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Fonds consists of black and white and hand-tinted photos taken in 1910 depicting various monuments, landscapes, architecture and events in Japan and China. Most photos are labeled with a title and location.

The fonds consists of four photographs taken by Richard Cotton of mortuary poles on an island in the Skeena River near Kitsilas, BC.

The fonds consists of photographs of Gloria Kaplan with various indigenous artists, whose names have been recorded in the image titles and IPTC metadata. The photographs were taken by Selig Kaplan with the intention of documenting the artists from whom the Kaplans acquired artwork or anticipated acquiring artwork from.

Fonds consists of theatre programs from Victoria, opera clippings, photographs of the Chinese Carnival in 1936, a copy of the Chinese Times, and Yip’s reminiscences of the establishment of The Chinese Canadian Times in Vancouver and the Chinese Opera in Victoria.

FILE LIST:
MAN 1997-007-001 : Chinese Times, 1936, article on Chinese Times, Willie Le[-]o n.d.

MAN 1997-007-002 : Cantonese Opera clippings, n.d.

MAN 1997-007-003 : Six photographs of Chinese Carnival, Vancouver, 1936

MAN 1997-007-004 : Theatre program from Victoria, B.C., 1923

MAN 1997-007-005 : Theatre program from Victoria, B.C., with poetry on back written by Yip’s father, 1930

Fonds consists of seventy-three slides of New Guinea and includes images of markets, buildings, local inhabitants, and landscapes in and around Lae, Goroka, Port Moresby, and other unidentified locations.

The fonds consists of the following series: source books by Kathie Roads (1970-1992); resignations (1976-1988); minutes (1976-1989); correspondence and memos (1975-1990); education and training (1976-1988); annual reports (1976-1989); photographs (1979-1982); subject files (1976-1991); and hours and attendance (1976-1989).

Fonds consists of an empty photo album with a wooden cover, hand-painted by C. Doudawarch (?), a resident of Port Simpson.

Fonds consists of one notebook attributed to Witney. The notebook contains notes regarding the Cree language and alphabet, and may have been created while Moore was in Norway House.

The fonds consists of the records created by Lynn Hill while she was employed as curator-in-residence at the Museum of Anthropology. They relate predominantly to her curation of the exhibition Raven’s Reprise. The exhibition involved the installation of works by contemporary Northwest Coast artists around the Museum, and was intended to challenge viewers’ expectations of Northwest Coast art by juxtaposing traditionally accepted aesthetics and technology with modern materials and urban sensibilities. Records reflect Hill’s planning of the exhibition, as well as her communication with artists involved in the exhibit and in a complimentary series of public talks. Other records relate to Hill’s work on Gallery 3 and with the Native Youth Program.

Documents include source books, correspondence, reports, training materials, budgets, grant applications, exhibit proposals, draft exhibition materials, resumes, brochures, photographs, interview transcripts, and copies of print materials.

Image is of a steam bent box by Doug Cranmer's students. This is an unpainted "tackle box" style with lid and tie.

Image is of a steam bent box by Doug Cranmer's students. This is an unpainted "tackle box" style with lid and tie.

Image is of a steam bent box by Doug Cranmer's students.

Image is of a steam bent box by Doug Cranmer's students. This is an unpainted "tackle box" style with lid and tie.

Image is of a steam bent box by Doug Cranmer's students. This is an unpainted "tackle box" style with lid and tie.

Image is of a steam bent box by Doug Cranmer's students. This is an unpainted "tackle box" style with lid and tie.

Image is of a steam bent box by Doug Cranmer's students. This is an unpainted "tackle box" style with lid and tie.

Image is of a steam bent box by Doug Cranmer's students.

Image is of a steam bent box by Doug Cranmer's students. This is an unpainted "tackle box" style with lid and tie.

Image is of a steam bent box by Doug Cranmer's students. This is an unpainted "tackle box" style with lid and tie.