"Subsistence Herding in Uganda", Dyson-Hudson
- 64-11-B-5-1
- Stuk
- n/d
Part of Madeline Bronsdon Rowan fonds
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"Subsistence Herding in Uganda", Dyson-Hudson
Part of Madeline Bronsdon Rowan fonds
"Marriage Economy: The Karamojong", Dyson-Hudson
Part of Madeline Bronsdon Rowan fonds
Fine Arts Museums of San Francisco Exhibitions: African Art
Part of Madeline Bronsdon Rowan fonds
Museums & Art Galleries in British Columbia
Part of Madeline Bronsdon Rowan fonds
British Museum Publications: The Raffles Gamelan, Fragg, W.
Part of Madeline Bronsdon Rowan fonds
Place Royale, Its Houses and Their Occupants (Montreal)
Part of Madeline Bronsdon Rowan fonds
Place Royale and its surroundings (2 copies)
Part of Madeline Bronsdon Rowan fonds
Part of Madeline Bronsdon Rowan fonds
Series consists of slides and a video for the film production UBC MOA An Introduction to its History with Madeline Bronsdon Rowan.
Binder of slides concerning MOA’s history
Part of Madeline Bronsdon Rowan fonds
Barge of mulena mokawai in Zambia – of second importance to the king.
Part of Marie-Claire Delahaye fonds
King’s barge: King was returning from Lusaka.
Part of Marie-Claire Delahaye fonds
Women making a basket in Zambia.
Part of Marie-Claire Delahaye fonds
Part of Marie-Claire Delahaye fonds
The fonds consists of an album, embossed with the title "A Souvenir, Mr. and Mrs. Lipsett", housing 24 photographs depicting people, imperial and Shinto temples, shrines, monasteries and other sites and scenes taken in various cities in Japan.
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Fonds consists of an album given to Mary Tucker by her grandfather who had received it in the early 1900s as a gift from the Japanese Diet. The album consists of a series of hand-tinted silk screen reproductions depicting a variety of Japanese scenes and landmarks. Each individual silk screen is labeled with the subject of the image. The covers of the album are black lacquer with a floral image in gold on the back cover and a scene in relief of a woman and a boy sweeping on the front cover.
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Michael Kew fonds (private records)
The fonds consists primarily of slides as well as other materials generated in the course of Dr. Kew’s teaching and studies of the Northwest Coast from 1971-1996 as well as from the exhibit he curated on central Coast Salish three-dimensional art.
There is one series in the fonds:
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