Image is a posed portrait of a seated older girl and younger boy standing on a footstool holding hands. The girl and boy are dressed formally. It appears to be an albumen print on a carte de visite. Photographer information printed on verso with the inscription "S. A. Spencer, FORT STREET, Victoria, B. C." A handwritten inscription reads "[illegible] Reid + boy"

Image is a portrait of a man, printed in a vignetted oval shape. Inscription below reads "INDIAN CHIEF, V. I."

Photograph of a group of children in ceremonial dress and a brass band at an outdoor event, possibly a potlatch. An unidentified man is standing prominently in the foreground of the image. A stamp on the verso of the print indicates that it was printed in 1958.

Image of a group at an unidentified outdoor event. Most of the individuals in the image are in ceremonial dress. The photograph was likely taken in or near Alert Bay, BC.

Photograph of docked fishing boats, possibly in Alert Bay, BC. A stamp on the verso indicates that it was printed in 1957.

Photograph of a an unidentified fishing boat. A stamp on the verso indicates that it was printed in 1957.

Photograph of a fishing boat named Cospak. In this image, the men are pulling up fish in a net to go into the hold of the ship. A stamp on the verso indicates that it was printed in 1957.

Photograph of salmon being barbecued over an outdoor flame. A woman identified in annotations on the verso as Peggy Swabeck(?) is standing in the background.

An image of children sitting on a docked boat, other children standing and walking on the dock. According to the documentation included with the filmstrip, the description of the image states "Everyone going home on the school boat/fish boat "Betsy." The boat brings the children to school at nine o'clock and takes them home at three o'clock."

Image of the houseposts and beam of what once was a longhouse in Quatsino, BC, on the north end of Vancouver Island. These posts appear to be the same as posts now houses at the Museum of Anthropology (museum item number A50009 a-c). The poles are described on the museum's catalogue: "Two upright posts and crossbeam that were part of a large interior house frame (also see records d-f and g-h). The uprights depict sea lions carved in high relief and painted (parts a-b). Their heads are equal size to their bodies. Both part a and b have an eagle in profile within the sea lions front flippers. Part a has a top portion of a face painted on the back of its head that is part of a sisiutl that runs down the seal lions back and into its hind flipper with a serpent's head in each. The cross-beam (part c) is painted and carved as a supernatural double-headed sea lion. All parts are painted black and white with Northwest Coast stylized forms... The Klix'ken (sea lion) House was commissioned by Tza'kyius around 1906, and was the last old style house erected in Xwatis. The beams and figures stood as part of a house frame, and acted as structural supports. Figures represented on house frames were supernatural beings which the family living in the house had the right, through their history and origins, to represent."

Image of canoes on the Somass River (Vancouver Island). Four boys are seen in stationary canoes in the foreground.

Image of the lower portion of a totem pole at the village of Chiklesaht, on the northwest coast of Vancouver Island. This pole is featured on pages 126-127 of Carter's book "From History's Locker," with the caption: "The only standing totem left at the village of Chiklesaht. The carvings are Sea Otter, Seal and Bear... Bottom section of the same pole shows clearly the bear mother motif with her paws covering the eyes of a human face."

Close-up image of a figure in a totem pole at the village of Chiklesaht, on the northwest coast of Vancouver Island. This pole is featured on pages 126-127 of Carter's book "From History's Locker," with the caption: "The only standing totem left at the village of Chiklesaht. The carvings are Sea Otter, Seal and Bear... Bottom section of the same pole shows clearly the bear mother motif with her paws covering the eyes of a human face."

Portrait of Jimmie John with one of his carvings. A similar image is pictured on page 97 of Carter's book "From History's Locker," with the caption: "Jimmie John, one of the best of the Nootka carvers, shown here displaying a piece of his work, a replica of the famous Chief Maquinna mask."

Image of a carving of a winged creature by Nootka carver Jimmie John.

Portrait of Jimmie John with two of his carvings. A similar image is pictured on page 97 of Carter's book "From History's Locker," with the caption: "Jimmie John, one of the best of the Nootka carvers, shown here displaying a piece of his work, a replica of the famous Chief Maquinna mask."

Portrait of Jimmie John with one of his carvings. A similar image is pictured on page 97 of Carter's book "From History's Locker," with the caption: "Jimmie John, one of the best of the Nootka carvers, shown here displaying a piece of his work, a replica of the famous Chief Maquinna mask."

Image of a carving by Nootka carver Jimmie John. The carving is a replica of the famous Chief Maquinna mask

Portrait of Jimmie John with one of his carvings. A similar image is pictured on page 97 of Carter's book "From History's Locker," with the caption: "Jimmie John, one of the best of the Nootka carvers, shown here displaying a piece of his work, a replica of the famous Chief Maquinna mask."

Image of a rocky shoreline, with an unidentified person standing on top o of the rocks in the distance.