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Image is a close-up shot of Doreen Jensen wearing a button blanket at MOA

Image is of Doreen Jensen, taken from behind, wearing a button blanket at MOA

Image is of Doreen Jensen, viewed from behind and wearing a button blanket, amongst a group of people in the Great Hall at MOA

Image is of Doreen Jensen, wearing a button blanket, and a man in regalia, viewed from behind, in the Great Hall at MOA. The man appears to be dancing.

Image is of a group of people wearing regalia in the Great Hall at MOA. Two men have drums and appear to be drumming and singing.

Image is of Doreen Jensen, viewed from behind, wearing a button blanket. In the Great Hall at MOA.

File contains two images of the Respect to Bill Reid pole that were taken for publicity purposes.

File contains the digital media used to create the virtual museum website for the Respect to Bill Reid Pole in both English and French. These include html pages, audio and video files, images, the electronic invitation to the event, logos and text files, css style sheets, and javascript code.

File contains the print titled "Our Grandmother" by Jim Hart and a computer printed image showing First Nations members in regalia.

File contains the research materials for the project where McLennan acted as an adviser for the project. In addition, are images of Ruby Peter showing the process of mat making.

File contains two slides showing banners designed by McLennan for the City of Vancouver. One was for the 1986 Expo, the other shows a bicycle design.

This file contains images of totem poles collected for research. Some images are from the collections of other institutions.

Subseries contains one file of photographs taken by Edward Malin for the Quatsino source book. Additional material includes an inventory of all slides used in the sourcebooks.

File consists of images of two carvings made from argillite. The images were purposefully taken so that the scale of the object can not be determined. Photographs were taken in the Museum of Anthropology.

Subseries consists of correspondence, meeting minutes, photographs and documentation regarding the totem pole that was carved for UBC by Ellen Neel in 1948, its subsequent deterioration and mishandling, and the committee formed to resurrect a new pole carved by Calvin Hunt. Bill McLennan sat on the committee that was struck to handle the installation of the new pole.

File contains archival images and documents photocopied for research as well as correspondence and meeting minutes.

File contains copies of correspondence both sent and received between Bill McLennan and YVR Airport regarding several different pieces of Northwest Coast Artworks to be displayed at the airport. Other records include correspondence between various Musqueam Band members and YVR airport, with McLennan being a copied recipient of these letters and/or memos.

File contains images of various different pieces of Northwest Coast artwork located at YVR. These artwork pieces include: the cedar crabs from the <i>Pacific Passage</i> installation; <i>Hetux, Thunderbird, the Keeper of the Sky</i> installation; the whaling canoe from the <i>Rainbow off the Beach</i> installation; the <i>Origins of Light</i> installation; the <i>The Supernatural Worlds: The Land, The Sea, The Sky</i> installation; and the <i> Musqueam Welcoming Area</i> installation, which includes several Salish weavings.

File contains a copy of the <i>Squamish Lil'wat Cultural Centre: Waugh + Busby Architects: Project Brief - Book 1, January 14, 2004</i> report (in box 70.3) and Book 2 of the same report (box 13.4).