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Image of several house frontal totem poles at Ninstints on Anthony Island. The totem pole in the foreground is recognizable as one that was transferred to the Museum of Anthropology in 1954. While the others likely were as well, they are more difficult to identify.

Item is an image of two totem poles by two buildings. According to annotations, photograph is of the house of Chief Albert Edward Edenshaw, G?aw (also known as Old Massett) in the Haida Gwaii archipielago.

Item is an image of two buildings, seven totem poles, and one cannon. According to annotations, photograph is of the house of Chief Wiah, Town Chief of G?aw (also known as Old Massett) in the Haida Gwaii archipielago.

Image depicts the interior of Chief Wiah's Monster House at Masset, Haida Gwaii, B. C., including two house pits and central fireplace. Printed around the border of the image is the photographer information "PHOTOGRAPHED BY R. MAYNARD, VICTORIA, . . . B. C." Handwritten inscription on the border reads "Interior Indian house" Printed on the verso is the photographer information with the inscription "R. Maynard, Photographic Artist, AND DEALER IN ALL KINDS OF PHOTOGRAPHIC MATERIALS, COR. OF DOUGLAS AND JOHNSON STS., VICTORIA, B. C. -- Views of British Columbia and Vancouver Island for Sale." A handwritten inscription reads "House of Chief Wiah, Massett [sic]."

Image of a house post on Anthony Island, Haida Gwaii. This appears to be a post now housed at the Museum of Anthropology (museum item #A50016). This museum item is described as follows: "Totem, crescent shaped in cross section, carved in shallow and deep relief. From top to bottom: human with hands at right angles and fingertips touching. The arms are folded with the elbows resting on squared ears of figure below. Enclosed within this frame is a small human/hawk face with beak, surmounting the head, shoulders, and forepaws of an emerging bear cub. At the base is a bear from whose ears frogs look downward. The bear has curled nostrils; upturned mouth, raised forearms with five fingers folded over each palm, small human face between forearms... Stood at centre of back wall inside house called 'Raven House', belonging to the lineage of the'Sand Town People' of Raven moiety of Kunghit Haida. MacDonald lists it as house number 17... Pole standing when collected...Figures are crests belonging to the lineage of the owners of the house, the 'Sand Town People' of the Raven moiety. They may also refer to the Bear Mother myth."

Image of a house post on Anthony Island, Haida Gwaii. This appears to be a post now housed at the Museum of Anthropology (museum item #A50016). This museum item is described as follows: "Totem, crescent shaped in cross section, carved in shallow and deep relief. From top to bottom: human with hands at right angles and fingertips touching. The arms are folded with the elbows resting on squared ears of figure below. Enclosed within this frame is a small human/hawk face with beak, surmounting the head, shoulders, and forepaws of an emerging bear cub. At the base is a bear from whose ears frogs look downward. The bear has curled nostrils; upturned mouth, raised forearms with five fingers folded over each palm, small human face between forearms... Stood at centre of back wall inside house called 'Raven House', belonging to the lineage of the'Sand Town People' of Raven moiety of Kunghit Haida. MacDonald lists it as house number 17... Pole standing when collected...Figures are crests belonging to the lineage of the owners of the house, the 'Sand Town People' of the Raven moiety. They may also refer to the Bear Mother myth."

Image of a pole from House 17 at Sgang Gwaay (Skunggwai). This is an interior pole from the Raven House. It was removed on a BC Totem Pole Preservation Committee trip in 1957. The pole is now part of the Museum of Anthropology's object collection (A50016).

Image of a pole from House 17 at Sgang Gwaay (Skunggwai). This is an interior pole from the Raven House. It was removed on a BC Totem Pole Preservation Committee trip in 1957. The pole is now part of the Museum of Anthropology's object collection (A50016).

Haida chief wearing button blanket

Photograph of a copper sculpture of a man

Portrait of a girl (Klaskhana?), possibly a Haida resident, who is posing for a painting. Part of the painting is visible in the background.

Portrait of a girl (Klaskhana?), possibly a Haida resident. A painting of the girl is in the background.

Portrait of a girl (Klaskhana?), possibly a Haida resident, who is posing for a painting. The painting is visible in the background.

Portrait of a girl (Klaskhana?), possibly a Haida resident, who is posing for a painting. The painting is visible in the background.

Portrait of a girl (Klaskhana?), possibly a Haida resident, who is posing for a painting. The painting is visible in the background.

Portrait of Loise (or Lucy?) Franks, a basket-weaver. She is pictured on page 35 of the book "This is Haida." In this image, she is shown seated inside.

Image of a painted piece of metal, showing a face and hands.

Image of a painted piece of metal, showing a face and hands.

Image depicts canoes, house, house posts, and totem poles on a shoreline in Masset, Haida Gwaii, B. C. Handwritten inscription on the verso reads "This is a Indian Village in Masset B. C. at the turn of the century. As you can see there are a lot of wooden shacks, totem poles and canoes. it is a very wild and remote area [redacted]. grandfather Crosby used to travel to these remoat [sic] villages by canoe." Image appears to be reproduction of a039351.