the Baker Lake Arts Symposium, an audio recording of an interview with Roberta Kennedy and a report written by Robin Lawrence on A Westcoast Dance Screen: First Nations Perspective.

Series consists of sub-series: MOA Presents and Video Programs. Series records contain press clippings, receipts, budget reports, grant applications, reports, evaluations, information and scripts about the various video productions undertaken at MOA.

Series consists of materials related to the Museum of Anthropology's audiovisual productions. Record types include informational handouts and pamphlets.

Series contains brochures and information for a variety of audio tour companies. Series contains draft tour script, draft contracts with Acoustiguide, correspondence, invoices, memorandum, and patron survey of MoA’s audio tour.

Items are recordings of material used in the soundtrack for the film Celebration of the Raven.

Cassette tapes which correspond to Kalash Field Notebooks with phonetic translations and transcriptions, case holds notes describing the contents of the tapes.

Series consists of artworks created by Minn Sjolseth from the 1970s to the 1980s. These artworks include intaglio prints, pen and ink drawings, charcoal drawings, and watercolour paintings. Several of the artworks are landscapes, however the majority are portraits of First Nations individuals, including several portraits of Chief Dan George.

Series consists of records documenting Minn Sjolseth’s practice as a painter and printmaker from the 1960s to the 1990s. Records include photographic documentation of Sjolseth’s paintings, other artwork, and exhibitions; newspaper clippings and other ephemera related to her artistic career; invitations, press releases, and one sheets from several of her exhibitions; textual records relating to her artworks and artistic career (including price lists, appraisal documents, and artist files from institutions); biographical and memorial pamphlets about Sjolseth; a scrapbook containing photographs and ephemera related to her art practice and personal life; and a sketchbook containing drawings and ephemera.

This series is comprised of official APEC results reports, handbooks, and ministerial joint statements; newspapers, news clippings, magazines, hand-written notes, stickers, postcards, and other materials. These materials were created, used, and saved during the APEC Leaders’ Meeting at the Museum of Anthropology in November 1997. Material generated from events such as campus and city protests that occurred because of APEC are also present in this collection. These materials include University of British Columbia (UBC) campus publications and Canadian and American newspapers and magazines; press releases from protest groups; materials on The 1997 People’s Summit on APEC, the Women’s Conference Against APEC, APEC-Alert, Democracy Street, Anti-APEC Summit, and other anti-APEC organisations; photocopies of pictures of graffiti at MOA; the Musqueam Speech that was cancelled by the Prime Minister’s Office; printouts of various web pages concerning APEC; and other materials.

Series consists of photographs of, in, and around The Museum of Anthropology during the APEC Leaders’ Meeting, including images of the APEC leaders, protesters, and the staff at MOA.

Series consists of hand-rendered protest posters and banners and printed posters and signs relating to the APEC Leaders Meeting at the Museum of Anthropology.

Contains sound recordings of broadcasts from the University of British Columbia (UBC) campus radio station CITR on the day of the APEC Leaders’ Meeting at Museum of Anthropology, focusing mostly on the student protests and clashes with the Royal Canadian Mounted Police (RCMP); and post-APEC interviews with 2 protestors (Jonathan Oppenheim and Victoria Scott), the Dean of Arts for UBC (Shirley Newman), and the Chief of the Musqueam Nation (Gail Sparrow).

Series consists of material created and collected during APEC. Items include chalk, plastic ties, police tape, screwdriver, APEC delegate’s handbag, a ‘Thank you’ card from Bill Clinton, a coffee cup, saucer, and cigar butt used by Bill Clinton, and other material

Series includes records created by Allison Cronin during her time working in Collections at the Museum of Anthropology

Series consists of guidelines, plans, policies, evaluations, reports, agendas, mission statements, correspondence, and surveys pertaining to the administration responsibilities of the curator of education and public works on behalf of the Museum of Anthropology. The records are divided into sub-series:
A) MOA Policies, Guidelines and Procedures (1977-1984)
B) Museum Reports, Proposals and Evaluations (1976-1983)
C) Personnel, Interns and Friends of the Museum Records (1979-1984) D) Committees and Retreats Records (1979-1986)
E) Museum Correspondence (1975-1987)
F) Financial Records (1976-1985)
G) Native Rights Report (1979)

Series consists of annual reports, building information, disaster plan, policies and public queries. Series contains memorandums, brochures, reports, policy drafts, and published materials.