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Museum exhibitions
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Melanesians

Panel for the exhibit "Melanesian Culture." Shows several photographs of Melanesians and maps of Melanesia.

Nobody's taste

Display for the exhibit "The Trader and Tribal Crafts." Shows souvenirs based on indigenous objects.

A lady's jacket, bridal headdress, and fan

Display for the exhibit "Japanese and Chinese Art and History." Shows a jacket, a headdress, and a fan. The jacket was loaned from the Mrs. F. L. Beecher Collection and the headdress was loaned by Mrs. S.J. Schofield.

A lady's jacket, bridal headdress, and fan

Display for the exhibit "Japanese and Chinese Art and History." Shows a jacket, a headdress, and a fan. The jacket was loaned from the Mrs. F. L. Beecher Collection and the headdress was loaned by Mrs. S.J. Schofield.

A lady's summer robe and jacket

Display for the exhibit "Japanese and Chinese Art and History." Shows a robe, jacket, and small vessel. The items in this display were from the Mrs. F.L. Beecher Collection.

Salish Blanket

Display for the exhibit "Technologies of the North West Coast." Shows a spindle whorl and a blanket.

A lady's jacket, bridal headdress, and fan

Display for the exhibit "Japanese and Chinese Art and History." Shows a jacket, a headdress, and a fan. The jacket was loaned from the Mrs. F. L. Beecher Collection and the headdress was loaned by Mrs. S.J. Schofield.

Chinese calligraphy

Display for the exhibit "Japanese and Chinese Art and History." Shows calligraphy instruments, a painting, a book, and a small mat.

Japanese Calligraphy

Display for the exhibit "Japanese and Chinese Art and History." Shows implements of Japanese calligraphy as well as cups, bowls, and small paintings.

Translations of Traditions: Joanna Staniszkis’ Recent Work

Subseries consists records relating to the exhibit "Translations of Traditions: Joanna Staniszkis’ Recent Work". The exhibit was co-curated by Louise Jackson and Elizabeth Johnson of MOA, with Johnson acting as exhibit coordinator. It was installed in Gallery 5 at MOA from Feb 18 to May 24, 1992. Joanna Staniszkis is an internationally known Canadian textile artist. Records include: agreements, articles from newspapers and professional journals, brochures, budget, CHIN artifact list printout, conference speaking notes, correspondence, drafts of text for the didactic panels, exhibit diagram, flyer, final report, funding application, memos, notes, permission forms, phone message, a student paper, slides and a timeline.

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The Unity Quilt

Subseries consists of records relating to the exhibit, The Unity Quilt. Elizabeth Johnson was coordinator and co-curator with Ellen Antoine of the Indian Homemakers of BC. This exhibit focused on work made by participants in the Traditional Parenting Skills Program of the Indian Homemakers’ Association of B.C. Records include: correspondence, MOA exhibit proposal form (blank), exhibit labels, memos, notes, press release, photographs, negatives, slides, and participant statements.

Sem título

My Ancestors are still Dancing

Subseries consists of records relating to the exhibit “My Ancestors are Still Dancing” at MOA. As part of a “living” exhibition, Tsimshian weaver William White from Lax Kw’alaams was commissioned to publicly weave a child-size robe in Gallery 8. The exhibit displayed William White’s weavings, historical weavings from MOA’s collection, and historical and contemporary photographs of people wearing Chilkat regalia. The exhibit was installed in 2001 and ran through until September 28, 2002. Records include acquisition/artifact lists, artist biography, budget, correspondence, exhibit labels, exhibit proposals, exhibit panel layouts, exhibit resource binders, grant applications, internal forms (consent forms), installation diagrams, map, meeting agendas memoranda, notes, object records, photographs and slides, photocopies of photographs, professional guidelines, reports, schedules, recorded audio research interviews, transcripts of research interviews, travelling exhibit, and visitor comments.

Sem título

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