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Subseries consists of records relating to the exhibit “Heredity: Hereditary Chiefs of the Haida.” This photo-based exhibit was installed at the Museum of Anthropology from April 28, 1998 to February 21, 1999. Records include: drafts and final artist statement, artifact list, handwritten notes, photographic slides, pencil and ink diagrams, correspondence, memoranda, publications, announcements and press releases, exhibition description, agenda, release forms for photographs, exhibit budget, computer exhibit diagrams, and exhibit proposals.

Subseries consists of records relating to an Asian art exhibition of the Victor Shaw Collection at the Museum of Anthropology. Records include exhibition budgets, memoranda, and exhibition cost estimates.

Subseries consist of records related to the student exhibit “Don’t give up!” The Lives and Stories of the Mabel Stanley Collection. This exhibit was designed by students in ANTH 431 at UBC. It was on display at the Museum of Anthropology March 28, 2014 - January 4, 2015.

The report outlines the museum's administrative activities and finances for the fiscal year as well as listing staff, attendance figures, acquisitions, exhibitions, educational activities, lectures, events, loans, research projects, publications of the museum and its staff, and media coverage of the museum. It includes descriptions of Expo 86 projects assisted by MOA staff, among other initiatives.

The report outlines the museum's administrative activities and finances for the previous fiscal year as well as listing staff, attendance figures, acquisitions, exhibitions, educational activities, lectures, events, loans, research projects, publications of the museum and its staff, and media coverage of the museum. It includes a description of plans for expanding the museum, among other initiatives.

The report outlines the museum's administrative activities and finances for the previous fiscal year as well as listing staff, attendance figures, acquisitions, exhibitions, educational activities, public programming, events, loans, research projects, publications of the museum and its staff, and media coverage of the museum. It includes a description of the opening of the Koerner Ceramics Gallery, among other initiatives.

The report outlines the museum's administrative activities and finances for the previous fiscal year as well as listing staff, attendance figures, acquisitions, exhibitions, educational activities, public programming, events, loans, research projects, publications of the museum and its staff, and media coverage of the museum.

The report outlines the museum's administrative activities and finances for the previous fiscal year as well as listing staff, attendance figures, acquisitions, exhibitions, educational activities, public programming, events, loans, research projects, publications of the museum and its staff, and media coverage of the museum. It includes descriptions of plans to make the museum collections publicly available on the internet, MOA's continued consultation with the Vancouver International Airport, and the final year of the prison outreach program, among other initiatives.

The newsletter contains 10 articles about the museum as well as photographs, facsimiles of artworks, and general visitor information. Subjects include the exhibition Reclaiming History: Ledger Drawings by the Assiniboine Artist Hongeeyesa, MOA's financial endowments, a house post carved by Lyle Wilson, the residency of Dr. Beatrice Medicine, recent acquisitions to the Asian collection, a MOA membership survey, funding received from the Getty Grant Programme, a project involving a grade 12 art class and ceramics, a new version of the exhibition Cannery Days, and news from the Anthropology Shop. Also included is a Calendar of Events.

File consists of magazines published by the museum for members, released about twice a year. The magazines cover collections, exhibitions, events, the Volunteer Associates, books published by MOA staff, various museum initiatives, interviews, behind-the-scenes information, essays by curators, news and updates, and general visitor information.

This issue contains articles on current and upcoming exhibition and events, the museum's Asian collections, the Walter C. Koerner Collection of European Ceramics, the Native Youth Program, and the Volunteer Associates.

This issue contains articles on current and upcoming exhibitions, renovations, the installation of murals at BC Children's Hospital, Amazonia: The Rights of Nature and related student workshops and forensic work, a Musqueam Teaching Kit, the Native Youth Program's night sky project, the Rachel and David Herman Collection of Byzantine Coins, the Museum of Lisbon exhibition From Carnival to Lucha Libre: Mexican Masks and Devotions, In a Different Light: Reflecting on Northwest Coast Art, The Fabric of Our Land: Salish Weaving, the MOA Journey to Papua New Guinea, and an interview with April Liu, Curator of Public Programs + Engagement.

The records in this sub-series relate to the development and implementation of the exhibition curated by Jennifer Kramer titled Kesu': The Art and Life of Doug Cranmer. Records in the sub-series also relate to the development and publication of Kesu': The Art and Life of Doug Cranmer, authored by Jennifer Kramer and published in 2012 by Douglas & McIntyre. The exhibition featured the artwork of Doug Cranmer (1927-2006), a leading practitioner of Northwest Coast Kwakwaka’wakw art. Kesu' took place at the Museum of Anthropology from March 17 to September 3, 2012, the Museum at Campbell River in Campbell River, BC from October 19, 2010 to February 17, 2013 and the U’mista Cultural Centre in Alert Bay, BC from May 11 to October 8, 2013. Kramer received the 2012 British Columbia Museums Association's Museums in Motion Award of Merit for the exhibition. The book designer Jessica Sullivan received the 2012 Alcuin Society's award for First Place in the pictorial category.

Files in the sub-series consist of exhibition and publication planning notes and related correspondence, research materials pertaining to the career and life of Doug Cranmer, interview transcripts, photographs, funding proposals, object loan agreement forms, photography permission agreements, interview release forms, contracts and financial records, marketing plans, book drafts, exhibit text and labels, promotional materials and printouts of digital photographs of art work.

Series consists of records generated during the preparation and documentation of exhibitions at the Museum.