Subseries contains photographs and textual records pertaining to the "Northwest Coast Indian Art Work" exhibit which was displayed at the BC Pavilion at the World's Fair in Seville Spain in 1992. The photo depict some of the artists involved in the project painting on a wooden screen. The textual records include copies of correspondence addressed to and written by McLennan about the artwork showcased at the World Fair. Other textual records include background information about the art work and brief biographies of the artists involved in the project.
File mainly consists of textual records pertaining to a researcher looking for information about a bracelet in her possession. Other textual records include photocopies of images of the bracelet in question. The photographs contained in this file are of other silver bracelets on display at the Glenbow Museum and the American Museum of Natural History.
File contains photographs and transparencies of various Northwest Coast artifacts housed at the then called Canadian Museum of Civilization [now the Canadian Museum of History]. Other images are of Charles Edenshaw. The textual records contained in this file include catalogue records for many of the artifacts included in this file.
View of the Killer Whale Arch located at the entrance to the Kwatiul Indian Cemetery. This arch is a memorial to a boy lost at sea. Located at Alert Bay, British Columbia, this photo is attributed to Eric J. Cooke, Camp "N," Beaver Cove, B. C. Several crosses and memorial totem poles are visible behind this archway. See also item a033261 which includes this same carving.
Photograph of an unidentified woman standing in the forest in front of a tree that has a face carved into it and painted. The tree is likely in or near Alert Bay, BC.
Image depicts a human face, probably carved in wood. The image is cropped, but it appears that trees are growing behind this sculpture. This carving may be from Kitwanga, BC, as described by Read in his journal.
Subseries consists of images used in the book Cowichan Indian Knitting and textual records relating to the production of the book. In addition are the images used in the exhibit which was shown in the Museum of Anthropology September 23 – November 9, 1986.
File 1: Images used in booklet File 2: Images used in exhibit File 3: Images of the exhibit
File contains one copy of the publication titled A Guide to Buying Contemporary Northwest Coast Indian Arts, written by Karen Duffek. It is No. 10 in the Museum Note series.
Subseries contains images used in a a publication titled Hands of Our Ancestors: The Revival of Salish Weaving at Musqueam written by Elizabeth Johnson and Kathryn Bernick as well as the publication itself. This publication is part of the Museum Notes program at the Museum of Anthropology.
Subseries consist of images showing a beaded object, possibly associated with the 1982 exhibition Beads: Selections from the Textile Collection of the Museum of Anthropology.
![[Bill Reid drawing on lithographic stone]](/uploads/r/null/a/6/3/a638a7f30b3ade51acd9f12b2262ef5591aa31f308db36965a61e2f8dea278b1/a035158c_142.jpg)
