First Nations

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First Nations

2024 descrição arquivística resultados para First Nations

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Cod mask, side view

Cod mask, side view

Image depicts a side view of a cod fish mask. The mask features a very prominent red tongue.

Killer whale mask, side view

Killer whale mask, side view

Image depicts a side view of a killer whale mask. A distinguishing feature is the long fin that rises from the top of the mask.

Ovoid painting

Ovoid painting

Image depicts a painting filled with ovoid shapes that seem to comprise at least one creature. Painting is done in black on white with highlights of red.

D'zonoqua painting

D'zonoqua painting

Image depicts a painting of D'zonoqua, done in red and black on white. Additional notes indicate this work was painted by Douglas Cranmer in 1964 or 1965.

Sea eagle in ovoid form

Sea eagle in ovoid form

Image depicts a painting of a sea eagle inside an ovoid form. Additional notes indicate this painting was made by Douglas Cranmer in 1964 or 1965.

Inside the big house, view two

Inside the big house, view two

Image depicts the interior of a big house, possibly at Alert Bay, BC. People are dressed in regalia and some kind of event is in progress.

Anthony Carter fonds

  • 25
  • Fundo
  • [194-]-2018, predominant 1966-1979

The fonds consists of photographs, transparencies, negatives, prints, slides, textual records and objects. Contents of the fonds primarily reflect First Nations cultures in British Columbia between 1960 and 1980, including the Haida, Coast Salish (formerly Burrard Reserve), Kwakiutl (Kwakwaka'wakw), Gitsegukla and Ans'pa yaxw (Kispiox) nations. Notable First Nations personalities and artists documented include Chief Dan George, Gerry Marks, Henry Hunt and Norman Tait. Contents also include: B.C. landscapes such as Gwayasdums (Gilford Island), Klemtu, Mamalilikulla and Uchucklesaht; First Nations children; First Nations exhibits, totem poles and installations at the University of British Columbia in Vancouver and for the National Museum of Ethnology in Osaka, Japan. The original accession was arranged in series according to Carter's published works which focus on specific localities, communities, individuals and subject matter, with additional series related to Carter's photojournalistic work and personal recordkeeping added in 2019 when an accrual was made to the fonds.

Sem título

This is Haida records

Series consists of images found in or related to Carter's 1969 published work. Focus is on photographic representations of First Nations communities and individuals throughout Haida Gwaii. Geographic locations include Anthony Island (Ninstins), Masset, Skedans, Skidegate, Tanu and Yan. Series also contains images related to the 1969 Masset pole raising ceremony in honor of Robert Davidson, Jr. Files are generally arranged chronologically according to subject matter and/or locality. Except where noted with square brackets, the titles for files and items in this series were taken from annotations on the original material.

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Unknown Event 1979

File consists of slides depicting an unknown event with several figures wearing button blankets. Two undated slides appear to show a dock and boat at a different location.

From all over the place, raising totem in Alert Bay

From all over the place, raising totem in Alert Bay

Image of a totem pole in Alert Bay, BC, at the grave of the Kwakiutl Chief Mungo Martin. The pole was carved to honor the Chief. This image shows the pole right after it has been raised, with the ropes used to raise it still attached. Additional information and images of this pole are featured on pages 28-33 of Carter's book "From History's Locker."

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