- 50-A033455
- Item
- Summer 1986
Parte deGordon and Louanne Houston fonds
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13183 resultados con objetos digitales Muestra los resultados con objetos digitales
Parte deGordon and Louanne Houston fonds
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Gi'wa in shed at beach - Marshall Windsor
Parte deGordon and Louanne Houston fonds
Gi’wa in shed at beach. Marshall Windsor right foreground. Note Gi’wa sweatshirt beside unfinished paddle. Paddlers carved their own paddles .
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Gi’wa launching ceremony - Granny B. (Beatrice Brown)
Parte deGordon and Louanne Houston fonds
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Gi’wa launching ceremony - Moses [Huwchitt] (David Gladstone on left)
Parte deGordon and Louanne Houston fonds
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Parte deGordon and Louanne Houston fonds
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Gi’wa Conclusion Ceremony - April Reid leads
Parte deGordon and Louanne Houston fonds
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Gi’wa Conclusion Ceremony - clown
Parte deGordon and Louanne Houston fonds
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Paul and Shirley Thompson Potlatch - Peter Houston and local kids
Parte deGordon and Louanne Houston fonds
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Parte deStanley E. Read fonds
Image depicts two poles standing in an open area. The front pole features a human-like creature on visible portion. The back pole also includes a human figure at the bottom with an owl on top. The figures on the bottom may be crest figures (Leading In or Halfway Out) or a Man of the Wild. Read's note suggests that one of these may be a Pole of Hrkyadet at Kispiox.
Parte deStanley E. Read fonds
Image depicts a rural dirt thoroughfare with brush on either side of the road. The terrain is somewhat hilly.
Parte deStanley E. Read fonds
Image depicts a rural church standing in a clearing with mountains in the distance. This may be St. Paul`s Anglican Church in Kitwanga.
Parte deStanley E. Read fonds
Image depicts three totem poles, standing in an open area. Read's note under this photo indicates that the pole on the left may by a Snag-of-the-Sand-Bar pole from the House of Chief Skogum Laxhe. The pole on the right may be Chief Laxhe`s Hat-of-Tsagyem-hanak Pole. See also item a034837 for a closeup of the Snag-of-the-Sand-Bar pole.
Carving of Grizzly Bear of the Water
Parte deStanley E. Read fonds
Image depicts a carving of a creature that resembles a bear--with fins. The carving sits on a wooden structure, possibly a carver's bench. Several buildings can be seen behind the carving platform.
Parte deStanley E. Read fonds
Read's note cards detail information about three groups of totem poles and contain text and page references to Marius Barbeau's book, Totem Poles of the Gitksan, Upper Skeena River, British Columbia (published by the Canada Department of Mines and the National Museum of Canada, 1929).
Fonds consists of one notebook attributed to Witney. The notebook contains notes regarding the Cree language and alphabet, and may have been created while Moore was in Norway House.
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Personal and missionary photographs
Parte deReverend Thomas Crosby fonds
Series consist of loose photographs, a newspaper clipping, photomechanical prints, and one photomechanical print album produced and collected throughout Rev. Crosby’s personal and missionary life, including portraits and group photographs of aboriginal individuals and/or missionaries, photographs of churches, schools, homes, hospitals, and other buildings, and aboriginal cultural and ceremonial objects (artifacts and curios). In addition, photographic events include carvings, church congregations, gathering of aboriginal children from residential schools, weddings, and funerals. Geographic locations depicted in the photographs include (but are not limited to): Chilliwack, Cultus Lake, Fort Essington, Fort Rupert, Fraser River, Greenville, Gold Harbour, Massett Village, Naas River, Port Simpson, River Inlet, Skidegate (Haida), Yale, and Vancouver Island (Nanaimo, Victoria) all in British Columbia; as well as, Whatcom County Washington, USA; Fort Wraugh, Alaska; Port Chester, Alaska; Montreal, Quebec; Norway; and Labrador. Series includes photographers and photograph studios such as Noah Shakespeare, Richard & Hanna Maynard, Carlo Gentile, J.G. Parks, Thos. E. Perkins, Geo Rirton, B.F. Howland & Co., J.M. Jacobsen, Wadds Bros., N. Caple & Co., Hugill, R.Z. Tashiro, Butcher & Co., Brooks, Skene Lowe, Nathan Joseph & Co., and S.A. Spencer. Photographers Carlo Gentile (whose Victoria studio was purchased by Noah Shakespeare) and Frederick Dally (whose negatives were partly acquired by Richard & Hanna Maynard) may also be included but unidentified. Series includes photomechanical prints, albumen prints, cabinet cards, carte-de-visites, gelatin printing-out papers, gelatin developing-out papers, a ferrotype, stereograph prints, and other unidentified print types.
FILE LIST: (with box-folder number, title, and dates)
1-1: Personal and missionary photographs – portraits (and ferrotype), ca. 1860
1-2 : Missionary photographs – reproductions, [199-]
1-3 : Missionary photographs – stereograph cards, 1863 – [191-]
1-4 : Missionary photographs – totem poles and artifacts, 1863 – [191-]
1-5 : Missionary photographs – photomechanical, 1863 – [191-]
2-1 : Personal and missionary photographs, 1863 – [191-]
2-2 : Missionary photographs – artifacts, 1863 – [191-]
2-3 : Missionary photographs – glad tidings, 1863 – [191-]
2-4 : Missionary photographs – Alaska, 1863 – [191-]
2-5 : Missionary photographs – Bella Bella, B.C., 1863 – [191-]
2-6 : Missionary photographs – Chilliwack, B.C. and Cultus Lake, B.C., 1863 – [191-]
2-7 : Missionary photographs – Hazelton, B.C. and Kispiox, B.C. ,1863 – [191-]
2-8 : Missionary photographs – Mission, B.C. and River Inlet, B.C., 1863 – [191-]
2-9 : Missionary photographs – Port Essington, B.C., 1863 – [191-]
2-10 : Missionary photographs – Port Simpson, B.C., 1863 – [191-]
2-11 : Missionary photographs – Vancouver Island, B.C., 1863 – [191-]
2-12 : Missionary photographs – Washington, USA, 1863 – [191-]
2-13 : Missionary photographs – Naas River, B.C., 1863 – [191-]
2-14 : Missionary photographs, 1863 – [191-]
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Personal and missionary photographs – portraits (and ferrotype)
Parte deReverend Thomas Crosby fonds
File contains portraits of indigenous individuals from various cultural groups of British Columbia coastal region. Geographic locations include Victoria, Nanaimo, Fort Rupert, and other locations on Vancouver Island and the southwest coastal region. File contains two portraits of Rev. Crosby.
Parte deReverend Thomas Crosby fonds
Image is a posed portrait of a seated older girl and younger boy standing on a footstool holding hands. The girl and boy are dressed formally. It appears to be an albumen print on a carte de visite. Photographer information printed on verso with the inscription "S. A. Spencer, FORT STREET, Victoria, B. C." A handwritten inscription reads "[illegible] Reid + boy"
Parte deReverend Thomas Crosby fonds
Portrait of man holding his hat
Parte deReverend Thomas Crosby fonds
Image is a posed portrait of a man leaning on a bannister in formal clothes, holding his hat in front of a studio painted background depicting what appears to be a column and an urn with a floral arrangement. Photographer information printed underneath image reads "B. F. Howland, Artist." Inscription printed on verso reads "B. F. HOWLAND & CO. PHOTOGRAPHIC GALLERY 25 & 27 Third St. East Side Near Market SAN FRANSISCO, CAL." An additional printed inscription reads "The Negative from which this Picture is made will be preserved; any quantity of copies can be had by leaving your order at the above Gallery. Cartes de Visite $ 3 per doz. Vignettes $ 4.00 per doz. Duplicates $ 2.00 per doz." Printed prices appear to have been over written by hand in ink.