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Marching band

  • 30-30-01-30-01-03-a039064
  • Pièce
  • [1862-1937, predominant 1930-1937]
  • Fait partie de John Mennie fonds

Band marching. Foreground of photo is overexposed

Pole vault

  • 30-30-01-30-01-03-a039033
  • Pièce
  • [1862-1937, predominant 1930-1937]
  • Fait partie de John Mennie fonds

Vaulter in mid-air. Onlookers in background. Officials and spotters on the ground, on either side of the vaulter

Mid-race

  • 30-30-01-30-01-03-a039035
  • Pièce
  • [1862-1937, predominant 1930-1937]
  • Fait partie de John Mennie fonds

Race. Blurred. Four boys visible: one in front, one behind, two bunched in the middle

Three runners at starting line

  • 30-30-01-30-01-03-a039055
  • Pièce
  • [1862-1937, predominant 1930-1937]
  • Fait partie de John Mennie fonds

Blurred. Three runners at starting line. Observers, some seated and others standing, and buildings on proper right

Runners

  • 30-30-01-30-01-03-a039059
  • Pièce
  • [1862-1937, predominant 1930-1937]
  • Fait partie de John Mennie fonds

Nineteen runners. Building and observers on proper right. Right centre edge of negative is flawed

Nick Bantock

File consists of photographs of author Nick Bantock after the publication of his successful "Griffin & Sabine" trilogy.

Northwest Coast groups

Series consists of photographs documenting events in various communities throughout British Columbia and Washington State. These include community photographs in Mt. Currie; the Salish Linguistic Conference in Oman, Washington State; a Robert Davidson Pole Raising; coverage of NWC artifacts at the National Museum of Copenhagen in Denmark; coverage of 1992 Nuxalk Potlatch at Bella Coola for Canadian Museum of Civilization; and photographs of a Haida bentwood box.

Between working on language and education projects, Jensen was often hired by communities to document important events, such as pole-raisings, conferences and potlatches. This series consists of the photographs taken at those events.

University of British Columbia (UBC) series

Series consists of photographs documenting totem pole raising or restoration and other events held at the University of British Columbia (UBC) Museum of Anthropology (MOA).

In 1976 Jensen was hired by MOA to document the installation of totem poles into the new building. Jensen did not keep the negatives for these photographs (MOA did in this instance). She was hired again in 1981 to create a slide loop of images to be featured in the museum. After working with the museum, she felt welcome there and often gave talks or did training. Most of the subsequent photographs in this series were taken at public events such as book launches or pole raisings.

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