Item is a b&w negative of a photograph of crew looking at Norman’s button blanket. Info in text from WHERE THE PEOPLE GATHER or paperback TOTEM POLE CARVING pp. 34-37.)
File consists of photographs documenting the final stage of log preparation for the creation of the Native Education Centre pole by Norman Tait and crew. At the beginning of the file images depict the carvers making their finishing tools, including small single handed adzes and curved knives. This stage involves the carvers adding all the finishing details, such as teeth and eyelids, to the figures. It also includes the raising of the pole during a ceremony given by the Native Education Centre. The textual info is in WHERE THE PEOPLE GATHER or paperback TOTEM POLE CARVING.
File consists of photographs documenting the final stage of log preparation for the creation of the Native Education Centre pole by Norman Tait and crew. At the beginning of the file images depict the carvers making their finishing tools, including small single handed adzes and curved knives. This stage involves the carvers adding all the finishing details, such as teeth and eyelids, to the figures. It also includes the raising of the pole during a ceremony given by the Native Education Centre. The textual info is in WHERE THE PEOPLE GATHER or paperback TOTEM POLE CARVING.
File consists of photographs documenting the final stage of log preparation for the creation of the Native Education Centre pole by Norman Tait and crew. At the beginning of the file images depict the carvers making their finishing tools, including small single handed adzes and curved knives. This stage involves the carvers adding all the finishing details, such as teeth and eyelids, to the figures. It also includes the raising of the pole during a ceremony given by the Native Education Centre. The textual info is in WHERE THE PEOPLE GATHER or paperback TOTEM POLE CARVING.
File consists of photographs documenting the final stage of log preparation for the creation of the Native Education Centre pole by Norman Tait and crew. At the beginning of the file images depict the carvers making their finishing tools, including small single handed adzes and curved knives. This stage involves the carvers adding all the finishing details, such as teeth and eyelids, to the figures. It also includes the raising of the pole during a ceremony given by the Native Education Centre. The textual info is in WHERE THE PEOPLE GATHER or paperback TOTEM POLE CARVING.
File consists of photographs documenting the final stage of log preparation for the creation of the Native Education Centre pole by Norman Tait and crew. At the beginning of the file images depict the carvers making their finishing tools, including small single handed adzes and curved knives. This stage involves the carvers adding all the finishing details, such as teeth and eyelids, to the figures. It also includes the raising of the pole during a ceremony given by the Native Education Centre. The textual info is in WHERE THE PEOPLE GATHER or paperback TOTEM POLE CARVING.
File consists of photographs documenting the final stage of log preparation for the creation of the Native Education Centre pole by Norman Tait and crew. At the beginning of the file images depict the carvers making their finishing tools, including small single handed adzes and curved knives. This stage involves the carvers adding all the finishing details, such as teeth and eyelids, to the figures. It also includes the raising of the pole during a ceremony given by the Native Education Centre. The textual info is in WHERE THE PEOPLE GATHER or paperback TOTEM POLE CARVING.
File consists of photographs documenting the final stage of log preparation for the creation of the Native Education Centre pole by Norman Tait and crew. At the beginning of the file images depict the carvers making their finishing tools, including small single handed adzes and curved knives. This stage involves the carvers adding all the finishing details, such as teeth and eyelids, to the figures. It also includes the raising of the pole during a ceremony given by the Native Education Centre. The textual info is in WHERE THE PEOPLE GATHER or paperback TOTEM POLE CARVING.
File consists of photographs documenting the final stage of log preparation for the creation of the Native Education Centre pole by Norman Tait and crew. At the beginning of the file images depict the carvers making their finishing tools, including small single handed adzes and curved knives. This stage involves the carvers adding all the finishing details, such as teeth and eyelids, to the figures. It also includes the raising of the pole during a ceremony given by the Native Education Centre. The textual info is in WHERE THE PEOPLE GATHER or paperback TOTEM POLE CARVING.
File consists of photographs documenting the final stage of log preparation for the creation of the Native Education Centre pole by Norman Tait and crew. At the beginning of the file images depict the carvers making their finishing tools, including small single handed adzes and curved knives. This stage involves the carvers adding all the finishing details, such as teeth and eyelids, to the figures. It also includes the raising of the pole during a ceremony given by the Native Education Centre. The textual info is in WHERE THE PEOPLE GATHER or paperback TOTEM POLE CARVING.
File consists of photographs documenting the final stage of log preparation for the creation of the Native Education Centre pole by Norman Tait and crew. At the beginning of the file images depict the carvers making their finishing tools, including small single handed adzes and curved knives. This stage involves the carvers adding all the finishing details, such as teeth and eyelids, to the figures. It also includes the raising of the pole during a ceremony given by the Native Education Centre. The textual info is in WHERE THE PEOPLE GATHER or paperback TOTEM POLE CARVING.
File consists of photographs documenting the final stage of log preparation for the creation of the Native Education Centre pole by Norman Tait and crew. At the beginning of the file images depict the carvers making their finishing tools, including small single handed adzes and curved knives. This stage involves the carvers adding all the finishing details, such as teeth and eyelids, to the figures. It also includes the raising of the pole during a ceremony given by the Native Education Centre. The textual info is in WHERE THE PEOPLE GATHER or paperback TOTEM POLE CARVING.
Item is a b&w negative of a photograph of the crew loading log onto flatbed truck to move it from the Turnbull & Gail construction yard in Richmond (contractors for the Native Ed. Centre) to old UBC carving shed. Harry Martin is driving the fork lift. Info in text from WHERE THE PEOPLE GATHER or paperback TOTEM POLE CARVING pp. 38-41.
Geographic Location: Turnbull & Gail construction yard, Richmond.
Item is a b&w negative of a photograph of the crew loading log onto flatbed truck to move it from the Turnbull & Gail construction yard in Richmond (contractors for the Native Ed. Centre) to old UBC carving shed. Harry Martin is driving the fork lift. Info in text from WHERE THE PEOPLE GATHER or paperback TOTEM POLE CARVING pp. 38-41.
Geographic Location: Turnbull & Gail construction yard, Richmond.
Item is a b&w negative of a photograph of the crew loading log onto flatbed truck to move it from the Turnbull & Gail construction yard in Richmond (contractors for the Native Ed. Centre) to old UBC carving shed. Harry Martin is driving the fork lift. Info in text from WHERE THE PEOPLE GATHER or paperback TOTEM POLE CARVING pp. 38-41.
Geographic Location: Turnbull & Gail construction yard, Richmond.
Item is a b&w negative of a photograph of the crew loading log onto flatbed truck to move it from the Turnbull & Gail construction yard in Richmond (contractors for the Native Ed. Centre) to old UBC carving shed. Harry Martin is driving the fork lift. Info in text from WHERE THE PEOPLE GATHER or paperback TOTEM POLE CARVING pp. 38-41.
Geographic Location: Turnbull & Gail construction yard, Richmond.
Item is a b&w negative of a photograph of the crew loading log onto flatbed truck to move it from the Turnbull & Gail construction yard in Richmond (contractors for the Native Ed. Centre) to old UBC carving shed. Harry Martin is driving the fork lift. Info in text from WHERE THE PEOPLE GATHER or paperback TOTEM POLE CARVING pp. 38-41.
Geographic Location: Turnbull & Gail construction yard, Richmond.
Item is a b&w negative of a photograph of the crew loading log onto flatbed truck to move it from the Turnbull & Gail construction yard in Richmond (contractors for the Native Ed. Centre) to old UBC carving shed. Harry Martin (not visible in this photo) is driving the fork lift. Info in text from WHERE THE PEOPLE GATHER or paperback TOTEM POLE CARVING pp. 38-41.
Geographic Location: Turnbull & Gail construction yard, Richmond.
Item is a b&w negative of a photograph of the log on a flatbed truck arriving at the old UBC carving shed. Norman remarked that “they” had to pay for moving it to UBC’s carving shed (i.e. it came out of his contract monies). After the log was moved into the shed, they asked for donations to help with these expenses. Info in text from WHERE THE PEOPLE GATHER or paperback TOTEM POLE CARVING pp. 38-41.