First Nations

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First Nations

Terme générique Cultural groups

First Nations

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First Nations

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First Nations

239 description archivistique résultats pour First Nations

Seulement les résultats directement liés

Pecked on granite petroglyph

Item is a close-up image of a petroglyph pecked on a rock. According to annotation, petroglyph was pecked on granite, image was taken by E. F. Meade. Original slide included numbers 3545 and 21.

Petroglyph

Item is a close-up image of a petroglyph pecked on a rock. According to annotations, image was taken by E. F. Meade. Original slide included numbers 3564, LC3001 and 16.

Pecked on granite petroglyph

Item is a close-up image of a petroglyph pecked on a rock. According to annotations, petroglyph includes a group of three figures pecked on granite, image was taken by E. F. Meade. Original slide included number 3545.

Petroglyph

Item is a close-up image of a petroglyph pecked on a rock.

Petroglyph

Item is a close-up image of a petroglyph pecked on a standing rock. According to annotations, image was taken by Dick Pattinson from Alert Bay. Original slide included number 3545.

Fort Rupert South end

Item is a close-up image of a petroglyph pecked on a rock . According to annotations, image was taken by E. F. Meade.

Pecked on sandstone petroglyph

Item is a close-up image of a petroglyph pecked on a sandstone rock with a body of water on the side, probably in a beach area. According to annotations, image was taken by E. F. Meade.

Petroglyph

Item is an image of a beach boulder with petroglyphs and surrounded by smaller stones, probably in a beach. According to annotations, image was taken by Morley Raven.

Petroglyph

Item is an image of a rock with petroglyphs. According to annotations, image was taken by Morley Raven.

Petroglyph

Item is an image of a rock with petroglyphs. According to annotations, image was taken by Morley Raven.

Petroglyph

Item is an image of a beach boulder with petroglyphs and surrounded by smaller stones, probably in a beach.

Petroglyph

Item is an image of a beach boulder with petroglyphs and surrounded by logs and sticks, probably in a beach.

Ewen MacLeod collection

  • 46
  • Collection
  • Digitized 2011 (originally created June 1927)

The collection consists of three photographs of St. George’s Residential School in Lytton, BC.

Sans titre

Joan Goodall collection

  • 57
  • Collection
  • 1926 - 1978

This collection consists of postcards and photographs collected by Joan Goodall. Areas depicted include Old Massett, Hazelton, Kitwangar, Port Simpson and other areas. Most images have totem poles or other massive carvings depicted.

ITEMS IN COLLECTION:
“The Museum of Northern British Columbia with the wolf totem and two Haida poles”
– 1960 – 1 postcard : colour ; 8.5 x 14 cm.

“From Joan Goodall Aug/78 – Fertility symbol used on island of [Tan] during yearly festival on island of [Tanna]” – 1978 - 1 photograph : colour ; 12 x 9 cm.

“623” [people in front of cemetery] – [19-] –1 photograph : b&w ; 14 x 9 cm.

“623” [totem pole and dead tree] – [19-] – 1 photograph : b&w ; 14 x 9 cm.

“713” [wooden sidewalk with totem poles] – [19-] - 1 photograph : b&w ; 9 x 14 cm.

“713” [view of a wooden fence with a tree flanked by matching totem poles] – [19-] – 1 photograph : b&w ; 9 x 14 cm.

“The Lion Totem of Kitwangar, BC” – [19-] – 1 postcard : b&w ; 14 x 9 cm.

“Port Simpson, Totems” – [19-] – 1 postcard : b&w ; 14 x 9 cm.

“Alaska Indian Carvings” – [19-] – 1 postcard: b&w ; 9 x 14 cm.

“Indian Totem, Hazleton, BC” – [19-] – 1 postcard : b&w ; 9 x 14 cm.

“Indian Totems, Old Massett, BC” – [19-] – 1 postcard : b&w ; 9 x 14 cm.

“1926” [two totem poles in front of a wooden house] - 1926- 1 photograph : b&w ; 11 x 7 cm.

Sans titre

R.A. Brooks collection

  • 72
  • Collection
  • [ca. 1940 - 1950]

Collection consists of 81 b&w photographic prints of the Brooks heads and one of the Vancouver airport.

Hilary Stewart fonds

  • 122
  • Fonds
  • 1962 - 2005

Fonds consists of material related to the art, research, and writing of Hilary Stewart. The bulk of the material is related to the production of her books on the culture and art of the First Nations peoples of the Pacific Northwest. The remaining material relates to illustrations that she did for publications by other authors, a small amount of material done for personal use, and collected research and ephemera that does not appear to be related to one specific publication. Material includes original illustrations, collected research and notes, book drafts and pre-press materials, photographs, correspondence, and collected memorabilia.

The material has been arranged into three series:
1 - Books
2 - Illustrations and other artwork
3 - Collected research and ephemera

Sans titre

Paddling to Where I Stand collection

  • 138
  • Collection
  • 1979 - 2003

Collection illustrates the gathering of information and writing of the book “Paddling to Where I Stand : Agnes Alfred, Qwiqwasutinuxw Noblewoman.” Includes interviews to Agnes Alfred conducted by Martine J. Reid and Daisy Sewid-Smith between 1979 and 1985. Interviews are documented as audio and video recordings and their written transcriptions, and other materials gathered by Martine J. Reid and Daisy Sewid-Smith for the edition and publication of the book. Collection also contains the manuscripts and draft for the book; correspondence between Martine J. Reid, Daisy Sewid-Smith and other people; eulogies and funeral pamphlets; Agnes Alfred’s family information; historical notes; and miscellanea. Collection includes photographic materials with photographs included in the book and additional photographs gathered by Martine J. Reid and Daisy Sewid-Smith during their research, and portraits of Agnes Alfred’s parents.

Sans titre

Diane Elizabeth Barwick fonds

  • 41
  • Fonds
  • 1947 - 1958

The fonds consists of 7 photographs from a June 1958 centennial [centenary] celebration in Alert Bay that Barwick described as having been ordered from a local cameraman. There are also 7 postcards that contain images of Alert Bay ca. 1949 or 1950 that were purchased by Barwick in the summer of 1958. Sixteen negatives were taken by Barwick at an excavation at Beach Grove in the Fraser River delta in June of 1957, likely done under the guidance of Charles Borden, a Lecturer and later Professor of Archaeology at UBC who studied the Beach Grove site from ca. 1955 to 1958. Notes on the envelope indicate these negatives include images of D. N. Abbott, Colin McCafferty, and Nansi Swayze.

Sans titre

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