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Zuni Children

Zuni Children

Photograph depicts three Zuni (A:shiwi) children, sitting on a wooden ladder, likely in the Zuni Pueblo in New Mexico.

Inscription on El Morro

Inscription on El Morro

Photograph depicts A'ts'ina ("place of writing on the rock" in Zuni) in El Morro, New Mexico. The site is also referred to as the El Morro National Monument or Inscription Rock, and consists of a sandstone promonotory upon which travelers for several centuries have left inscriptions. The inscriptions shown in this photograph include names and dates from the mid 19th century, as well as an inscription in an unknown language.

Zuni

Zuni

Photograph of what is likely Zuni Pueblo in New Mexico, showing what appear to be adobe structures.

Zuni Six-Storied Houses

Zuni Six-Storied Houses

Photograph of six-storied houses in Zuni Pueblo in New Mexico. Some round house structures and some hildren are also visible in the foreground.

Woman Weaving

Woman Weaving

Photograph of a woman, likely Zuni (A:shiwi), sitting at a loom and weaving. The photograph was likely taken in Zuni Pueblo, New Mexico.

Research

The series consists primarily of material accumulated and/or created by Gillian Darling Kovanic during her travels abroad, both as a student of anthropology and a filmmaker. This series includes field research conducted by Kovanic with the Kalash in Pakistan, the Kom/Kati tribes in Pakistan and Afghanistan, the Orissa in India, the Haida on the Queen Charlotte Islands [Haida Gwaii], British Columbia and the Kwakwaka’wakw in Alert Bay, British Columbia. Much of her fieldwork is made up of a study of the languages and cultural practices of the people being studied.

Included in the series are eleven field notebooks, a handwritten Kalash’a dictionary, a notebook containing information on the ethnographic materials collected by Darling, which now reside with the Royal Ontario Museum, and approximately 4502 photographs, including slides, negatives, prints and digital photos. Also included are a number of academic and popular articles collected by Kovanic, which compliment her field research, including a unique, handwritten article by Wazir Ali Shah, secretary to the last ruler of Chital, Mehtar, in 1977, which was written after the original manuscript was lost. The series also contains published material, comprised of a teaching kit titled “Kalash Bread-making: From Field to Feast” and the Wakhi Language Book by Haqiqat Ali.

Sem título

Student research materials

Subseries consists of research material created by Sawyer, as well as his students, regarding Northwest coast artifacts. The majority of this research pertains to a specific type of artifact known as the “Jenna Cass” mask. This portrait mask was created by the Haida First Nations, and is known for its colouring and pronounced lebret piercing. Textual materials in this subseries include reports, iconic analysis, handwritten notes, memos, correspondence, and photocopies of articles related to Jenna Cass and other artifacts research. Graphic materials include photographs, slides, film negatives, and drawings of Jenna Cass masks. Other materials not related to the Jenna Cass research include photocopies of published articles related to Northwest coast artifacts.

ref # 13-1-D

First Nations community members

File consists of images of First Nations adults and children in Bella Coola, Klemtu, Bella Bella, Haida Gwaii, and Hartley Bay, BC.

Sem título

Cape Mudge

File contains images of masks, bowls, and textiles. In addition are correspondence with Joy Inglis and Marie Mauze.

The Pacific Passage

The Pacific Passage

Image depicts the exhibition The Pacific Passage installed at the Vancouver International Airport. The focal point of the photograph is Hetux, a large Thunderbird sculpture created by artist Connie Watts (Nuu-chah-nulth, Gitxsan and Kwakwaka'wakw).

CMC houses project

This subseries contains records relating to an exhibit built at the Canadian Museum of Civilization. McLennan was the project manager and design developer for this project. He oversaw the completion and installation of six west coast First Nation house designs: Coast Salish, Haida, Tsimshian, Bella Coola, Oweekeno, and Kwakwaka'wakw. The records include newspaper clippings, correspondence, photographs, and notes.

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