Jack Shadbolt and the Coastal Indian Image
- 28-02-SS
- Subseries
- 1986
Part of David Cunningham fonds
David Cunningham
Jack Shadbolt and the Coastal Indian Image
Part of David Cunningham fonds
David Cunningham
Ishiuchi Miyako “ひろしま Hiroshima”
Part of Karen Duffek fonds
This sub-series consists of records relating to “ひろしま Hiroshima,” an exhibition of photographs by Ishiuchi Miyako. The exhibition, which had never previously been displayed outside of Japan, consists of photographs of clothing and accessories of victims of the 1945 bombing of Hiroshima. “ひろしま Hiroshima” opened at MOA on October 14th, 2011, and ran until February 12th, 2012.
Records within the sub-series include the exhibition proposal, budgets, reports, grant applications, correspondence, images of artworks, interview transcripts, the exhibition’s comment log-book, promotional materials, and press cuttings.
Inuit Prints and Drawings: Selections from the Permanent Collection
Part of David Cunningham fonds
David Cunningham
Subseries contains images of an artist.
Images of life: 50,000 years of Japanese pre-history
Subseries consists of images showing artwork from the exhibit <i>Images of LIfe: 50 000 Years of Japanese History</i> and a copy of the proposal for the exhibition (in the form of an illustrated booklet).
Images from the Inside Passage
Part of Carol Mayer fonds
I Have Seen the Other Side of the World - Masks of the Northwest Coast
Part of Carol Mayer fonds
I Have Seen The Other Side of the World
Part of Audrey Shane fonds
Audrey Patricia Mackay Shane
Subseries consists of three slides of a Northwest Coast art piece with a caption reading, "A traveling exhibition of contemporary Kwakiutl art by the National Museum of Man."
Subseries consists of images showing a statue and a ceremony table.
High Slack: An Installation by Judith Williams
Part of Darrin Morrison fonds
This exhibit by Vancouver Artist and UBC Fine Arts Professor Judith Williams included installations of paintings, sculptures, photographs and bookworks at MOA as a series of proposals for future directions in our relations with “other.”
High Slack: An Installation by Judith Williams
Part of David Cunningham fonds
David Cunningham
Subseries contains images of the exhibit and objects in the exhibit <i>Hidden Dimensions: Face Masking in East Asia</i>. Photographs were taken by Moya Waters.
Heredity: Heredity Chiefs of the Haida
Part of Skooker Broome fonds
Subseries consists of records relating to the exhibit “Heredity: Hereditary Chiefs of the Haida.” This photo-based exhibit was installed at the Museum of Anthropology from April 28, 1998 to February 21, 1999. Records include: drafts and final artist statement, artifact list, handwritten notes, photographic slides, pencil and ink diagrams, correspondence, memoranda, publications, announcements and press releases, exhibition description, agenda, release forms for photographs, exhibit budget, computer exhibit diagrams, and exhibit proposals.
Heaven, Hell and Somewhere In Between: Portuguese Popular Art
Part of Skooker Broome fonds
Subseries consists of records related to the graphic design for the Heaven, Hell and Somewhere in Between exhibit, on display at the Museum of Anthropology May 12 - October 12, 2015. The exhibit was curated by Dr. Anthony Shelton (MOA Director).
Hands of Our Ancestors: The Revival of Salish Weaving at Musqueam
Part of Elizabeth Johnson fonds
Subseries consists of records relating to the exhibit, "Hands of Our Ancestors: The Revival of Salish Weaving at Musqueam," which was installed at MOA from January 28 to July 20, 1986. The exhibit was co-curated by Wendy Grant and Debra Sparrow of the Musqueam Weavers, and Elizabeth Johnson of MOA. Subseries contains agreements, attendance figures, budgets, brochure, comment book (copy), contact lists, correspondence, curators’ statement, draft text for catalogue, ethical review application, exhibit layout diagrams, grant applications, memos, newspaper articles, notes, photographs, slides, published articles, receipts, research paper, speaking notes, transcripts of research interviews, schedules, and audio-taped interviews.
Elizabeth Lominska Johnson
Subseries contains images used in a a publication titled Hands of Our Ancestors: The Revival of Salish Weaving at Musqueam written by Elizabeth Johnson and Kathryn Bernick as well as the publication itself. This publication is part of the Museum Notes program at the Museum of Anthropology.
File 1 - 3: [Photographs ]
File 4: [Transparencies, negatives]
File 5:[Book]
File 6: [Draft of book]
File 7: [Photographs]
Subseries consists of photographs and negatives of the Greek and Roman exhibition.