2012 March 16 - Opening & Director's Reception Kesu: The Art & Life of Doug Cranmer
- 119-6-H-7
- Dossiê
- 2012
Parte deDirector's fonds
1032 resultados con objetos digitales Muestra los resultados con objetos digitales
2012 March 16 - Opening & Director's Reception Kesu: The Art & Life of Doug Cranmer
Parte deDirector's fonds
2011 April 7th - Carl Beam Opening [invitations]
Parte deDirector's fonds
Parte deCarol Mayer fonds
Images from the Inside Passage
Parte deCarol Mayer fonds
Ghosts in the Machine, Phase II
Parte deCarol Mayer fonds
Parte deCarol Mayer fonds
Parte deCarol Mayer fonds
Parte deCarol Mayer fonds
Parte deCarol Mayer fonds
File includes photographs and negatives of a family fishing for eulachons.
Eulachon Interviews - Photographs
Parte deCarol Mayer fonds
Haisla Photos Eulachon [Negatives and Contact Sheets]
Parte deCarol Mayer fonds
Haisla Materials [Eulachon Exhibit Photos]
Parte deCarol Mayer fonds
Parte deCarol Mayer fonds
File includes photo slides of KIngcome Estuary and Kingcome Village. Slides also include a note and a business card indicating the photographer.
Parte deCarol Mayer fonds
Parte deCarol Mayer fonds
Parte deCarol Mayer fonds
Parte deCarol Mayer fonds
Unity Quilt: Traditional Parenting Skills Program – Indian Homemaker’s Association
Parte deDarrin Morrison fonds
This exhibit was developed with the Traditional Parenting Skills Program of the Indian Homemaker’s Association of British Columbia. The project was created to show the evolution of the Association. The quilt serves as a visual symbol that represents the unity of Aboriginal people as well as the distinctiveness of each individual’s nation, community and family.
Pasifika: Island Journeys – The Frank Burnett Collection of Pacific Arts
Parte deDarrin Morrison fonds
This exhibit focuses on the museum’s founding collection, compromising more than 100 objects from Micronesia, Polynesia, and Melanesia amassed by the collector Frank Burnett and curator Dr. Carol Mayer.
A Rare Flower: A Century Of Cantonese Opera in Canada
Parte deDarrin Morrison fonds
This exhibit draws on MOA’s collection of Cantonese opera costumes and accessories, photographs, news clippings, and other materials that document how Cantonese Opera has remained a vibrant art form in Canada from the 1880’s onward.