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• April 6 - September 26, 1993
• By selecting examples from MOA’s collection of over 300 Nuu-chah-nulth baskets and illustrating how they were made, moved into private collections, and acquired by museums, the process by which objects are reinterpreted by both collectors and museum professionals is made visible. In this exhibit, curator Charlene Garvey critically examines changes in meaning that can occur over the life of a basket, and how these interpretations change over time to reflect beliefs about Native basketry, women’s arts and museological practices.

• 1996

• 1997
• Student exhibition

• April 10, 2001 - May 13, 2001 (Lobby)
• As part of their coursework at the Emily Carr Institute of Art and Design, students in MOA Curator Dr. Carol Mayer’s ceramics class are creating and installing original works inspired by the Museum’s collections.

• Through August 31, 2001 (corridor)
• Two cases, each highlighting a different aspect of Northwest Coast art. One features several turn-of-the-century paddles; another offers selections from a remarkable recent bequest of Northwest materials collected by Tom and Frances Richardson.

• November 1, 2006 - January 14, 2007 (Lower Lobby)
• Buddhism was introduced to Tibet in the seventh century, and since that time Tibetan Buddhist sacred art has grown and flourished. The Tibetan word ?thangka? refers to a work done on cloth and set in a silk or cotton frame. In this small exhibit, MOA is pleased to present several works by Kalsang Dawa, a master practitioner in the Thangka style.

• February 6-11, 2007 (Museum Lobby)
• Dominic Benhura is an acclaimed Zimbabwean artist credited for his contributions in transforming Shona stone sculpture into a world-class modern art. The sculptures shown here attest to his ability to portray human feeling through form and movement rather than facial expression.

• From the exhibition, Jamelie Hassan: At the Far Edge of Words, at the Morris and Helen Belkin Art Gallery
• June 18 – August 22, 2010 (Multiversity Galleries)
• Vitrine 448, a 'book work' created by renowned Canadian artist Jamelie Hassan in 1988, was shown at MOA as part of an exhibition organized by the UBC Morris and Helen Belkin Art Gallery. Curatorial liaison: Karen Duffek.

• January 8 - March 3, 2013
• This exhibition featured the display of Alan Michelson’s panoramic video installation of the two banks of the Grand River, which divides the Six Nations Reserve from non-Native townships in Ontario. TwoRow II was generously loaned by the National Gallery of Canada. Ottawa. Curator: Karen Duffek.
• Full title: TwoRow II - A four-channel video installation with sound, by Alan Michelson (2005)

• September 19 - October 14, 2013 (Great Hall)
• This display featured sever large format black & white portraits by Mohawk/Anishinaabe photographer Stan Williams of members of Vancouver’s Downtown Eastside shown to coincide with Speaking to Memory. Curator: Dr. Jill Baird.

• March 28, 2014 (Textile Research Room)
• Student exhibition: In 2012, the family of the late Mabel Stanley (1901-1979) donated her collection of ceremonial realia and other First Nations items to MOA, with the understanding that the objects would be accessible to the family, and that MOA would create an exhibition about them. Students in the Museum Practice and Curatorship took up the challenge, working with family and community members, as well as historical records, to examine the multiple ways in which a collection of objects can be seen to represent the life of an individual.

• September 15 - December 31, 1999
• This remarkable work was made by participants in the Traditional Parenting Skills Program of the Indian Homemakers’ Association of B.C. It is a visual symbol of the assistance and support offered by the Association over its thirty years of service to First Nations families.

• March 19 – September 17, 1996

• March 25 – December 7, 1996

• March 21 – June 4, 1996

• March 19, 1996 – October 19, 1997

• October 1, 1992 – March 14, 1993
• Changes in Hong Kong’s New Territories mean that farm tools and household utensils, once integral to daily life, are no longer used. This exhibit features the traditional tools and clothing of the Hakka people of this area.

Usado por: Renewal Project, Partnership of the Peoples

• Museum renovations that took place between 2006 and 2010, funded in large part by a Canada Foundation for Innovation (CFI) grant named Partnership of Peoples that was awarded to the Museum of Anthropology in 2007. Renovations included a new research wing, new offices, laboratories, a culturally sensitive research room, recording studio, and a new exhibition hall (The Audain Gallery). Other enhancements included MOA's new Multiversity Galleries, the creation of the Reciprocal Research Network (RRN), expansion of the Museum Shop, a new cafe, and courtyard and outdoor events area.