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Three photographs donated by carpenter who worked on the installation of The Raven and First Men at MOA. One photo shows him (Ernie Forsyth) next to the sculpture. The other two photos are from the sculpture unveiling with Prince Charles speaking. Photos have additional notes from donor on the back, and in the envelope that photos were donated in (saved with the photos).

Subseries consists records relating to the exhibit "Translations of Traditions: Joanna Staniszkis’ Recent Work". The exhibit was co-curated by Louise Jackson and Elizabeth Johnson of MOA, with Johnson acting as exhibit coordinator. It was installed in Gallery 5 at MOA from Feb 18 to May 24, 1992. Joanna Staniszkis is an internationally known Canadian textile artist. Records include: agreements, articles from newspapers and professional journals, brochures, budget, CHIN artifact list printout, conference speaking notes, correspondence, drafts of text for the didactic panels, exhibit diagram, flyer, final report, funding application, memos, notes, permission forms, phone message, a student paper, slides and a timeline.

Subseries consists of records relating to the exhibit, The Unity Quilt. Elizabeth Johnson was coordinator and co-curator with Ellen Antoine of the Indian Homemakers of BC. This exhibit focused on work made by participants in the Traditional Parenting Skills Program of the Indian Homemakers’ Association of B.C. Records include: correspondence, MOA exhibit proposal form (blank), exhibit labels, memos, notes, press release, photographs, negatives, slides, and participant statements.

Subseries consists of records relating to the exhibit “My Ancestors are Still Dancing” at MOA. As part of a “living” exhibition, Tsimshian weaver William White from Lax Kw’alaams was commissioned to publicly weave a child-size robe in Gallery 8. The exhibit displayed William White’s weavings, historical weavings from MOA’s collection, and historical and contemporary photographs of people wearing Chilkat regalia. The exhibit was installed in 2001 and ran through until September 28, 2002. Records include acquisition/artifact lists, artist biography, budget, correspondence, exhibit labels, exhibit proposals, exhibit panel layouts, exhibit resource binders, grant applications, internal forms (consent forms), installation diagrams, map, meeting agendas memoranda, notes, object records, photographs and slides, photocopies of photographs, professional guidelines, reports, schedules, recorded audio research interviews, transcripts of research interviews, travelling exhibit, and visitor comments.

File contains images of paintings of popular Indian art from exhibit <i>Calendar Prints: Popular Art of South India</i>.

Subseries consists of images taken in the great hall at the Museum of Anthropology showing an exhibit titled Chronicles of Pride. Patricia Richardson Logie participated as an artist showing her portrait of Blanche MacDonald.

Subseries includes photographs taken by JL Gyssen of Grecian Urns.

Subseries contains images of the exhibit and objects in the exhibit <i>Hidden Dimensions: Face Masking in East Asia</i>. Photographs were taken by Moya Waters.

File contains images of masks in the exhibit <i>Hidden Dimensions: Face Masking in East Asia</i>. The masks are described on the photographs to be "Chinese opera masks from Guizhou Province.

Subseries consists of images from the exhibition When World Collide.

File contains images of drawings that were part of the exhibit <i>Images of Life: 50000 years of Japanese Pre-History</i>. Drawings include illustrations of village life, tools, the inside of houses, and dress.