Item is a close-up image of a petroglyph pecked on a rock with smaller rocks on the side, probably on a beach. According to annotations, image was taken by Dick Pattinson from Alert Bay. Original slide included number 3546

Item is a close-up image of a petroglyph pecked on a sandstone rock with smaller rocks on the side, probably in a beach area. According to annotations, image was taken by E. F. Meade. Original slide included number 29.

Item is a close-up image of a petroglyph pecked on a sandstone rock with smaller rocks on the side, probably in a beach area. According to annotations, image was taken by E. F. Meade. Original slide included numbers 93 and 17.

Item is a close-up image of petroglyphs pecked on a beach boulder. According to annotations, image was taken by C. Gades (?).

Item is an aerial view image of a peninsula. According to annotations, image was taken by Dick Pattinson. Original slide included number LC3001.

Item is a close-up image of a petroglyph pecked on a rock . According to annotations, image was taken by Dick Pattinson. Original slide included numbers 10 and LC3001.

Item is an image of a beach boulder with petroglyphs and surrounded by smaller stones, probably in a beach.

The collection consists of slides, photographs and negatives, all copies of Curtis’ most extensive work, “The North American Indian.” The collection is divided into two series: slides and photographs.

This fonds consists of textual records, photographs, negatives, slides, audio recordings, compact discs and video on DVD that relate to Kovanic’s academic and film career. The fonds relates especially to her work in Pakistan, India and Afghanistan, but also captures her work with First Nations on the Northwest coast of British Columbia.

The fonds consists of black and white photographs and negatives. Subjects depicted include villages, boats and ferries, landscapes, bridges, logging clearcuts, and totem poles. Some of the photos appear to be of the Lions Gate Bridge, Stanley Park, and the Capilano Suspension Bridge.

Collection consists of 48 glass lantern slides (29 of them tinted) and 2 negatives. The lantern slides include images related to four Residential Schools: Elkhorn (Manitoba), St. Michael’s (British Columbia), Shingwauk (Ontario), and Choutla (Yukon).

Collection includes images of the schools, classrooms, and different areas of the buildings (dining room, kitchen, etc.); the staff, students, and families engaged in different activities; and surroundings of the schools (cemeteries, churches, villages, etc.). Collection also includes images of landscapes and two images unidentified villages.

Collection might be similar to the Missionary Society of the Church of England in Canada fonds, at the Anglican Church of Canada Diocese of Rupert's Land, Manitoba.

Lantern slides shows were used during the 1920s and 1930s by the Church of England in Canada to promote the work of their missionaries and to raise funds. The slide shows took place during missionaries’ services, church services, Sunday school groups, and special church programs. Usually, the slide shows were complemented with a text with basic commentary on the mission and content of the slides.

The fonds reflects Minn Sjolseth's artistic career and travels to First Nations communities throughout British Columbia and Alaska with her husband Anthony Carter. Contents of the fonds depict First Nations cultures in British Columbia between 1960 and 1980, including Haida, Coast Salish, Kwakwaka'wakw, Gitsegukla, Kispiox, and Nisga'a. Several of the contents depict notable figures, including Chief Dan George and August Jacks.

The fonds includes textual records including correspondence, ephemera, newspaper clippings; graphic materials such as photographs, slides, negatives, and transparencies that depict Sjolseth’s travels and artworks; and artworks produced by Sjolseth including paintings, drawings, and prints.

The fonds is organized into the following series:

1. Personal records
2. Artwork an Exhibition records
3. Artworks

The fonds consists of photographs, transparencies, negatives, prints, slides, textual records and objects. Contents of the fonds primarily reflect First Nations cultures in British Columbia between 1960 and 1980, including the Haida, Coast Salish (formerly Burrard Reserve), Kwakiutl (Kwakwaka'wakw), Gitsegukla and Ans'pa yaxw (Kispiox) nations. Notable First Nations personalities and artists documented include Chief Dan George, Gerry Marks, Henry Hunt and Norman Tait. Contents also include: B.C. landscapes such as Gwayasdums (Gilford Island), Klemtu, Mamalilikulla and Uchucklesaht; First Nations children; First Nations exhibits, totem poles and installations at the University of British Columbia in Vancouver and for the National Museum of Ethnology in Osaka, Japan. The original accession was arranged in series according to Carter's published works which focus on specific localities, communities, individuals and subject matter, with additional series related to Carter's photojournalistic work and personal recordkeeping added in 2019 when an accrual was made to the fonds.

Fonds consists of 21 photographs from the 1978 Bill Reid pole raising ceremony at Skidegate, an event at which Gill was an observer.