Mungo Martin and Charles Docherty painting a totem pole
- 132-1-C-A-a040274
- Item
- 1950
Parte deMOA General Media collection
Mungo Martin and Charles Docherty painting a totem pole. Charles Docherty, a carpenter, was hired as his assistant.
First Nations
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Términos jerárquicos
First Nations
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First Nations
- Término Específico Anishinaabeg
- Término Específico Coast Salish
- Término Específico Cowichan
- Término Específico Esketemc
- Término Específico Gitxsan
- Término Específico Haida
- Término Específico Haisla
- Término Específico Heiltsuk
- Término Específico In-SHUCK-ch
- Término Específico Interior Salish
- Término Específico K'omoks
- Término Específico Ktunaxa
- Término Específico Kwakwaka'wakw
- Término Específico Kyuquot
- Término Específico Lheidli T'enneh
- Término Específico Musqueam
- Término Específico Nisga'a
- Término Específico Nlaka'pamux
- Término Específico Nuu-chah-nulth
- Término Específico Nuxalk
- Término Específico Okanagan
- Término Específico Saanich
- Término Específico Secwepemc
- Término Específico Skwxwú7mesh
- Término Específico St'at'imc
- Término Específico Stl'al'lmx
- Término Específico Stó:lō
- Término Específico Stoney Nakoda
- Término Específico Tahltan
- Término Específico Tla'amin
- Término Específico Tlingit
- Término Específico Tsilhqot'in
- Término Específico Tsimshian
- Término Específico Tsleil-Waututh
- Término Específico Tutchone
- Término Específico Ulkatcho
- Término Específico Wuikinuxv
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Mungo Martin carving a totem pole
- 132-1-C-A-a040278
- Item
- [195-?]
Parte deMOA General Media collection
Mungo Martin carving a totem pole. This photograph appeared in later editions of "Monuments in Cedar" by Edward L Keithahn. It appears on page 112 of the 1963 edition.
UBC and Musqueam Officials at a Ceremony
- 132-1-C-A-a040280
- Item
- 1927
Parte deMOA General Media collection
A group of Musqueam officials and UBC officials at a formal ceremony in 1927, when two large carvings were transferred to UBC as a permanent collection. They were purchased by the graduating class of 1927.
Mungo Martin in headdress and button blanket
- 132-1-C-A-a040283
- Item
- 1958
Parte deMOA General Media collection
Mungo Martin wearing a headdress and button blanket with a totem pole in the background.
Mungo Martin re-adzing a totem pole
- 132-1-C-A-a040287
- Item
- 1950
Parte deMOA General Media collection
Mungo Martin restoring a totem pole originally carved by Charlie James. The pole later stood in Totem Park at UBC before being moved to the Great Hall of the Museum of Anthropology.
- 51-01-28-a039445
- Item
- 1955 or 1956
Parte deHarry B. Hawthorn fonds
Old longhouse poles, featuring Huxwhukw
- 51-01-28-a039455
- Item
- 1955 or 1956
Parte deHarry B. Hawthorn fonds
- 51-01-29-a039464
- Item
- 1957
Parte deHarry B. Hawthorn fonds
Image of a section of a totem pole, featuring a beaver, on Anthony Island, Haida Gwaii. This appears to be a pole now housed at the Museum of Anthropology (museum item #A50013). This museum item has the following description: "Base section of a wooden totem pole, crescent shaped in cross section and carved in shallow and deep relief. Depicted is a seated beaver with one potlatch ring between erect ears; protruding upper incisors; raised forepaws and hind paws grasping chewing sticks. Below its rectangular shaped crosshatched tail is a human face with large circular eyes. Traces of blue in eye sockets and around nostrils... Beaver was one of crests owned by the lineage of Chief Ninstints (Tom Price), 'Those Born Up the Inlet', of the Eagle moiety... Remainder of pole, except top figure, burned when the village was burned in 1892 by the Koskimo and the crew of a sealing schooner. ."
Totem pole or house post, Anthony Island
- 51-01-29-a039466
- Item
Parte deHarry B. Hawthorn fonds
- 51-01-29-a039467
- Item
Parte deHarry B. Hawthorn fonds
- 51-01-29-a039476
- Item
Parte deHarry B. Hawthorn fonds
Village remains in forest, Anthony Island
- 51-01-29-a039480
- Item
Parte deHarry B. Hawthorn fonds
Anthony Island inlet, with village site in background
- 51-01-29-a039481
- Item
Parte deHarry B. Hawthorn fonds
![Last pole at Aiyansh on Nass [River]](/uploads/r/null/c/2/6/c26d321a94edb21da227658edfed797d7338f69954bdd4601b027aad7679131a/a035208c_142.jpg)
Last pole at Aiyansh on Nass [River]
- 51-01-30-a035208
- Item
- [194- or 195-?]
Parte deHarry B. Hawthorn fonds
Pole is largely uncarved, except for a bird perched on top. Mountains are visible in the background.
- 51-01-33-a035246
- Item
- [ca. 1970]
Parte deHarry B. Hawthorn fonds
Image of Doug Cranmer carving two totem poles at the University of British Columbia.
- 138-02-01-01 (MAN 220)
- Item
Item is an audio cassette tape with no date and the annotation "How to write Kwakiutl" and "Copie" on both sides.
Item was numbered by creator with roman number I.
Sin título
Mr. Bob Wilson at his home in Fort Rupert
- 138-02-01-10 (MAN 229)
- Item
- 1977 - 1978
Mr. Bob Wilson at his home in Fort Rupert. Talking in English and Kwakwala about Tlisaligilakw (Mink) and other myths involving sea creatures. Recorded by Martine de Widerspach-Thor (Reid) in 1977 and 1978.
Sin título
- 138-02-01-14 (MAN 231), Video 286, and Video 287
- Item
- February 10, 1985
Item is a recorded interview to Agnes Alfred telling stories on February 10, 1985. Tapes were recorded by Martine Reid, at Chief Jimmy Sewid's house and in the presence of Mrs. Jimmy Sewid and Daisy Sewid-Smith.
Item includes 3 tapes:
- An original video recording of the interview in a Beta Video Cassette tape
- A copy video recording of the interview in VHS a Video Cassette tape
- An original audio recording of the interview in an Audio Cassette tape (considered as a backup by creator)
Interview was not transcribed
Sin título
- 138-02-02
- Sub-séries
- 1983 - 1999
Subseries includes handwritten translations of the audio and video interviews.
Translations were done by Daisy Sewid-Smith and sent to Martine J. Reid for editing.
Sin título
- 51
- Fundo
- [189-] - [200-], predominant [193-] - [197-]
The fonds consists of records created and collected by Harry B. Hawthorn in a number of different capacities: as researcher, professor, Dean of Anthropology and Director of the Museum of Anthropology. Textual records in the fonds include correspondence, transcripts, research notes and clippings from publications. Much of the graphic materials relate to Harry Hawthorn’s interactions with Indigenous communities as an anthropologist, a professor, and as the Director of MOA. Other images relate to his personal life, documenting his youth in New Zealand, his life as a father and anthropologist, and his later established professional roles.
Sin título
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