Showing 246 results

Subseries consists of records relating to the exhibit "Proud to be Musqueam: Dedicated to Our Children." The exhibit was coordinated by Lizanne Fisher and Elizabeth Johnson. It was installed at MOA in 1989; a travelling version was later created. Subseries includes agreements, Anthropology 341 course outline, brochures, correspondence, exhibit labels, funding proposal, memos, notes, permission forms, phone message, articles from conferences, newspapers and professional journals, and a student paper.

This exhibit displayed the works of five contemporary First Nations artists whose works challenge viewers’ expectations of North West Coast art.

This exhibit features Early Chinese art from the private collection of Victor Shaw, which includes 4, 500 years of Chinese Art from the Neolithic through the Han, Tang and Song dynasties.

The exhibit was co-curated by Louise Jackson and Elizabeth Johnson. It was installed at MOA from Feb 18 to May 24, 1992. Subseries consists of records relating to the exhibit "Repair, Re-use and Recycle" installed at MOA in 1992. This exhibit focused on Japanese, Indian, Chinese, Philippine, Dutch and Salish textiles. The intent of the exhibit was to highlight the various techniques used by different cultures to prolong the life of household goods. Subseries includes an artifact list, a diagram, a drawing, exhibit labels and notes.

Subseries contains images of Robert Davidson unveiling his work titled Raven Bringing Light to the World.

The records in this sub-series relate to the development and implementation of the Robert Davidson exhibition The Abstract Edge at MOA. The Abstract Edge opened at the Museum of Anthropology on June 22nd, 2004 through January 30th 2005. The Abstract Edge then went on a cross-Canadian tour from 2005-2007, which was sponsored by the National Gallery of Canada.

Files consist of exhibition planning notes, research, reporting, grant applications, contracts, correspondences, event planning, articles and publications, and transcripts. Additionally, some files in the series also relate to the publication for the exhibition which Duffek wrote in conjunction with Robert Houle. Most of the photographic transparencies were taken for publication images. Other files relate to Robert Davidson in general, such as transcripts of interviews, public lectures, and past exhibitions.

Sub-series consists of textual records from the one-man show of Northwest Coast First Nations artist Robert Davidson. Records include exhibit correspondence, newspaper articles and a copy of the Canadian Conservation Institute Journal (vol. 3, 1978) that contains an article by Davidson.

Subseries contain the images used in the booklet Robes of Power: Totem Poles on Cloth written by Doreen Jensen and Polly Sargent, as well as a copy of the booklet. In addition, there are images of a children's workshop that took place during the exhibit at the Museum of Anthropology.

Sub-series consists of textual and graphic records related to the public exhibition of drawings and poems by Nuu-Chah-nulth artist, Ron Hamilton, which depict the cosmology of the First Nations people. Records include an artists’ biography, notes on exhibit planning, loan forms, and a copy of the exhibit comment book. Also included are photographs from the exhibit and of Hamilton’s drawings, recordings of First Nations gatherings taped at the exhibit, and sound recordings of comments by Hamilton on his work.

Subseries contains images showing the exhibit.

Subseries consists of records relating to the design of the Safar/Voyage exhibit, on display at the Museum of Anthropology April 20 - September 15, 2013.

Subseries contains images of a carved spindle whorl.