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Tanu

File consists of images from the Tanu village site in Haida Gwaii.

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Port Essington

Port Essington

Item is an image of a coastal village with mountains in the background. According to annotations, photograph is of Port Essington and was taken by Mr. Wootton.

The Church Road Lax-Kw'alaams

The Church Road Lax-Kw'alaams

Item is an image of a street with buildings on the sides and a church at the end. There are three people walking the street coming towards the photographer and two people at the entrance of one of the buildings. According to annotations, photograph was taken in Lax-Kw'alaams (previously known as Port Simpson and Fort Simpson).

Wooden fence around Yutang village

Wooden fence around Yutang village

Item is a negative the entrance to Yutang village surrounded by wooden fence. Horses stand outside the fence. Ground and roof tops are snow covered.

Bhutanese trader in Yutang

Bhutanese trader in Yutang

Item is a negative showing a group of men sitting in front of a house. There is a man, a Bhutanese trader, walking on a path in front of the house. There is a snow covered mountain in the background.

Photo of two women posing

Photo of two women posing

Item is a photo of two women posing outdoors. Next to them and in the background are villagers, a building, a horse and mountains.

Oraibi Terrace Houses

Oraibi Terrace Houses

Photograph depicts terrace houses at Oraibi, a Hopi village in Arizona. The photograph shows a corner along with the entrance to the estufa, or underground room.

Village

Village

Photograph depicts a village, likely a Hopi village in Arizona.

Village and church

Village and church

Image depicts four wooden structures, one of which is a church. A dirt road runs in front of the buildings, a pick-up truck is parked near the church, and mountains are visible in the distance.

Tsilhqot'in/Secwepemc/Stl'al'lmx/Nlaka'pamux

The majority of the file contains historical images of the Tsilhqot'in, Secwepemc, Stl'al'lmx, and the Nlaka'pamux peoples. The photographs depict village life, including images of building structures in the BC interior, fish processing techniques such as fish drying, and carvings such as mortuary poles. Some of the images also depict First Nations people, some in regalia. The other images are official photographs taken by various museums in Canadian and American museums of Tsilhqot'in, Secwepemc, Stl'al'lmx, or Nlaka'pamux artifacts. The textual records contained in this file consist of a photocopy of a magazine article titled "Upstairs, downstairs: the early years," written by Heather Pringle, and published in the June 1996 (Volume 111, number 5) edition of the magazine Saturday Night.

Heiltsuk/Nuxalk/Oweekeno

File mainly contains historical images of the Heiltsuk, Nuxalk, and Wuikinuxv First Nations. These images depict village life, architecture and house posts, and regalia. The file contains images of a group of Nuxalk who traveled to Berlin to perform there. Images that are not historical depict a ceremony happening in the Great Hall at UBC MOA, unidentified artists working on a set of drawings, and what appears to be the Acwsalcta High School in Bella Coola. Non textual records include photocopies of photographs, and photocopies of museum catalogue cards.

Haida

File mainly contains historical images of Haida and Tlingit villages and totem poles located on the Northwest Coast of British Columbia and Alaska. There are also images of Haida and Tlingit peoples dressed in regalia. Other photos include images of Haida and Tlingit artifacts, such as bentwood boxes and carvings, housed in various museums around the world. There are also images of a modern day ceremony in front of some totem poles and long houses. The textual records include photocopies of images of totem poles and Haida and Tlingit villages.

Nisga'a

File mainly contains historical images of the Nisga'a villages, peoples, and of Nisga'a totem poles. Other images are of modern day Nisga'a totem poles housed in museums in Canada and the United States. The textual records contained in this file are catalogue cards which provide some of the photograph's context, providing information such as the location of the photograph, the people in the photographs, which museum and/or archive collection the image belongs to, and/or the image's catalogue number.

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