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Subseries consists of records relating to the exhibit “Exhibit A: Objects of Intrigue.” In 1999, the Museum of Anthropology celebrated its 50th anniversary. To mark this important milestone, the Museum opens “Exhibit A: Objects of Intrigue” in Gallery 5. This exhibit and accompanying publication “50/50 Fifty choices, Fifty Years,” highlights the museum’s diverse collections through objects selected by artists, staff, and friends connected to the museum over the years. This was the first exhibit to be designed entirely on computer. From the initial layout of components to the final production of exhibit labels and visual materials, the exhibit design was developed and managed electronically. Skooker Broome utilized the Mini-CAD program to plan for the exhibit design, layout, and fabrication of exhibit components. Records include: correspondence, design specifications, design notes, donor lists, computer renderings, drafts of computer layouts and designs for announcements, drafts and originals of computer layouts and designs, drafts and originals of computer layouts and designs for labels and didactic panels, artifact lists, exhibit object summaries, reports, object accessioning records, fundraising records, documents outlining the content and context of the exhibit, conservation documents, budgets, business cards, scholarly articles, contact lists, invoices, and phone lists.

Subseries consists of records related to the graphic design for the Paradise Lost? exhibit, on display at the Museum of Anthropology July 24 - September 29, 2013, and at the Satellite Gallery July 24 - August 31, 2013. The exhibit was curated by Dr. Carol Mayer (MOA curator).

Subseries consists of records relating to the graphic design for the Speaking to Memory exhibit, on display at the Museum of Anthropology September 19, 2013 - May 11, 2014. This exhibit was curated by William McLennan (MOA) and Sarah Holland and Juanita Johnston (both from the U’mista Cultural Centre).

Subseries consists of records related to the graphic design for the Claiming Space exhibit, on display at the Museum of Anthropology June 1, 2014 - January 4, 2015. The exhibit was curated by Pam Brown (MOA curator).

Subseries consists of material on exhibits, both at the UBC Museum of Anthropology and elsewhere. Files include material on the following exhibits: People of the Potlatch, The Trader and the Goods of Trade, Roy Vickers. These files include correspondence relating to possible exhibitions of oriental material and of Japanese, Greek, Roman and Etruscan material. The records in this subseries take the form of correspondence, memoranda, notes, sketches, news paper clippings, ephemera, plans and photographs.

Subseries consists of records relating to the exhibit, “Chinese Peasant Textiles Art.” This exhibit was proposed by Elizabeth Johnson and carried out by students. Records include notes, excerpts from articles, visitor survey forms, handwritten notations, hand-drawn diagrams of display cases, proposals and budgets.

Subseries consists of records relating to the exhibit "A Family Affair: Making Cloth in Taquile Peru". This exhibit was installed at MOA from May 9 – Oct 1 1989, in Gallery 5. Elizabeth Johnson coordinated this exhibit; it was curated by Mary Frame. Records include: correspondence, grant applications, labels, newsletters, newspaper articles, drawings, notes, phone messages, slide list, statements of agreement, photocopies of documents outlining the layout and budget for the exhibit, inventories of materials used and notes on the exhibit graphics, photocopies of photos selected for the exhibit, and copies of the text for the didactic panels.

Subseries consists of images used in the booklet Jack Shadbolt and the Coastal Indian Image written by Marjorie M. Halpin as well as a copy of the booklet. In addition are photographs of Jack Shadbolt.

Subseries contains two files containing records related to the exhibit about the artist Jane Ash Poitras.

Subseries consists of the text and images used in an exhibit titled <i>Clothing Identity.</i>

Subseries contains records related to the <i>Attributed to Edenshaw Exhibit</i> held at MOA from April 28, 1998 through May 30, 2003. This exhibit featured basketry as well as gold, silver, argillite and wood carvings by Haida artists Charles and Isabella Edenshaw. Records include photographs of artifacts identified as potentially on exhibit during the time frame as well as some correspondence and public relations regarding the exhibit.

Subseries contains records related to the <i>Tlingit Long-tail Canoe</i> exhibit held in Gallery 3 at MOA. The exhibit features a newly carved 38 foot Tlingit long-tail canoe created by Mr. Calvin Hunt to honour his great, great Tlingit grandmother, Anisalaga (nee Mary Ebbets). The exhibit ran from October 15 – December 13, 2009. Records include correspondence and proposals regarding the creation of the exhibit, photographs and photocopies of canoes and public relations materials promoting the exhibit.

Subseries contains three slides documenting the installation of the Musqueam weavers portion of the <i>Gathering Strength: New Generations in Northwest Coast Art</i> exhibit at MOA.

Subseries consists of images showing a statue and a ceremony table.

Subseries contains images of objects in the exhibit Sensibilities: Unsuspected Multicultural Harmonies which ran at the Museum of Anthropology from October 26 1982 – April 17, 1983.

Subseries contains images of carvings and a contact sheet showing an event in the great hall at the Museum of Anthropology.

Subseries consists of images of artifacts and of the exhibit. Artifacts in this exhibit are part of the Laboratory of Archaeology (LOA) collection at UBC. For more information on the objects contact the LOA.