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Item is a close-up image of a petroglyph pecked on a rock with smaller rocks on the side, probably on a beach. According to annotations, image was taken by Dick Pattinson from Alert Bay. Original slide included number 3546

Item is a close-up image of a petroglyph pecked on a sandstone rock with smaller rocks on the side, probably in a beach area. According to annotations, image was taken by E. F. Meade. Original slide included number 29.

Item is a close-up image of a petroglyph pecked on a sandstone rock with smaller rocks on the side, probably in a beach area. According to annotations, image was taken by E. F. Meade. Original slide included numbers 93 and 17.

Item is a close-up image of petroglyphs pecked on a beach boulder. According to annotations, image was taken by C. Gades (?).

Item is an aerial view image of a peninsula. According to annotations, image was taken by Dick Pattinson. Original slide included number LC3001.

Item is a close-up image of a petroglyph pecked on a rock . According to annotations, image was taken by Dick Pattinson. Original slide included numbers 10 and LC3001.

Item is an image of coastal area with a ship in the background. According to annotations, image was taken by Morley Raven.

Item is an image of a logging truck with buildings on the side. According to annotations, image was taken by Morley Raven.

Item is a photograph of a map drawn by D. L. Cooper on February 28, 1972.

Item is an image of a beach boulder with petroglyphs and surrounded by smaller stones, probably in a beach.

The fonds consists of records relating to Hennessy’s 2003 MA thesis titled The Spirit of Collaboration: Exploring Critical Pedagogical Principles in Transforming the Museum Through Space and Time. Hennessy was interested in the relationships that developed between community members and museum staff during the process of putting together the Museum of Anthropology’s exhibit The Spirit of Islam, which ran from October 2001 to May 2002. Her purpose was to document the kinds of collaborative processes that occurred as the exhibit planning progressed in order to identify a model from which other museums working with communities might benefit.